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Machiavelli’s Gospel: The Critique of Christianity in “The Prince.” William B. Parsons. Rochester: University of Rochester Press, 2016. x + 276 pp. $85.

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Machiavelli’s Gospel: The Critique of Christianity in “The Prince.” William B. Parsons. Rochester: University of Rochester Press, 2016. x + 276 pp. $85.

Published online by Cambridge University Press:  20 November 2018

Benedetto Fontana*
Affiliation:
Baruch College and The Graduate Center, CUNY
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Abstract

Type
Book Review
Copyright
Copyright © 2017 Renaissance Society of America

The relation between religion and politics is a crucial and recurrent theme in Machiavelli’s political thought. It is also a perennial item of debate among his interpreters. Most agree that he sees paganism as an instrument of rule, but there is less agreement on his attitude toward Christianity. After reviewing several modern interpretations (ranging from the Straussians to Pocock and Skinner, and ending with Nederman and Viroli), the book states the thrust of its argument: Machiavelli is a “destructive founder, intent on securing a new world for his unchristian principles. His attack on Christianity, Christian politics, and Jesus Christ himself . . . is the most important part of this plan” (8). It further argues that The Prince is a thoroughgoing “critique of Christian politics” (for example, in its discussion of armed and unarmed prophets in chapter 6) and Christian virtue (as in its reframing and redefinition of charity, faith, and mercy in chapters 15–18). Machiavelli criticizes Christianity as a religion that teaches humility, meekness, and otherworldliness, through which it has “disarmed heaven” and made men “effeminate.” He offers the ancient pagan model of education as a remedy. Most important, the prince should have no other object but the art of war and its orders and disciplines. Thus the contrast between the “Prince of War” and the “Prince of Peace.”

That Machiavelli launches a devastating critique of Christianity is well known; what is novel in the book is the close textual readings of The Prince in its comparisons of its teachings to those of the Gospels. Parsons offers interesting and informative observations about the way in which these two texts impinge on one another. In the process, the book touches upon fundamental themes traditionally affiliated with interpretations of Machiavelli’s politics and thought. Thus it discusses the question of Machiavellian virtù and its meanings, the question of the new prince and the new principality, and the question of Christianity as a system of belief and of the Catholic Church as an organization of power, and their relation to the papacy as a temporal principality. Finally, the book points to the importance of Machiavelli’s method, one in which Machiavelli privileges action over belief, and the analysis and evaluations of the actions of various individual leaders, statesmen, and generals. It is well known that Machiavelli privileges particular historical examples over general rules or precepts. The book highlights these individual descriptions, and makes comparisons between particular events narrated in The Prince and those narrated in the Christian sacred texts. Machiavelli’s use of the biblical texts—his reframing of the biblical stories to render them useful to his political enterprise—is seen as “blasphemous” (51) and “impious” (55), though no equivalent language is employed when Machiavelli makes similar paradisiacal re-descriptions of the ancient pagan texts. On the other hand, in the Discourses the greatest innovators are those that found religions.

In his discussion of the religion of the Romans, Machiavelli makes it very clear that he sees religion as an instrument of rule used by princes and statesmen. It performs several beneficial functions: it educates people into the community; it provides social cohesion; and it organizes, energizes, and spurs men to action. Most recognize that in Machiavelli religion is a necessary cement that connects the people to the prince. Where fear of God is lacking, fear of the prince is necessary. Thus the greater the fear of God, the more secure the prince becomes. The point is to join the two kinds of fear together such that the former redounds to the power of the prince. All of which presents the problem of Christianity: given its otherworldliness (“my kingdom is not of this world”) can it be reformed to make it useful to the this-worldly interests of political power? Not as long, Machiavelli believes, as the Catholic Church as a temporal and political institution continues to exert its influence, both politically and culturally. In the same work, Machiavelli imagines a Christianity interpreted, or reinterpreted, in such a way that a Christian may fight for and defend his country, that the love of God and the love of country are not opposed, a Christianity that would re-paganize the modern world, one in which the “things of this world” are paramount. Such a reinterpretation would lead to the splintering or to the diminution of the international character of the church, and to its subordination to the interests of the principality or of the republic. Machiavelli sees a difference between Christianity as the religion founded by Jesus and the Catholic Church as an organization of power. In the first he recognizes the purity of its intent (unrealizable), though he condemns its reality and practice; in the second he sees merely a corrupt form of political rule legitimated by the first.

In any case, this book is a well-written, well-organized effort to uncover the textual sources of Machiavelli’s understanding of Christianity. It offers a close and nuanced reading of the relevant texts. Whether or not one agrees with its perspective or with its conclusions, it is an excellent piece of scholarship.