Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art. Christina Neilson. Cambridge: Cambridge University Press, 2019. x + 356 pp. 75.

Sarah Blake McHam

doi:10.1017/rqx.2021.118

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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art. Christina Neilson. Cambridge: Cambridge University Press, 2019. x + 356 pp. $120. - Verrocchio: Sculptor and Painter of Renaissance Florence. Andrew Butterfield, ed. Exh. cat. Princeton, NJ: Princeton University Press, 2019. xii + 372 pp. $75.

Volume 74, Issue 3
Sarah Blake McHam ^(a1)
DOI: https://doi.org/10.1017/rqx.2021.118

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Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art. Christina Neilson. Cambridge: Cambridge University Press, 2019. x + 356 pp. $120. - Verrocchio: Sculptor and Painter of Renaissance Florence. Andrew Butterfield, ed. Exh. cat. Princeton, NJ: Princeton University Press, 2019. xii + 372 pp. $75.

Volume 74, Issue 3
Sarah Blake McHam ^(a1)
DOI: https://doi.org/10.1017/rqx.2021.118

To save this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your Google Drive account. Find out more about saving content to Google Drive.

Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art. Christina Neilson. Cambridge: Cambridge University Press, 2019. x + 356 pp. $120. - Verrocchio: Sculptor and Painter of Renaissance Florence. Andrew Butterfield, ed. Exh. cat. Princeton, NJ: Princeton University Press, 2019. xii + 372 pp. $75.

Volume 74, Issue 3
Sarah Blake McHam ^(a1)
DOI: https://doi.org/10.1017/rqx.2021.118

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