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General Index

Published online by Cambridge University Press:  09 January 2025

Edited by
Paul R. Laird  and
Elizabeth A. Wells
Paul R. Laird
Affiliation:
University of Kansas
Elizabeth A. Wells
Affiliation:
Mount Allison University, Canada
Type
Chapter
Information
The Cambridge Companion to West Side Story , pp. 294 - 300
Publisher: Cambridge University Press
Print publication year: 2025

General Index

1600 Pennsylvania Avenue, 96
Abbott, George, 21, 25, 45, 46, 48, 79, 82, 92, 104
Abbott, Tom, 244
Abie’s Irish Rose, 60, 141, 157
Abyssinia, 7, 8
adapturgy, 154, 155, 164, 166
Adorno, Theodor, 189
Allen, Debbie, 180
Alvarez, David, 246
Álvarez, Silvia, 273
American in Paris, An, 23
Americanization, 145, 175
Americanness, 157, 158
Anderson, Maxwell, 9, 13
Andrews, Julie, 148
Anita, 139, 141, 142, 143, 159, 163, 227, 258, 273
2009 revival, 146
and ‘America’, 121, 141, 142, 175, 176
assault of, 139, 159, 166, 175, 176, 206, 239, 244
in ‘A Boy Like That/I Have a Love’, 127, 128, 143, 144, 146
casting, 137, 177, 178, 180, 181, 183, 273
choreography, 232, 236, 239
and exoticism, 142
lesbian reading of, 148
and the Nurse, 159, 160, 166
orchestration, 108, 109
race of, 143, 192
in ‘Taunting Scene’, 129
‘Tonight’ (Quintet), 124, 225
Vienna Volksoper, 258
vocal styles, 215, 219, 220, 221, 223, 225, 226
Annie Get Your Gun, 254, 278
anti-Semitism, 54, 55, 56, 258
Anybodys, xix, 135, 136, 137, 139, 147, 149, 150, 200
choreography, 246
Anyone Can Whistle, 79
appropriation, xix, 191, 192, 194
A-Rab, 115, 233
choreography, 238
Aristotle, 165
Arlen, Harold, 71, 78
assimilation, 141, 142, 144, 150, 158
astrology, 155
Ayala, Yesenia, 181
Babes in Arms, 8
Baby John, 201, 235, 239
vocal styles, 222
Balanchine, George, 39, 42, 46, 48
balcony scene, 160, 162
ballet, 34, 35, 36, 37, 39, 40, 41, 42, 43, 45, 46, 48, 87, 126, 127, 231
Ballet Theatre, 39–42, 45, 46
Barrios, Federico, 273
bebop, 105, 108, 114, 122, 123, 138
beguine, 23, 25, 108, 113, 121, 125
bel canto, 216, 226
Bennett, Robert Russell, 9
Berlin, Irving, 76, 77
Bernardo, 156, 171, 237
and ‘America’, 141, 142, 170, 173, 174, 175, 176, 185, 219
and family, 172, 173
and Riff’s murder, 125, 156
as Tybalt, 139, 159
brownface, 158
casting, 179, 256, 278
choreography, 140, 234, 236
murder of, 9, 159, 176, 206
orchestration, 115
Bernstein, Alexander, 225
Bernstein, Jamie, 225
Bernstein, Leonard, 9, 26, 48, 84, 93, 96
adapting Romeo and Juliet, 145, 165
Candide, 28–31
collaboration with Jerome Robbins, 104
as composer, xvii, 21, 43, 44, 46, 47, 53, 59, 62, 64, 68, 70, 82, 86, 87, 91, 92, 94, 103, 106, 130, 141, 194, 204, 232
compositional process, 107, 118, 120, 123, 126, 127, 129
as conductor, 14, 19, 62, 86, 104, 106, 224, 225, 252
early life, 20
Facsimile, 25
Fancy Free, 20, 42–44
and Judaism, 195
legacy, 188
as lyricist, 105
and Marcel Prawy, 254
musico-dramatic unification, 111
On the Town, 21–24, 44–45
as orchestrator, 106
as pianist, 14, 82, 86
and politics, 189, 190, 195, 207
as a student, 14
Symphonic Dances from West Side Story, 130
Symphony No. 1, Jeremiah, 104
Symphony No. 2, The Age of Anxiety, 104, 105
Symphony No. 3, Kaddish, 109
Trouble in Tahiti, 25
undergraduate thesis, 191
as vocal coach, 225
vocal writing, 215–223
Wonderful Town, 25–28
Bernstein, Shirley, 19
Bizet, George, 9, 19
Blackboard Jungle, 202–203, 204, 208, 209
score, 204
Blitzstein, Marc, 12, 13, 14, 19
Block, Libbie, 58
blues, 116, 123, 142, 194, 232, 235
dance, 235
Brecht, Bertolt, 14
Brigadoon, 74, 84, 86, 90
brownface, xvii, 158, 178, 179, 180, 193
Burnett, Carol, 148
Bye Bye Birdie, 204
Callan, Michael, 224
Camp Tamiment, 37
Candide, 62, 63, 86, 93, 105, 110, 123, 127, 220
‘Make Our Garden Grow’, 31
Carmen, 9, 19, 142
Carmen Jones, 9
Carousel, 10, 245, 254
Carreras, José, 120, 217, 225
casting, 137, 171, 177, 184, 219, 224
1957 original production, 87, 88, 92, 106, 177, 256
1958 London production, 274
1961 film, 192, 193, 240
2009 revival, 180
2020 revival, 244
2021 film, xvii, 149, 182–183
Glee, 181
Vienna Volksoper, 256–257
Catholicism, 59, 135, 172, 173, 192
Cavenaugh, Matt, 218, 227
cha-cha, 114, 232, 235, 237, 241
Chakiris, George, 179, 193
Chan, Donald, 272
Chino, 159, 172
casting, 177
choreography, 246
Chodorov, Jerome, 15, 25
choreography, xviii, 34, 38, 39, 40, 45, 47, 104, 138
1961 film, xvii, 240
2021 film adaptation, 246, 247
Finnish production, 277
cinematography
1961 film, 240
2021 film, 245, 247
Civil Rights movement, 136
class, xviii, 136, 185, 188, 189, 190, 192, 193, 195, 209
classism, 188, 190, 195
Clurman, Howard, 52
Cold War, 266, 267, 277
colourblindness, 137, 145–147, 151
colourism, 163, 192, 193
Comden, Betty, 15, 21, 25, 44, 48, 104
communism, 198, 206, 207
Community Advisory Board for 2021 film, 183–184
Company, 79
concert ballet, 43
concert dance, 34
Conchtown, 105, 121
Consuelo, 137
vocal styles, 222
Cook, Will Marion, 7
cool jazz, 105, 108, 114, 122, 138, 206
Copland, Aaron, 22, 121, 191
costumes, 142, 232, 239, 246
Cox, Don, 191
Cradle Will Rock, The, 12, 14, 19
Crawford, Cheryl, 63, 82, 83–91, 92, 95
Cruz, Victor, 228
‘Culture Industry’, 189, 195
Dallapozza, Adolf, 260, 262
dance, 103
Latin American, 23, 29
Latinx, 242
vernacular styles, 45, 232, 235, 245
dance vocabulary, 232, 233, 234
de Guzmán, Jossie, 180
De Keersmaeker, Anne Teresa, 182, 244
DeBose, Ariana, 137, 184, 228, 246
casting, 183
Delgado, Patricia, 245
Desert Song, The, 8
Dirty Dancing, 205
disability, 136
diversity, 6, 27, 137, 145, 172, 178, 195
Do I Hear a Waltz?, 62, 69
Doc, 159, 163, 193
Du Bois, W. E. B., 7
Dunbar, Paul Laurence, 7
East Side Story, 47, 54, 56, 59, 60, 62, 63, 105, 141, 156, 192, 202
Ewoldt, Ali, 272
exceptionalism, American, 194, 266
exoticism, 140, 255, 256, 259, 261, 262
Expresso Bongo, 204
Facsimile, 42, 46, 47, 104
Fancy Free, 20, 21, 45, 46, 53, 104, 105
fascism, 198, 206
femininity, 136, 143, 148
feminine Other, 140
redemptive feminine, 144, 146, 147, 148
Fiddler on the Roof, 45, 96, 103, 278
Fields, Joseph A., 15, 25
film adaptations
1961, xvii, 103, 173, 192, 225, 270
2021, xvii, xviii, 103, 149, 181, 182, 184, 227, 228, 245
Finian’s Rainbow, 5, 6, 71, 253
Flower Drum Song, 8
Follies, 74, 78
Francisca
vocal styles, 222
Frankcom, Sarah, 135, 136, 150
Friml, Rudolf, 8
Funny Thing Happened on the Way to the Forum, A, 75, 78, 79
gang culture, 54, 190, 198, 199, 200, 205, 208, 210
girl gangs, 199, 200
Garcia-Lee, Paloma, 246
gender, xviii, 139, 142, 143, 147, 151, 185, 227
gender roles, 139, 141
Gennaro, Peter, 87, 209, 232, 233, 241
geographies of adaptation, 160–164, 166
German adaptation, 255, 256, 257, 259
Gershwin, George, 9, 10, 11, 22, 23, 191
Gershwin, Ira, 9, 10
Gilbert and Sullivan, 13, 29
Glad Hand, 118, 140, 235
Glee, 181
Graziella, 139
Green, Adolph, 15, 21, 25, 44, 48, 104
Griffith, Robert, xix, 64, 82, 91–93, 94, 95, 96
Grist, Reri, 137, 146
Guests, The, 59
Guys and Dolls, 15, 25, 74, 103, 199
Gypsy, 53, 54, 95
Hammerstein II, Oscar, 8, 9, 69, 82, 86, 87, 93, 105, 110
Harburg, E. Y., 5, 71
Harrigan, Edward, 4
Hart, Lorenz, 8, 13, 15
Hart, Moss, 13
Hellman, Lillian, 28, 29, 30, 31
heterosexuality, 147, 148
Heyward, DuBose, 9
Hispanic, xvii, 114, 171, 258
Hispanicization, 144
Hitchcock, Alfred, 56, 57, 58
Holbrook, Curtis, 139
homosexuality, 55, 56, 57, 59, 62, 89
Hoover, J. Edgar, 200
House Un-American Activities Committee (HUAC), 28, 54, 89, 206
huapango, 114, 121, 141, 241
Hughes, Langston, 5
humours, 155
Hunter, Evan, 202
I’d Rather Be Right, 13
immigrant experience, 3, 4, 5, 16, 141, 170, 174, 175, 177
immigrants, xviii, 4–6, 7, 157, 163, 172, 174, 192, 199, 241
immigration, 157, 182, 198, 199
In Dahomey, 7
In the Heights, 180
instrumentation, 107
intersectionality, 137, 138
intolerance, 145
Isabelle, Ana, 183
jazz, 20, 22, 23, 25, 27, 28, 30, 41, 45, 48, 77, 104, 107, 113, 114, 115, 117, 122, 138, 191, 193, 194, 204, 220, 266
Jerome Robbins’ Broadway, 241, 242
Jet Girls, 139, 140, 142, 175
Jets, 9, 88, 141, 148, 151, 171, 172, 192, 193, 200, 208, 226
in the 2020 revival, 182
as American, 164
and Anita’s assault, 129, 159, 176, 206, 239
choreography, 48, 209, 233, 234, 235, 236, 237, 238, 245, 247
‘Cool’, 123
German adaptation, 257, 258
lack of cultural identity, 172
misogyny of, 175
orchestration, 107, 108, 206
Vienna Volksoper, 261
vocal styles, 220
‘West Side Story Suite’, 242
Jewishness, 36, 194
jitterbug, 232
jive, 235
Johnny Johnson, 83, 110
Judaism, 135, 192
juvenile delinquency, 171, 198–210, 268, 275
female delinquency, 200
Kaufman, George S., 10, 11, 13
Kaye, Nora, 38
Keep Off the Grass, 39, 40
Kern, Jerome, 8, 76, 77, 110
Kert, Larry, 119, 224, 227
King and I, The, 8, 10, 46, 62, 178
Kiss Me, Kate!, 253
Knickerbocker Holiday, 13
Kohner, Susan, 179
Kostal, Irwin, 87, 103, 106–107, 111
Kushner, Tony, 149, 150, 182, 184, 227, 245
Lady in the Dark, 110
LaFosse, Robert, 242
Lane, Burton, 5, 71
Lark, The, 28
Latin America, 3, 14, 15, 16, 204, 209
Latin American, 261
Latinx, xix, 16, 136, 137, 170, 171, 172, 177, 178, 179, 180, 182, 183, 184, 185, 192, 193, 228, 248
musical characteristics, xix, 192, 193, 194
Laurents, Arthur, 68, 70, 78, 79, 82, 88, 89, 157, 206
2009 revival, 64, 146, 180, 226, 227, 244
Bird Cage, The, 60
Caught, 58–59, 60
Clearing in the Woods, A, 62–63, 65
early career, 52–53
and East Side Story, 60, 135
friendship with Jerome Robbins, 48, 53–54
Gypsy, 95
Home of the Brave, 53, 54–56, 58, 63, 65
as librettist, 47, 62, 63–64, 65, 70, 82, 86, 87, 88, 90, 92, 105, 125
and politics, 61, 189
Rope, 58, 59
Time of the Cuckoo, The, 60–62
Lawrence, Carol, 106, 224, 225, 239, 258
casting, 178, 192
vocal qualities, 148
Lehman, Ernest, 174
Lehtonen, Rauli, 276, 278
Leibman, Max, 37, 38, 48
leitmotif, 110, 111
Lerner, Alan Jay, 74, 90
lesbian point of view, 136, 147–148
Let ’Em Eat Cake, 10, 11
Lieberson, Goddard, 224
Lieutenant Schrank, 172, 193, 206
Little Night Music, A, 73, 75
Loesser, Frank, 15, 74, 75
Loewe, Frederick, 39, 90
London
1958 production, 274–276
Lost in the Stars, 9
mambo, 114, 204, 232, 235, 255
face-off, 236
Maria, 140, 141, 143, 159, 255
‘A Boy Like That/I Have a Love’, 128, 144
‘Balcony Scene’, 121
‘Ballet Sequence’, 126, 127
casting, 178, 179, 180, 181, 183, 192
choreography, 237, 239
‘Dance at the Gym’, 118
and family, 172, 173, 174
‘Finale’, 129
‘I Feel Pretty’, 125, 126
Miss America, 176
‘One Hand, One Heart’, 123
orchestration, 108, 109
‘Somewhere’, 164
‘Tonight’ (Quintet), 125
Vienna Volksoper, 258, 259
vocal styles, 145, 215, 218, 220, 221, 222, 223
Marion, Jr., George, 15
masculinity, 136, 138–139, 144, 146
materialism, 59, 61
McCarthyism, 28, 189, 196
McKneely, Joey, 244, 272
menas, iris, 149, 150
Migenes, Julia, 259
Miller, Arthur, 165
minstrelsy, 7, 8
Miranda, Lin-Manuel, 170
2009 revival, 180, 226, 244
Mirisch, Harold, 178
miscegenation, 139, 140
misogyny, 206
Miya, Joanne, 179
Moiseyev, Igor, 268
Moreno, Rita, 137, 142, 193, 228, 247
brownface, 178
casting, 178
as Valentina, 150, 182
Mulligan Guard Ball, The, 3, 4, 5, 16
Music Man, The, 82, 85, 94, 198
musico-dramatic unification, 110–114
tritone, 111–112, 122
My Fair Lady, 74, 82, 95, 103, 274, 278
Negrón-Muntaner, Frances, 158, 170, 171, 178
New York City Ballet, 46, 47, 59, 241, 243
Newyorican, 170, 177, 180, 181, 184, 242
Nixon, Marni, 225
non-binary, 149
Of Thee I Sing, 10, 11
Officer Krupke, 172, 193, 242
Oklahoma!, 10, 21, 24, 103, 199, 276
Oliver!, 79, 276
Olivo, Karen, 225, 227
casting, 180
On the Town, 19, 21, 25, 26, 27, 44, 45, 53, 70, 87, 104
musico-dramatic unification, 110
On the Waterfront, 28, 105, 109
On Your Toes, 24, 38, 42
One Touch of Venus, 84, 90, 95
operatic characteristics, 124, 127, 215, 217, 218, 220, 222, 223, 225, 255
orchestration, 87, 103, 104, 107, 108
Osato, Sono, 44
Paint Your Wagon, 74, 84, 86, 95
Pajama Game, The, 92, 93
Pal Joey, 199
palimpsest, 3, 15, 157–160, 166
passaggio, 217, 218
patriarchy, 142, 166
Peace, The, 20, 23, 27
Peck, Justin, 245
Peter Pan, 25, 46
Philipp, Adolf, 4
Pimentel, Shereen, 181
Pins and Needles, 12
politics, 10, 16
Porgy and Bess, 9, 84, 254, 267
Prawy, Marcel, 252–255, 262
casting, 256
German adaptation, 256, 261
prejudice, 54, 137, 145, 162, 166, 175, 188, 191, 194, 195, 210
Presley, Elvis, 204
Prince, Harold (Hal), xix, 63, 82, 91–93, 94, 95, 96, 209, 267, 276
Puerto Rican-ness, 158
Puerto Ricans, xvii, xviii, xix, 7, 9, 62, 121, 149, 157, 170, 171, 177, 178, 185, 202, 227
assimilation, 174
migration, 173, 183
Puerto Rico, Commonwealth of, 173
Puhtila, Sauvo, 277
queerness, 147, 149, 150, 175, 194, 207
race, xviii, 16, 136, 138, 139, 142, 143, 145, 147, 185, 188, 189
racism, xviii, 5, 7, 8, 9, 56, 103, 140, 146, 170, 175, 188, 190, 192, 194, 195, 206, 248, 258, 262, 268
Ramin, Sid, 87, 103, 106–107, 111
realism, 226
recordings
1984 recording, 224, 225
2009 Broadway revival, 139, 224, 225
2021 film, 224
original Broadway cast, 224, 225, 258
Vienna Volksoper, 258
Reguant, Ricard, 271
representation, 182
Latinx, 171
revivals
1980, 179, 244
2009, 144, 180, 218, 244
2020, 171, 181
Rice, Elmer, 5
Riff, 116, 117, 122, 138, 171, 200, 237
choreography, 236, 238, 246
murder of, 125, 156, 176
‘Tonight’ (Quintet), 125
vocal styles, 215, 220, 221
Rivera, Chita, 106, 137, 142, 148, 177, 224, 225, 226, 258
Robbins, Jerome, 62, 64, 89, 90, 206
Age of Anxiety, 47, 104
and Ballet Theatre, 39–42
at Camp Tamiment, 37–39
as choreo-director, 231–234, 248
as choreographer, 21, 64, 86, 87, 94, 106, 126, 136, 158, 203, 209, 210
choreography, xvii, 20
collaborations with Bernstein, 31, 104
as a dancer, 39–42
as director, 64, 68, 70, 82, 86, 88, 89, 92, 142, 178, 179
early career, 37
East Side Story, 59, 156
Fancy Free, 20, 42
Fiddler on the Roof, 96
formation of West Side Story, 62, 82, 105
friendship with Laurents, 52, 53–54
Gypsy, 95
leading up to West Side Story, 45–47
On the Town, 24
and politics, 189
Robbins, Sonia, 35, 36, 48
rock music, 204
Rodgers, Richard, 8, 13, 15, 62, 69, 82, 86, 87, 110
Rogers, Alexander, 7
Romberg, Sigmund, 8
Rome, Harold, 12
Romeo and Juliet, xvii, 47, 65, 68, 82, 103, 105, 120, 135, 140, 154
as a source, 154–157
Rosalia, 121
casting, 183
vocal styles, 219, 222
Rose-Marie, 8, 10
Rosenthal, Jean, 231
rumba, 23, 25, 114, 120
Ryskind, Morrie, 10, 11
Saidy, Fred, 5
Salstein, Craig, 245
Sanabria, Bobby, 184
Sánchez, Jaime, 177
Sandor, Senya Gluck, 36, 37, 48
Saturday Night, 68, 71, 73, 74, 76, 77, 78
Scaglione, Josefina, 227
casting, 180
scenic design, 164
Serrano, Alejandro, 273
Serrano, David, 273
set design, 163, 232, 239
Shakespeare, William, xvii, 86, 154, 156, 161
Sharaff, Irene, 231
Shark Girls, 139, 141, 144, 172, 219, 220, 225, 237
‘America’, 164
Sharks, 9, 148, 151, 170, 171, 172, 192, 208, 226, 244
in the 2020 revival, 182
and ‘America’, 175
brownface, 178
casting, xvii, 171
choreography, 48, 209, 233, 234, 235, 236, 245, 246, 247
‘My Country ’tis of Thee’, 176
as Newyoricans, 179
orchestration, 108
Vienna Volksoper, 261
‘West Side Story Suite’, 242
Shipp, Jesse A., 7
Show Boat, 8, 110, 143, 254
Simeone, Nigel, 103, 104, 106, 111, 114, 117, 119, 121, 122, 123, 126, 127
Smith, Oliver, 20, 21, 164, 231
social relevance, 3, 16
Sondheim, Stephen, 62, 64, 82, 88, 91, 92, 96
as composer, 85
as composer-lyricist, 25
early career, 68–70
friendship with Laurents, 52
Gypsy, 95
as lyricist, xvii, 62, 63, 71–75, 82, 90, 91, 92, 94, 104, 105, 106, 117, 120, 121, 122, 123, 125, 127, 174, 194, 219, 220, 223
as pianist and composer, 75–78
and politics, 209
Sons o’ Fun, 15
Sound of Music, The, 103
South Pacific, 8, 103, 110
Soviet Union, 266, 269
1961 film, 268
aesthetics, 269
Spain, 270–274
1996 production, 271
2018 adaptation, 273
Spanish translation, 180, 226, 227, 244
Spielberg, Steven, xvii, 103, 150, 171, 182, 245
stereotypes, 7, 44, 170, 173, 176, 185, 222, 255
Stevens, Roger L., xix, 82, 84, 85, 86, 90, 91, 92, 93, 94, 96
Stothart, Herbert, 8
Street Scene, 5, 6
Strike Up the Band, 10
Sullivan, Matt, 228
Summertime, 62
Tampere Theatre, 276, 277, 278
Taubman, Howard, 79
Tazewell, Paul, 246
Te Kanawa, Kiri, 225
tempo di seis, 114, 121, 142
Terra, Carmine, 256
Tesori, Jeanine, 228
Theater an der Wien, 278
Theodore, Lee Becker, 244
Threepenny Opera, The, 14
Tin Pan Alley, 27, 28, 189
‘Tonight’ Quintet, 215
Tony, 117, 119, 120, 163, 255
‘Ballet Sequence’, 126, 127
and Bernardo’s murder, 206
casting, 219
choreography ‘Dance at the Gym’, 118, 237, 246
‘Finale’, 129
murder of Bernardo, 9
‘One Hand, One Heart’, 123
orchestration, 108
‘Somewhere’, 164
‘Tonight’ (Quintet), 125
in ‘West Side Story Suite’, 242
Vienna Volksoper, 260
vocal style, 215, 216, 217
vocal styles, 215, 218, 219, 220, 221, 222
Too Many Girls, 15
tours, 94–95
international, 271, 272
Soviet Union, 267–268
tragedy, 165, 166
transgender, 149, 150
tresillo, 108, 117, 117, 120, 120, 121, 122
tritone, use of. See musico-dramatic unification
Trouble in Tahiti, 110
Troyanos, Tatiana, 225, 226
Trujillo, Sergio, 245
USSR. See Soviet Union
Valentina, 150, 182
van Hove, Ivo, 171, 181, 182, 185, 244
Värtsi, Heikki, 277
Vienna Volksoper, 252, 253
critical response, 260–262
violence, 171, 175, 248
gang, xviii, 82, 109, 111, 114, 190, 199, 201, 261
knife, 3, 9, 10, 16, 125
racial, 10, 194
sexual, 175, 192
vocal belt, 215, 217, 219, 223, 225, 228
Walker, George, 7
waltz, 72, 123, 140, 222
Wand, Betty, 225
Weill, Kurt, 5, 9, 13, 14, 83, 84, 90, 110
Wells, Elizabeth A., 91, 104, 114, 121, 138, 140, 144, 145, 146, 149, 177
Wertham, Frederick, 201
white privilege, 190
white supremacy, 193, 194
whiteness, 6, 7, 139, 140, 142, 145, 146, 163, 176, 181, 193
Williams, Bert, 7
Wise, Robert, xvii, 171, 241
Wolf, Stacy, 136, 144, 146, 147, 148
Wolfe, Tom, 188, 190
Wonderful Town, 15, 23, 27, 104, 106
musico-dramatic unification, 110
Vienna Volksoper, 252, 254
Wood, Natalie, xvii, 193
casting, 178, 179
Woods, Arline, 256, 258
World War II, 14, 52, 53, 106
Zegler, Rachel, 228
casting, 183

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  • General Index
  • Edited by Paul R. Laird, University of Kansas, Elizabeth A. Wells, Mount Allison University, Canada
  • Book: The Cambridge Companion to <i>West Side Story</i>
  • Online publication: 09 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781108784849.020
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  • General Index
  • Edited by Paul R. Laird, University of Kansas, Elizabeth A. Wells, Mount Allison University, Canada
  • Book: The Cambridge Companion to <i>West Side Story</i>
  • Online publication: 09 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781108784849.020
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  • General Index
  • Edited by Paul R. Laird, University of Kansas, Elizabeth A. Wells, Mount Allison University, Canada
  • Book: The Cambridge Companion to <i>West Side Story</i>
  • Online publication: 09 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781108784849.020
Available formats
×