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The Hunt in the Performance of Archducal Rule: Endurance and Revival in the Habsburg Netherlands in the Early Seventeenth Century

Published online by Cambridge University Press:  20 November 2018

Luc Duerloo
Luc Duerloo*
Affiliation:
University of Antwerp
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Abstract

After decades of civil war, the archdukes Albert and Isabella drew on the princely hunt to consolidate their regime in the Habsburg Netherlands. In essence a performance of dominion, the hunt served to enact their exalted birth and the return to peace and order. Attempts to unify the hunting laws of their possessions were, however, frustrated by provincial liberties. As a result the archducal hunt had to derive its prestige from where it was held, rather than from the species that were hunted. Appropriating the cult of Saint Hubertus and patronizing artistic representations further enhanced the prestige of these locations.

Type
Studies
Information
Renaissance Quarterly , Volume 69 , Issue 1 , Spring 2016 , pp. 116 - 154
Copyright
Copyright © 2016 Renaissance Society of America

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References

Bibliography

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Faider, Amédée. Histoire du droit de chasse et de la législation sur la chasse en Belgique, en France, en Angleterre, en Allemagne, en Italie et en Hollande. Brussels, 1877.Google Scholar
Fantoni, Marcello. Il potere dello spazio: Principi e città nell’Italia dei secoli XV–XVII. Rome, 2002.Google Scholar
Fantoni, Marcello, George Gorse, and Malcolm Smuts, ed. The Politics of Space: European Courts, ca. 1500–1750. Rome, 2009.Google Scholar
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Georgievska-Shine, Aneta, and Silver, Larry. Rubens, Velázquez and the King of Spain. Farnham, 2014.Google Scholar
Goldberg, Eric J. “Louis the Pious and the Hunt.” Speculum 88 (2013): 613–43.CrossRefGoogle Scholar
[Hennequin] de Villermont, Marie. L’infante Isabelle: Gouvernante des Pays-Bas. 2 vols. Tamines, 1912.Google Scholar
Hughes, Julie E. Animal Kingdoms: Hunting, the Environment, and Power in the Indian Princely States. Cambridge, MA, 2013.CrossRefGoogle Scholar
Die Jagd der Eliten in den Erinnerungskulturen von der Antike bis in die frühe Neuzeit. Ed. Wolfram Martini. Göttingen, 2000.Google Scholar
Kerkhoffs, Jacqueline. Maria van Hongarije en haar hof, 1505–1558: Tot plichtsbetrachting uitverkoren. Hilversum, 2008.Google Scholar
Koslow, Susan. Frans Snyders: The Noble Estate: Seventeenth-Century Still-Life and Animal Painting in the Southern Netherlands. Antwerp, 1995.Google Scholar
Koslow, Susan. “Law and Order in Rubens’s Wolf and Fox Hunt.” Art Bulletin 78 (1996): 680–706.CrossRefGoogle Scholar
Koslow, Susan. “Frans Snyders and the Seignorial Still Life: Venison Breath and Swearing on a Swan.” In New Studies on Old Masters: Essays in Renaissance Art in Honour of Colin Eisler, ed. John Garton and Diane Wolfthal, 125–41. Toronto, 2011.Google Scholar
Manning, Roger B. “Poaching as a Symbolic Substitute for War in Tudor and Early Stuart England.” Journal of Medieval and Renaissance Studies 22 (1992): 185–210.Google Scholar
Meoni, Lucia. “The Medici Tapestry Works and Johannes Stradanus as Cartoonist, 1548 or 1549–1576.” In Stradanus (2012), 30–58.Google Scholar
Molanus, Johannes. Natales sanctorvm Belgii & eorundem recapitvlatio. Louvain, 1595.Google Scholar
Müller Hofstede, Justus. “Rubens und Jan Brueghel: Diana und ihre Nymphen.” Jahrbuch der Berliner Museen 10 (1968): 200–32.CrossRefGoogle Scholar
Paffrath, Arno. Die Legende vom Heiligen Hubertus: Ihre Entstehung und Bedeuting für die heutige Zeit und für die Hubertusfeiern. Hamburg, 1961.Google Scholar
Pierron, Sander. Histoire illustré de la forêt de Soignes. 3 vols. Brussels, 1935–38.Google Scholar
Pioletti, Anna Maria. “Spazi e luoghi delle cacce reali.” In La caccia nello Stato sabaudo, ed. Paola Bianchi and Pietro Passerin d’Entrèves, 2:37–51. Turin, 2010.Google Scholar
Raeymaekers, Dries. One Foot in the Palace: The Habsburg Court of Brussels and the Politics of Access in the Reign of Albert and Isabella, 1598–1621. Louvain, 2013.Google Scholar
Recueil des ordonnances des Pays-Bas: Règne d’Albert et d’Isabelle. Ed. Victor Brants. 2 vols. Brussels, 1909–12.Google Scholar
Richardson, Glenn. “Hunting at the Courts of Francis I and Henry VIII.” The Court Historian 18 (2013): 127–41.CrossRefGoogle Scholar
Rivero Rodríguez, Manuel. “Caza, monarquía y cultura cortesana.” In La monarquía de Felipe II: La casa del rey, ed. José Martínez Millán and Santiago Fernández Conti, 1:351–77. Madrid, 2005.Google Scholar
Roberti, Johannes. Historia S. Hvberti, principis Aqvitani, vltimi Tungrensis, primi Leodiensis episcopi, eiusdemque vrbis conditoris, Ardvennae apostoli, magni thavmatvrgi. Luxembourg, 1621.Google Scholar
Rodríguez-Salgado, Maria J., ed. Armada, 1588–1988. London, 1988.Google Scholar
Rösener, Werner. “Der König als Jäger: Antike Einflüsse auf die herrschaftliche Jagd im Mittelalter.” In Die Jagd der Eliten (2000), 15–37.CrossRefGoogle Scholar
Sellink, Manfred. “Johannes Stradanus and Philips Galle: A Noteworthy Collaboration between Antwerp and Florence.” In Stradanus (2012), 109–33.Google Scholar
Silver, Larry. Marketing Maximilian: The Visual Ideology of a Holy Roman Emperor. Princeton, 2008.Google Scholar
Soly, Hugo. “Plechtige intochten in de steden van de Zuidelijke Nederlanden in de overgang van middeleeuwen naar nieuwe tijd: Communicatie, propaganda, spektakel.” Tijdschrift voor Geschiedenis 97 (1984): 341–61.Google Scholar
Een stad en een geslacht: Edingen en Arenberg. Brussels, 1994.Google Scholar
Stradanus, 1523–1605: Court Artist of the Medici. Ed. Alessandra Branoni and Manfred Sellink. Turnhout, 2012.Google Scholar
Terlinden, Charles. “Notes et documents relatifs à la galerie de tableaux conservée au château de Tervuren au XVIIe et XVIIIe siècles.” Annales de l’Académie royale d’archéologie de Belgique, 6th series, 10 (1922): 180–98, 347–406.Google Scholar
Tersch, Harald. “Abschusslisten: Hundert Jahre habsburgische Kalenderkultur, 1600–1700.” Mitteilungen des Instituts für österreichische Geschichtsforschung 116 (2008): 92–120.CrossRefGoogle Scholar
Thøfner, Margit. A Common Art: Urban Ceremonial in Antwerp and Brussels during and after the Dutch Revolt. Zwolle, 2007.Google Scholar
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