Erik Nyström

Morphology of the Amorphous – Spatial texture, motion and words

9 Sound examples

Sound example 1: Ripples in perspectival space, from Cataract (2010) by Erik Nyström (excerpt) – 0′38″.

Sound example 2: Ripples in spectral space, from Lucent Voids (2012) by Erik Nyström (excerpt) – 0′26″.

Sound example 3: Fractional motion, from Lucent Voids (2012) by Erik Nyström (excerpt) – 1′35″.

Sound example 4: Fractional motion, from recording of Clinamen (2016) by Erik Nyström (excerpt) – 1′00″.

Sound example 5: Signal motion, from Lucent Voids (2012) by Erik Nyström (excerpt) – 1′25″.

Sound example 6: Flow motion, from Lucent Voids (2012) by Erik Nyström (excerpt) – 0′52″.

Sound example 7: Morphogenesis from densification, from Lucent Voids (2012) by Erik Nyström (excerpt) – 0′18″.

Sound example 8: Morphogenesis from boundary growth, from Catabolisms (2011–12) by Erik Nyström (excerpt) – 0′42″.

Sound example 9: Transformotion, from Cataract (2010) by Erik Nyström (excerpt) – 1′23″.

Catabolisms (2011–12), © Erik Nyström (PRS) / Ymx média (SOCAN, SODRAC). (p) Enregistrements i média (SOPROQ) / Released by empreintes DIGITALes in 2014 on the disc ‘Morphogenèse’ (IMED 14129). Reproduced by permission.

Lucent Voids (2012), © Erik Nyström (PRS) / Ymx média (SOCAN, SODRAC). (p) Enregistrements i média (SOPROQ) / Released by empreintes DIGITALes in 2014 on the disc ‘Morphogenèse’ (IMED 14129). Reproduced by permission.

Cataract (2010), © Erik Nyström (PRS) / Ymx média (SOCAN, SODRAC). (p) Enregistrements i média (SOPROQ) / Released by empreintes DIGITALes in 2014 on the disc ‘Morphogenèse’ (IMED 14129). Reproduced by permission.

Peter Plessas

Transformed Sound as Personal Construct

13 Sound examples

Sound example ‘original’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″.

Sound example ‘e1’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with first sound transformation applied.

Sound example ‘e2’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with second sound transformation applied.

Sound example ‘e3’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with third sound transformation applied.

Sound example ‘e4’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with fourth sound transformation applied.

Sound example ‘e5’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with fifth sound transformation applied.

Sound example ‘e6’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with sixth sound transformation applied.

Sound example ‘e7’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with seventh sound transformation applied.

Sound example ‘e8’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with eight sound transformation applied.

Sound example ‘e9’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with ninth sound transformation applied.

Sound example ‘e10’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with tenth sound transformation applied.

Sound example ‘e11’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with eleventh sound transformation applied.

Sound example ‘e12’: action for jackson (2009) by Roland Dahinden (excerpt) – 47″ with twelfth sound transformation applied.

Sam McAuliffe

Studying Sonorous Objects to Develop Frameworks for Improvisation

2 Sound examples

Sound example 1: Responding to the Port Melbourne Jetty, as it was June 25, 2015 (2015) by Sam McAuliffe, performed by Sam McAuliffe and Mark Shepherd.

Sound example 2: Responding to Flinders Street Railway Station, as it was on June 20, 2015 (2015) by Sam McAuliffe, performed by Sam McAuliffe, Tony Hicks, Mark Shepherd, Reuben Lewis, and Zeke Ruckman.