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Coolness, Critique, and the Neoliberal Classical A Roundtable Review of Composing Capital: Classical Music in the Neoliberal Era by Marianna Ritchey (Chicago, 2019) – ADDENDUM

Published online by Cambridge University Press:  14 March 2022

Patrick Valiquet ,
Anna Bull  and
Simone Kruger Bridge
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Abstract

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Type
Addendum
Information
Royal Musical Association Research Chronicle , Volume 53 , April 2022 , pp. 106
Copyright
© The Author(s), 2022. Published by Cambridge University Press on behalf of the Royal Musical Association

The Publisher regrets the omission of the following statement in the audio review.

“The text below is a transcript of an audio recording. To listen to, or download, the original audio file please click the Supplementary Materials tab at the following link https://doi.org/10.1017/rrc.2021.1.”

References

Valiquet, P., Bull, A., & Bridge, S. (2021). Coolness, Critique, and the Neoliberal Classical. Royal Musical Association Research Chronicle, 52, 226–237. doi:10.1017/rrc.2021.1CrossRefGoogle Scholar