Appendix: List of Works
Works with Opus Numbers
| 1/1–4 | Four Songs: “With Violets” (K. Vannah); “Die vier Brüder” (F. von Schiller); “Jeune fille et jeune fleur” (F. R. Chateaubriand); “Ariette” (P. B. Shelley), 1885–87 |
| 2/1–3 | Three Songs (H. H. A. Beach): “Twilight”; “When Far from Her”; “Empress of Night,” 1887–91 |
| 3 | Cadenza to Beethoven, Piano Concerto No. 3, op. 37, 1st mvt., 1888 |
| 4 | Valse-Caprice, 1889 |
| 5 | Grand Mass in E-flat major, 1890 |
| “Graduale: Thou Glory of Jerusalem,” 1892 (insertion in Mass in E flat, 1890) | |
| 6 | Ballad for piano, 1894 |
| 7 | O Praise the Lord, All Ye Nations (Ps. 117), 1891 |
| 8/1–3 | Choral Responses: “Nunc dimittis” (Luke 2.29); “With Prayer and Supplication” (Philippians 4.6–7); “Peace I Leave with You” (John 4.27), 1891 |
| 9 | The Little Brown Bee for women’s chorus (M. Eytinge), 1891 |
| 10/1–3 | Songs of the Sea: “A Canadian Boat Song” (T. Moore); “The Night Sea” (H. P. Spofford); “Sea Song” (W. E. Channing), 1890 |
| 11/1–3 | Three Songs (W. E. Henley): “Dark Is the Night!”; “The Western Wind”; “The Blackbird,” 1889–90 |
| 12/1–3 | Three Songs (R. Burns): “Wilt Thou Be My Dearie?”; “Ye Banks and Braes O’ Bonnie Doon”; “My Luve Is Like a Red, Red Rose,” 1887 |
| 13 | Hymn of Trust (O. W. Holmes), 1891 |
| 14/1–4 | Four Songs: “The Summer Wind” (W. Learned); “Le Secret” (J. De Resseguier); “Sweetheart, Sigh No More” (T. B. Aldrich); “The Thrush” (E. R. Still), 1890 |
| 15/1–4 | Four Sketches: “In Autumn”; “Phantoms”; “Dreaming”; “Fireflies,” 1892 |
| 16 | The Minstrel and the King: Rudolph von Hapsburg (F. von Schiller), 1890 |
| 17 | Festival Jubilate (Psalm 100), 1891 |
| 18 | Eilende Wolken, Segler der Lüfte (F. von Schiller), 1892 |
| 19/1–3 | Three Songs: “For Me the Jasmine Buds Unfold” (F. E. Coates); “Ecstasy” (A. M. Beach); “Golden Gates,” 1893 |
| 20 | Villanelle: Across the World (E. M. Thomas), 1894 |
| 21/1–3 | Three Songs: “Chanson d’amour” (V. Hugo); “Extase” (Hugo); “Elle et moi” (F. Bovet), 1893 |
| 22 | Bal Masqué (orchestral version 1893; piano 1894) |
| 23 | Romance for violin and piano, 1893 |
| 24 | Bethlehem (G. C. Hugg), 1893 |
| 25/1–6 | Children’s Carnival, 1894 |
| 26/1–4 | Four Songs: “My Star” (C. Fabbri); “Just for This” (Fabbri); “Spring” (Fabbri); “Wouldn’t That Be Queer” (E. J. Cooley), 1894 |
| 27 | Alleluia, Christ is Risen (after M. Weisse, C. F. Gellert, T. Scott, T. Gibbons), 1895 |
| 28/1–3 | Trois morceaux caractéristiques: “Barcarolle”; “Minuet Italien”; “Danse des fleurs,” 1894 |
| 29/1–4 | Four Songs: “Within Thy Heart” (A. M. Beach); “The Wandering Knight” (Anon.); “Sleep, Little Darling”; (Spofford) “Haste, O Beloved” (W. A. Sparrow), 1894 |
| 30 | The Rose of Avon-town (C. Mischka), 1896 |
| 31/1–3 | Three Flower Songs (M. Deland): “The Clover”; “The Yellow Daisy”; “The Bluebell,” 1896 |
| 32 | Symphony in E minor, “Gaelic,” 1894–96 |
| 33 | Teach Me Thy Way (Ps 86.11–12), 1895 |
| 34 | Sonata in A minor for piano and violin, 1896 |
| 35/1–4 | Four Songs: “Nachts” (C. F. Scherenberg); “Allein!” (H. Heine); “Nähe des Geliebten” (J. W. von Goethe); “Forget-me-not” (H. H. A. Beach), 1896 |
| 36/1–5 | Children’s Album: Minuet, Gavotte, Waltz, March, Polka, 1897 |
| 37/1–3 | Three Shakespeare Songs: “O Mistress Mine”; “Take, O Take Those Lips Away”; “Fairy Lullaby,” 1897 |
| 38 | Peace on Earth (E. H. Sears), 1897 |
| 39/1–3 | Three Shakespeare Choruses: “Over Hill, over Dale”; “Come unto These Yellow Sands”; “Through the House Give Glimmering Light,” 1897 |
| 40 | Three Compositions for violin and piano: “La Captive”; “Berceuse”; “Mazurka,” 1898 |
| 41/1–3 | Three Songs: “Anita” (Fabbri); “Thy Beauty” (Spofford); “Forgotten” (Fabbri), 1898 |
| 42 | Song of Welcome (H. M. Blossom), 1898 |
| 43/1–5 | Five Burns Songs: “Dearie”; “Scottish Cradle Song”; “Oh Were My Love Yon Lilac Fair!”; “Far Awa’”; “My Lassie,” 1899 |
| 44/1–3 | Three Browning Songs: “The Year’s at the Spring”; “Ah, Love, but a Day”; “I Send My Heart up to Thee,” 1900 |
| 45 | Concerto for Piano and Orchestra in C-sharp minor, 1899 |
| 46 | Sylvania: A Wedding Cantata (F. W. Bancroft, after W. Bloem), 1901 |
| 47 | Summer Dreams for piano four hands, 1901 |
| 48/1–4 | Four Songs: “Come, Ah Come” (H. H. A. Beach); “Good Morning” (A. H. Lockhart); “Good Night” (Lockhart); “Canzonetta” (A. Sylvestre), 1902 |
| 49 | A Song of Liberty (F. L. Stanton), 1902 |
| 50 | Help Us, O God (Pss. 79.9, 5; 45.26), 1903 |
| 51/1–4 | Four Songs: “Ich sagete nicht” (E. Wissman); “Wir drei” (H. Eschelbach); “Juni” (E. Jansen); “Je demande à l’oiseau” (Sylvestre), 1903 |
| 52 | A Hymn of Freedom: America (S. F. Smith), 1903 (rev. with text “O Lord our God Arise,” 1944) |
| 53 | Jephthah’s Daughter (Mollevaut, after Judges 11.38, It. trans., I. Martinez, Eng. trans., A. M. Beach), 1903 |
| 54/1–2 | “Scottish Legend”; “Gavotte fantastique,” 1903 |
| 55 | Invocation for violin and piano, 1904 |
| 56/1–4 | Four Songs: “Autumn Song” (H. H. A. Beach); “Go Not Too Far” (F. E. Coates); “I Know Not How to Find the Spring” (Coates); “Shena Van” (W. Black), 1903–4 |
| 57/1–2 | Women’s Choruses: “Only a Song” (A. L. Hughes); “One Summer Day” (Hughes), 1904 |
| 59 | The Sea-Fairies for women’s chorus (A. Tennyson), 1904 |
| 60 | Variations on Balkan Themes, 1904 |
| 61 | “Give Me Not Love” (Coates), 1905 |
| 62 | “When Soul is Joined to Soul” (E. B. Browning),1905 |
| 63 | Service in A: “Te Deum”; “Benedictus”; “Jubilate Deo”; “Magnificat”; “Nunc dimittis,” 1905–6 |
| 64/1–4 | Eskimos, Four Characteristics Pieces: “Arctic Night”; “The Returning Hunter”; “Exiles”; “With Dog-teams,” 1907 |
| 65/1–5 | Les rêves de Colombine: Suite française: “La Fée de la fontaine”; “Le prince gracieux”; “Valse amoureuse”; “Sous les étoiles”; “Danse d’Arlequin,” 1907 |
| 66 | The Chambered Nautilus (Holmes), 1907 |
| 67 | Quintet for Piano and Strings in F-sharp minor, 1907 |
| 68 | “After” (Coates), 1909 |
| 69/1–2 | Two Mother Songs: “Baby” (G. MacDonald); “Hush, Baby Dear” (A. L. Hughes), 1908 |
| 70 | “Iverniana” for two pianos (1910, lost) |
| 71/1–3 | Three Songs: “A Prelude” (A. M. Beach); “O Sweet Content” (T. Dekker); “An Old Love-Story” (B. L Stathem), 1910 |
| 72/1–2 | Two Songs: “Ein altes Gebet” (Anon.); “Deine Blumen” (L. Zacharias), 1914 |
| 73/1–2 | Two Songs (Zacharias): “Grossmütterchen”; “Der Totenkranz,” 1914 |
| 74 | Panama Hymn (W. P. Stafford), 1915 |
| 74 | All Hail the Power of Jesus’ Name (E. Perronet), 1915 (alternate text for Panama Hymn) |
| 75/1–4 | “The Candy Lion” (A. F. Brown); “A Thanksgiving Fable” (D. Herford); “Dolladine” (W.B. Rands); “Prayer of a Tired Child” (Brown), 1914 |
| 76/1–2 | Two Songs: “Separation” (J. L. Stoddard); “The Lotos Isles” (A. Tennyson), 1914 |
| 77/1–2 | Two Songs: “I” (C. Fanning); “Wind o’ the Westland” (D. Burnett), 1916 |
| 78/1–4 | Canticles: “Bonum est, confiteri”; “Deus misereatur”; “Cantate Domino”; “Benedic anima mea,” 1916 |
| 79/1–3 | Three Songs: “Meadowlarks” (I. Coolbrith); “Night Songs at Amalfi” (S. Teasdale); “In Blossom Time” (Coolbrith), 1917 |
| 80 | Theme and Variations for Flute and String Quartet, 1916 |
| 81 | Prelude and Fugue for piano, 1917 |
| 82 | Dusk in June for women’s chorus (S. Teasdale), 1917 |
| 83 | From Blackbird Hills for piano, 1922 |
| 84 | Te Deum for men’s chorus, 1921 |
| 85 | In the Twilight (Longfellow), 1922 |
| 86 | May Eve for chorus, 1921 |
| 87 | Fantasia fugata for piano, 1923 |
| 88 | Spirit Divine (A. Read), 1922 |
| 89 | Quartet for Strings in One Movement, 1929 |
| 90 | Pastorale for flute, cello, and piano, 1921 |
| 91 | The Fair Hills of Éiré, O! (Old Irish melody) for piano, 1922 |
| 92/1–2 | “The Hermit Thrush at Eve”; “The Hermit Thrush at Morn” for piano, 1921 |
| 93 | Message (S. Teasdale), 1922 |
| 94 | Three School Songs: “The Arrow and the Song” (H. W. Longfellow); “Clouds” (F. D. Sherman); “A Song for Little May” (E. H. Miller), 1922 |
| 95 | Constant Christmas for women’s chorus (P. Brooks), 1922 |
| 96 | The Lord Is My Shepherd (Ps 23), 1923 |
| 97/1–5 | From Grandmother’s Garden for piano: “Morning Glories”; “Heartsease”; “Mignonette”; “Rosemary and Rue”; “Honeysuckle,” 1922 |
| 98 | I Will Lift Up Mine Eyes (Ps 121), 1923 |
| 99/1–4 | Four Songs: “When Mama Sings” (A. M. Beach); “Little Brown-Eyed Laddie” (A. D. O. Greenwood); “The Moonpath” (K. Adams); “The Artless Maid” (L. Barili), 1923 |
| 100/1–2 | Two Songs: “A Mirage” (B. Ochsner); “Stella Viatoris” (J. H. Nettleton), 1924 |
| 101 | Peter Pan for women’s chorus (J. Andrews), 1923 |
| 102/1–2 | “Farewell Summer”; “Dancing Leaves” for piano, 1924 |
| 103/1–2 | “Benedictus es, Domine”; “Benedictus,” 1924 |
| 104 | Suite for Two Pianos Founded upon Old Irish Melodies, 1924 |
| 105 | Let This Mind Be in You (Philippians 2.5–11), 1924 |
| 106 | Old Chapel by Moonlight for piano, 1924 |
| 107 | Nocturne for piano, 1924 |
| 108 | A Cradle Song of the Lonely Mother for piano, 1924 |
| 109 | Lord of the Worlds Above (I. Watts), 1925 |
| 110 | The Greenwood for chorus (W. L. Bowles), 1925 |
| 111 | From Olden Times: Gavotte for piano, lost |
| 112 | Jesus My Saviour (A. Elliot), 1925 |
| 113 | Mine Be the Lips (L. Speyer), 1921 |
| 114 | By the Still Waters for piano, 1925 |
| 115 | Around the Manger for chorus (Davis), 1925 |
| 116 | Tyrolean Valse-Fantasie for piano, 1926 |
| 117/1–3 | Three Songs (M. Lee): “The Singer,” “The Host,” “Song in the Hills,” 1925 |
| 118/1–2 | Two Children’s Choruses: “The Moon Boat” (E. D. Watkins); “Who Has Seen the Wind” (C. Rossetti), 1938 |
| 119/1–6 | From Six to Twelve: “Sliding on the Ice”; “The First May Flowers”; “Canoeing”; “Secrets of the Attic”; “A Camp-fire Ceremonial”; “Boy Scouts March,” 1927 |
| 120 | Rendez-vous (L. Speyer), 1928 |
| 121 | Benedicite omnia opera Domini (Daniel 3.56–68), 1928 |
| 122 | Communion Responses: “Kyrie”; “Gloria Tibi”; “Sursum corda”; “Sanctus”; “Agnus Dei”; “Gloria” (supplement to Service in A), 1928 |
| 123 | The Canticle of the Sun (St. Francis), 1928 |
| 124 | Springtime (S. M. Heywood), 1929 |
| 125/1–2 | Two Sacred Songs: “Spirit of Mercy”; “Evening Hymn: The Shadows of the Evening Hours” (A. Procter), 1936 |
| 126/1–2 | “Sea Fever” (J. Masefield); “The Last Prayer” for men’s chorus, 1931 |
| 127 | When the Last Sea Is Sailed for men’s chorus (J. Masefield), 1931 |
| 128/1–3 | Three Pianoforte Pieces: “Scherzino: A Peterborough Chipmunk”; “Young Birches”; “A Humming Bird,” 1932 |
| 129 | Drowsy Dreamtown for women’s chorus (R. Norwood), 1932 |
| 130 | Out of the Depths for piano, 1932 |
| 131 | Dark Garden (L. Speyer), 1932 |
| 132 | Christ in the Universe (A. Meynell), 1931 |
| 133 | Four Choral Responses (J. Fischer), 1932 |
| 134 | God Is Our Stronghold (E. Wordsworth) |
| 135 | To One I Love (S. R. Quick), 1932 |
| 136 | Fire and Flame (A.A. Moody), 1932 |
| 137/1–2 | Two Mother Songs: “Baby” (S. R. Quick); “May Flowers” (A. Moody), 1933 |
| 139 | Hearken Unto Me (Isaiah 51.1, 3; 43.1–3; 40.28, 31), 1934 |
| 140 | We Who Sing Have Walked in Glory (A. S. Bridgeman), 1934 |
| 141 | O Lord God of Israel (1 Kings 8.23, 27–30, 34), 1936 |
| 142 | I Sought the Lord (Anon.), 1937 |
| 143 | I Shall Be Brave (K. Adams), 1932 |
| 144 | This Morning Very Early for women’s chorus (P. H. Hills), 1937 |
| 145 | April Dreams (K. W. Harding), 1935 |
| 146 | Lord of All Being (O. W. Holmes), 1938 |
| 147 | I Will Give Thanks (Ps 111), 1939 |
| 148 | Five Improvisations for piano, 1938 |
| 149 | Cabildo, one-act opera (N. B. Stevens), 1932 |
| 150 | Trio for Piano, Violin, and Violoncello, 1939 |
| 151 | Pastorale for woodwind quintet, 1942 |
| 152 | Though I Take the Wings of Morning (R. N. Spencer), 1941 |
Works Without Opus Numbers
“Mamma’s Waltz,” 1872
“Air and Variations,” 1877
“Menuetto,” 1877
“Romanza,” 1877
“Petite valse,” 1878
“The Rainy Day” (H. Longfellow), 1880
Four Chorales: “Come Ye Faithful”; “Come to Me”; “O Lord, How Happy Should We Be”; “To Heav’n I Lift My Waiting Eyes,” 1882
St. John the Baptist (Matthew, Luke), 1889 (Libretto)
Three movements for piano four hands, before 1893
“An Indian’s Lullaby” for women’s chorus (Anon.), 1895
Three Flower Songs: “The Clover”; “The Yellow Daisy”; “The Bluebell,” 1896
Thou Knowest, Lord, 1915
Balloons (L. A. Garnett), 1916
Friends (Brown), 1917
A Song of Liberty, 1918
Caprice, The Water Sprites, for flute, cello, and piano, 1921
Around the Manger, 1925
A Bit of Cairo for piano, 1928
Mignonnette, 1929
Birth (E. L. Knowles), 1929
A September Forest, 1930
Fragment: Prelude for violin, cello, and piano, 1931
My Love Came through the Fields, 1932
A Light That Overflows, 1932
Evening Song, 1934
A Bumblebee Passed by My Window for women’s chorus, 1935
The Deep-Sea Pearl (E. M. Thomas), 1935
Jesus, Tender Shepherd, 1936
Pax Nobiscum for chorus (E. Marlatt), 1939
Hymn: O God of Love, O King of Peace (H. W. Baker), 1941
Prelude on an old Folk Tune for organ (“The Fair Hills of Éiré, O”), 1943
The Ballad of the P. E. O., 1943
If Women Will Not Be Inclined, n.d.
Lento espressivo, n.d.
Singing Joyfully (J. W. Chadwick), n.d.
The Heart That Melts, n.d.
The Icicle Lesson, n.d.
Time Has Wings and Swiftly Flies, n.d.
Arrangements of Works by Others
Beethoven: Piano Concerto No. 1, 2nd mvt., piano four hands, 1887
Berlioz: Les Troyens, act 1, scene 3, piano solo, 1896
Richard Strauss: Serenade (Transcription of “Ständchen”), piano solo, 1902
On a Hill: Negro Melody (trad.) for violin and piano, 1929
“Whither” (W. Müller) (accompaniment: Chopin, Trois nouvelles études, no. 3), song, ca. 1878
