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The influence which Plato’s theories of eros and philia exerted on Plutarch’s Advice to a Bride and Groom, On Isis and Osiris and his Dialogue on Love (Erotikos/Amatorius) are examined in light of the enormous chronological, cultural and philosophical distance between Plato and Plutarch. Plutarch’s methodological approach, reconciling his own opinions with the diverse views – which he saw as authoritative – expressed by Plato in the Symposium, Phaedrus and Laws, is considered. In his Advice to a Bride and Groom, Plutarch’s presentation of a philosophically informed love within marriage is presented as a counterpart to the early stages of Plato’s lover. Similarly, On Isis and Osiris, also presents a ‘companionate marriage’. However, the Erōtikos is the most important Plutarchan work dealing with Platonic love. Here Plutarch must prove not only that married love is natural, and homosexual love against nature (though he does not condemn it as a general principle), but also that women are worthy of love, and, if not already virtuous, can through the influence of the lover be brought towards virtue. The extent to which Plutarch rewrites the Platonic dialogues on eros in a new way, set in the imperial Roman world, is demonstrated.
In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.
Chapter 5 uses those terms to describe, through Assmann, a case study of polytheistic political theology in Egypt. This will help illustrate how polytheism (or better, “cosmotheism”) may be understood as rooted in the “victim mechanism,” in Girard’s terms. This puts to rest naïve notions of polytheism’s putative “tolerance,” seeing it more subtly as a socio-political force that “contains” violence, and an invitation to examine biblical monotheism.
In this book, Lisa Sabbahy presents a history of ancient Egyptian kingship in the Old Kingdom and its re-formation in the early Middle Kingdom. Beginning with an account of Egypt's history before the Old Kingdom, she examines the basis of kingship and its legitimacy. The heart of her study is an exploration of the king's constant emphasis on his relationship to his divine parents, the sun god Ra and his mother, the goddess Hathor, who were two of the most important deities backing the rule of a divine king. Sabbahy focuses on the cardinal importance of this relationship, which is reflected in the king's monuments, particularly his pyramid complexes, several of which are analysed in detail. Sabbahy also offers new insights into the role of queens in the early history of Egypt, notably sibling royal marriages, harem conspiracies, and the possible connotations of royal female titles.