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Cooper Alix, Inventing the Indigenous: Local Knowledge and Natural History in Early Modern Europe. Cambridge: Cambridge University Press, 2007.

Published online by Cambridge University Press:  23 September 2008

Roy Ellen
Affiliation:
University of Kent at Canterbury
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Abstract

Type
CSSH Notes
Copyright
Copyright © Society for the Comparative Study of Society and History 2008

A conceit shared by some anthropologists, and assorted students of late modernity, is that the idea of “indigenous knowledge” is a byproduct of post-colonialism and the new politics of alterity. This gem of a book offers an alternative perspective and shows how, as post-Renaissance science dwelled increasingly on the “strange and unusual” through European global expansion, so its scribes and scholars systematized the neglected “local knowledge” of their own backyard. Culpepper and other herbalists, for example, rejected “outlandish herbs” in preference to “such things only as grow in England” (p. 21), for not only were they better, but their documentation remedied ignorance and restored “balance and harmony.” Elsewhere, European nature was being ‘thickly-described’ through the production of “floras,” a new genre of writing in which Latin identified nomenclature and vernacular language described environments. While this eliminated the mythology of the herbals, it rendered “entire landscapes” as “lists” of species, though Cooper is well aware through her reading of Jack Goody that “the list is never self-evident” (74).

For Cooper, the relationship between the local and exotic was always ambiguous, the natural history of one framed in terms of the other, and the worlds of nature and people linked through notions of health and morality. In this context contagion between opposites becomes Douglasian matter-out-of place, no different today, one surmises, than in the seventeenth century. We are told also how naturalists drew explicitly on European folk knowledge, and in particular of the adventures of Linnaeus in Lapland. Cooper does not, however—as she might well have—emphasize the irony of a scientific career that began by relying upon “indigenous” Lappish knowledge, but later suppressed it as there emerged, at Linnaeus' own bidding, a “universalization of botanical knowledge” (170) where folklore neither featured nor was legitimating.

Comparative social science makes its appearance here through the insights of Goody and Lévi-Strauss (the latter with respect to how Europeans found natural objects “good to think with”), though the main reference—perhaps inevitably—is Geertz (1983) on “local knowledge.” Cooper seems to miss the point that contemporary work on indigenous knowledge systems arose independently of Geertzian reflexivity, owing more to pioneer cognitivist “ethnoscience” approaches combined with the late-twentieth-century critical development discourse. True, by exploring the meanings of the “indigenous” and related concepts in early modern Europe, light is shed on what we now mean by “indigenous,” while the argument (174) that contemporary usage is more likely a reaction against British imperial use of the term “native” is perfectly plausible. But the assertion that the ubiquity of the “local” is relatively modern is more difficult to justify. Indeed, the author effectively concedes the point. In its various manifestations, and with degrees of emphasis, it rather evokes a universal pattern of human thought, evident in diverse worldviews ethnographically reported.