INTRODUCTION
“The best known feature of Utopian life is its communism,” as Dominic Baker-Smith recently put it, and so one might think the most influential aspect of the original Utopia (1516) by Thomas More (1478–1535) has always been its criticism of private property.Footnote 1 In contrast, this article argues that Utopia’s most notable idea, at least in the two earliest editions of Ralph Robinson's (1520–77) first English translation (1551, 1556), was the protagonist Raphael Hythloday's contention that thieves ought to be put to work rather than put to death.Footnote 2 If, as Miguel Abensour suggests, “there are statements that function as genuine institutions,” then this might have been the closest thing More's dialogic Utopia had to a singular statement in the sixteenth and seventeenth centuries.Footnote 3 This idea has been called by at least one modern historian “the More tradition” for its influence on English penology, and was frequently marked by early modern readers, as my own article will show.Footnote 4 Scholars continue to cite Utopia as a milestone in the shift toward corrective or rehabilitative ideology in English punishments, witnessed by aspects of early poor laws passed in 1536, 1547, 1576, 1598, 1610, 1646, and 1649, and especially by the penal “revolution” begun at Bridewell, the original house of correction, in 1553.Footnote 5 Jennifer Bishop has recently strengthened these claims by establishing many ways in which the same people who commissioned, printed, and permitted the first editions of Robinson's Utopia also advocated for and administered institutions such as the Royal Hospitals in the 1550s.Footnote 6 Within and extending the network described by Bishop, this essay will ask what it means both for these historical contexts and the literary text that so many connections existed between the 1550s Utopias, Bridewell, and a third point of contact: the unusual Vagrancy Act of 1547–49, which had attempted to institute slavery as a punishment for petty crimes in England.Footnote 7 Due to the specificity of these historical projects, my analysis of Utopia will be principally concerned with its arguments as formed and subtly reformed by the English editions of the 1550s, and as tracked by readers of these editions.
However, the enduring power of “the More tradition” in English penology cannot be understood without accounting for Utopia’s humanist rhetorical structures, or without attending to the formal as well as ethical ironies that inflected its arguments. How was the polemic Hythloday leveled against disproportion in English justice so popular, for example, when the alternative punishments he proposed seem almost equally disproportionate: not death but life as a punishment for theft—not a swift death but a lifetime of labor? How should one consider Utopian property to be truly held in common when Utopia's bond slaves and penal servants, too, are held in common? How could labor be called fully communal in Utopia when enslaved immigrants and prisoners do all the most demeaning work? Utopia may have issued the most radical call for penal reform then circulating in England, but it also described a set of labor programs that were unsettling in other regards—especially when taken to be congruent with the enthusiasms of institutionally minded Reformers at various points in the sixteenth and seventeenth centuries, during the rise of work discipline as a form of English poor relief.Footnote 8
Any discussion of Utopia—and this article in particular—contains implications for an unusual disciplinary nexus. For Renaissance scholars and debates regarding Utopia’s particular brand of humanism, this article extends existing arguments for the civic, Ciceronian interpretation.Footnote 9 For Marxist literary scholars and those interested in utopianism more abstractly (or what Ernst Bloch called a “principle of hope”Footnote 10), my intervention reverses readings that take the text's positions on crime to be a function of its larger economic polemic, instead suggesting how the original Utopia’s ideas about punishment and slavery could be separated from and taken more seriously than its ideas about property. For histories of reading in the early modern period, I provide a case study of two editions of one “enormously influential” book, combining evidence of reader interaction from printed marginalia, manuscript marginalia, commonplacing, and other forms of extraction, as well as quotation.Footnote 11 While my survey is restricted to interactions with copies of the 1551 and 1556 editions due to their proximity to the founding of Bridewell and the 1547–49 Vagrancy Act, reader responses span a much wider period, from the mid-sixteenth to the mid-eighteenth century, roughly. Although these readers included lawyers, politicians, and at least one Bridewell administrator, and while I have done my best to note identifications wherever possible, many of the interactions collated here remain anonymous or difficult to date within that wider period (beyond their style of hand). So while I will argue that the people behind these two editions had specific interests prepublication, and that the resulting editions had specific relevance at the times of their publication, this study also attests to the topicality of these matters across a longer period, postpublication.
Intriguing patterns in Utopia’s reception can be discerned by such an approach. For example, readers tended to be far more active among the many commonplaces of book 1 than in the strange terrain of book 2, as my own research and a similar survey of marginalia in other copies of Utopia by Stephanie Elsky has suggested.Footnote 12 This might seem odd, since it is now book 2's fanciful description of a society with golden chamber pots and no private property that dominates our idea of More's Utopia. Instead it appears to have been the more pragmatic dialogues of the first book that generated the greatest interest for early modern readers.
This article will press such observations further. A preliminary section further contextualizes these editions of Utopia and describes the wider culture of rhetorical and textual as well as penal correction in Renaissance England. In the subsequent analysis of book 1, I argue that Hythloday's reformist call for greater proportion in English criminal sentencing was nearly contradicted by his oddly disproportionate counterproposal for penal servitude or even slavery; but I will also show that such ironies seem not to have posed problems for those behind the apparatus of the 1551 and 1556 editions, and did not deter the enthusiasm of several early modern readers. In the section on book 2 that follows I collate a similar but less pronounced pattern of emphasis and subsequent notation, despite or perhaps due to the even greater ethical inconsistencies found there in Utopia's imagined penal code and its systems of both bond slavery and penal slavery. My intent concerning Utopia in both sections will be not only to demonstrate in a fine-grained way how discussions of punishment and penal labor were subtly emphasized by the marginal index of the 1556 edition and by ensuing readerly interactions, but also to use this modest archive of historical interactions to modulate my own readings of the notoriously difficult text, including its brilliant wit and ambiguous tones. Finally, I will return to the related contexts of the failed 1547–49 Vagrancy Act and the birth of the house of correction as another provocative means of understanding what “the More tradition” might have meant when in action.
Overall, this holistic analysis of the text, its apparatus, its reader's responses, and some of its political and historical contexts will suggest that the most notable of all Utopia’s ideas, for its early modern English readership, at least, was not necessarily its critique of private property. Instead, Utopia’s most powerful idea may have been the rhetorical relay it formed between punishment and bondage. Or, as one “Johannes Bacon” paraphrased it in an early secretary hand in the opening flyleaves of his 1551 Utopia, now held by the University of Texas, “Theffecte of ye first booke … agaynste the puttinge of theves to dethe for roving but now rather they were put to work.”Footnote 13
CORRECTING UTOPIA: 1516, 1551, 1556
In the early modern period the homonymic distinction between correction as penal rehabilitation and correction as a textual practice had not yet been sifted into the same disciplinary divisions recognized today. Utopia, its composition, and the political issues it addressed provide perhaps the single most intriguing case study for historicizing these intersections and overlaps.
Linguistic correction, for example, could mean not only the compositional strategy but also an ironic, rhetorical quality critics have long described in More's text. Whereas to modern readers textual correction primarily means deleting errors and fixing mistakes, in the classical and humanist rhetorical tradition in which More was working, correctio—that is, recalling one term only to replace it with another, more vehement one—or metanoia (a change of mind) meant nearly the opposite.Footnote 14 As a grammatical and compositional practice of doubling down, or amplifying by insertion and dilation, correction was a means to copiousness. Thomas Wilson (1523/24–1581), who often gave a “professedly protestant and provocatively novel” bent to his Arte of rhetorique (printed by Richard Grafton [1507–73] in 1553), stuck close to Cicero for his example of correction: “We have broughe before you my Lordes, into this place of judgement, not a thefe, but an extorcioner and violet robber, not an adoulterer, but a ravisher of maides, not a stealer of churche goodes, but an errant traitor, bothe to God and all godlinesse: not a common ruffin, but a moste cruel cut throte.”Footnote 15 As Wilson defined it, “correction is when wee alter a woorde or sentence, otherwise then we have spoke before, purposing thereby to augment the matter, and to make it appere more vehement.”Footnote 16
The associations of correctio as rhetorical device and syntactical pattern also shaped scribes’ and printers’ compositional practices of correction for texts and books. As Anthony Grafton has shown, connotations of dilation rather than redaction were retained in the early age of print.Footnote 17 A print corrector's job was not only to right errors, or to revise the text closer to its author's prior, singular intention; instead, Renaissance correction could change and amplify access to the text by means of new indexes, marginal indexes, or prefaces, and could not only involve “radical rewriting and the insertion of full-scale supplements” but even entail “a collaborative vision of authorship.”Footnote 18
In More's case this was at first a self-collaboration, for correction was precisely the compositional and rhetorical model he followed in writing and then rewriting Utopia, when he reopened his originally self-contained text—what became book 2 and its standalone description of Utopia proper—to insert the dilation of book 1 with its framing dialogues, “ex tempore” and just before print publication, as J. H. Hexter has demonstrated.Footnote 19 More worked backward to amplify not the severity but the ambiguity of his outcome. The text admits this, I would add, by punning coyly just as the amendment begins: “in order to correct [corrigendis] their errors.”Footnote 20 Correction was the iterative process, refracted through the addition of the text's dialogic form, which provided enough political cover for publication. This process helped shape the irony Utopia remains famous for: the spatio-temporal gaps between what the text seems to say one moment and what it appears to mean the next, between each “joco-serious” proposal that appears to upend itself as soon as it's settled.Footnote 21 This is part of what made Utopia’s arguments particularly extractable for early modern readers, and remains part of why modern readers, more given to treating the text as a formal whole, are so deeply drawn into the imaginative reconstruction of Utopia’s fuller arguments and their puzzle of tones. Rhetorical and compositional correction was and remains a key feature of the text's appeal.
Meanwhile, correction was also both a philosophical justification for punishment and an actual penal strategy pursued in various intellectual and historical contexts, at least since Plato's Laws, famously in Utopia, and most powerfully when combined with a capitalist or ascetic Protestant belief in the ameliorating power of hard work (to use the shorthand of Max Weber).Footnote 22 Correction is an essentially utilitarian policy goal, itself slightly ironic, in that it seeks to make the bad or necessary evil of punishment as good or beneficial for the general welfare as possible, by taking as the aim of penal activities not only retribution and deterrence but the reformation of offenders for their reintegration into society.Footnote 23 Such a theoretical aim was given its first comprehensive and recognizably modern institution for enforcement in London in the 1550s. This was Bridewell, the first “house of occupations” or “house of correction,” widely considered by historians of penology and social policy as the first prison anywhere in Europe designed to match hard labor with short, custodial sentences.Footnote 24 “To the established notions of punishment as deterrence and retribution,” Bridewell “added the idea that it might be possible to cure criminal instincts through a healthy dose of labor,” as J. A. Sharpe has written.Footnote 25
At the original house of correction, poor “vagrants,” “pilferers,” “nightwalkers,” and “beggars”—four of the criminalized identities most commonly recorded in Bridewell's court minutes, roughly 59 percent men and 41 percent women—were whipped and imprisoned at hard labor and forced crafts for varying durations, usually a few days or weeks, with the stated intention of turning offenders into newly obedient laborers for the commonwealth.Footnote 26 Work included grinding corn, beating hemp, cleaning the city's ditches, and dredging the Thames in the manner of a chain gang, while longer-term prisoners were also forcibly trained in a range of crafts that included shoemaking, nailmaking, feltmaking, and even manufacturing tennis balls.Footnote 27 After many whippings and long hours of work, an offender would be released, perhaps as the penitent apprentice for a new master such as Richard Brookes, a “fustian weaver” who agreed in 1602 to take on “40 vagrant boys and wenches” over a seven-year period.Footnote 28
Despite serious controversies, this new institutional form proliferated relatively quickly. In the earliest years, Bridewell committed more than four hundred people annually, a number that swelled to more than a thousand per year by the 1580s, and doubled again to nearly two thousand imprisonments per year by 1600.Footnote 29 Bridewell's bench soon averaged twenty-six sentencings per week, meeting twice and sometimes thrice weekly, making it one of the busiest and best-documented courts in England.Footnote 30 London's flagship then became the model for the houses of correction required to be built across the nation by the repeated legislative acts within the old poor laws, beginning in 1576, continuing in 1597, 1601, 1604, and with concentrated effect in 1610.Footnote 31 Although the efficacy of these institutions was in constant question, by the 1630s England had built “a network of bridewells” that “covered the whole of England”; by 1618, Bridewell's convicts were being exported to the Virginia colony.Footnote 32 Correctional punishments became an ideological, although long-unrealized, cornerstone of early American penal codes, as witnessed by William Penn's (1644–1718) policies and Great Law (1668) or the language of Thomas Jefferson's (1743–1826) Bill for Proportioning Crimes and Punishments (1779).Footnote 33 In a seminal analysis, Dario Melossi and Massimo Pavarini concluded that the correctional policies pioneered at Bridewell were “the most important example” in the prehistory of what would eventually become the penitentiary; the house of correction's “social function and its internal organization [were] … already to a large extent those of the classic nineteenth-century model.”Footnote 34
The long-term influence of the house of correction and its penology makes the circulation of More's corrective rhetorical arguments at its founding a point of fascination. In fact, there are a surprising number of practical connections between the translated Utopia and these new political projects. Bishop has recently helped illuminate the text's reception and positioning by tracing the political activities of those behind the English translation, including George Tadlowe (1505–57), Ralph Robinson (1520–77), William Cecil (1520/21–1598), Thomas Smith (1513–77), and possibly Richard Grafton.Footnote 35 My own focus will be restricted mostly to Bridewell and the 1547 law as the closest points for analytical comparison and historical contact. For example, although relatively little is known of the translator Ralph Robinson, his master at the Goldsmiths Company was Martin Bowes (1496/97–1566), one of the most important advocates and governors of Bridewell and the Royal Hospitals, who would have witnessed the 1547–49 Vagrancy Act in Parliament.Footnote 36 Importantly, George Tadlowe, the sponsor of the translation whose “procurement, and earnest request” is credited on the 1551 title page, was equally active in his role as a governor of St. Bartholomew's, Christ's, and St. Thomas hospitals (which were jointly administered with Bridewell); Tadlowe was also a member of Parliament during the 1547–49 Vagrancy Act.Footnote 37
William Cecil, to whom the 1551 edition is dedicated, was instrumental in the transfer of Bridewell to the city's control, and would have witnessed the 1547–49 Vagrancy Act in Parliament.Footnote 38 Thomas Smith, who authorized the 1551 Utopia in his role as censor on the Privy Council and witnessed the Vagrancy Act in Parliament, is even thought by some to have been the principal author of this controversial legislation.Footnote 39 The publishers and printers, Stephen Mierdman (1510–59) working for Abraham Veale, have been frequently linked with Edward Seymour, Protector Somerset (1500–52). Somerset's godly cohort was at this time launching its unprecedented campaign from the presses, while also enacting the institutional and legislative arms of its agenda, which included the house of correction and these early poor-law initiatives.Footnote 40 Meanwhile, Richard Grafton—the evangelical printer and most important advocate, overseer, and governor of Bridewell in its earliest years—seems to have been the social glue that connected this cohort of Edwardian Reformers to one another; Grafton also provided the link to the printer of the 1556 edition, Richard Tottel (1528–93), who was Grafton's son-in-law and professional heir.Footnote 41
Bishop has thus concluded that the publication of the English Utopia can “best be understood as a contribution to wider efforts to construct programs of civic and social reform within local and national governmental structures.”Footnote 42 Chloë Houston has recently agreed that the network behind the Robinson Utopia maintained “interests in civic reform and social change, exemplified by [their] involvement in charitable projects such as the development of the Royal Hospitals,” and that these involvements “provide an important context for the reading of the Robinson Utopia as a text intended to influence and contribute to efforts to promote social change through the creation of new institutions, or the reform of existing ones.”Footnote 43
Each of the 1550s editions was also positioned and repositioned for their two distinct historical moments. How could it be that a text by (late) More, the heretic hunter, was taken up by Edwardian gospelers in 1551, for example? Although such drastic cross-confessional politics still seem surprising, influential work by Quentin Skinner and David Norbook has considered More's original text in a tradition of civic, Christian humanism that was particularly amenable to the ethos of early Protestantism in England, despite what would have been More's own later objections.Footnote 44 In its now-outsized first two words, the 1551 Utopia immediately represented itself as a repurposing, if not a subtle correcting: the title promises “A fruteful” and then “pleasaunt worke of the beste state of a publyque weale”—“fruitful” was a politically charged byword for evangelical Reformers at this time.Footnote 45 David Baker has made a strong case for the Protestant repositioning of More's text by tracing many similar linguistic cues: the 1551 edition even went so far as to translate More's De Optimo Reipublicae Statu from one of More's 1516 title pages not only as “the best state of a common wealthe” but also as a “declaration of the Godly governement.”Footnote 46
In the prefatory epistle to the 1551 octavo, however, Robinson seems to defuse such tensions, in part by laying the responsibility and indeed the blame for his bold production squarely on his friend Tadlowe, who “ceassed not by al meanes possible continualy to assault me, until … he caused me to agree and consente to the impryntynge herof.”Footnote 47 Tadlowe's enthusiasm proved discerning. Robinson's sometimes loose but enduringly idiomatic translation would eventually go through five editions—1551, 1556, 1597, 1624, and 1639—before any rival appeared (Gilbert Burnet's version in 1684). In fact, the Robinson translation remains in wide circulation even to this day, as the copy for the Everyman and Oxford World's Classics editions currently in print.Footnote 48
In the 1556 “corrected” edition, Robinson replaced his dedicatory preface to Cecil with a letter “to the gentle reader,” possibly since Cecil's position became clouded after the accession of the Catholic queen Mary I (1516–58; r. 1553–58), and since apologies were no longer needed at that time for More's later, conservative phase.Footnote 49 Instead, Robinson feigned an apology that the fiction was ever published, and for the hastiness and haphazardness of his earlier version, submitted again here, “newlie perused and corrected,”Footnote 50 though this claim would now seem misleading, since changes in the body text are impossibly minor. Not so in the Renaissance sense: transformed formal access as well as meta-commentary by the way of a new marginal index, or “diuers notes in the margent augmented,” show the edition was notably corrected.Footnote 51 This index and series of marginal glosses represented a significant departure from both the un-marginated 1551 edition and the much sparser marginal index provided in early Latin copies. As William Slights has written in a formative study, such printed marginal indexes and glosses “function[ ] to contextualize books in a particularly material way.”Footnote 52 For that reason, and because the marginal glosses shaped readers’ experience of the text not only in its own day but long afterward, the effects of the 1556 index will be a focus throughout this article.
In the deprecating 1556 prefatory materials, however, Robinson was again careful to distance himself from any such contexts or influences. A telling sententia from Utopia was nevertheless cited: “though in any of our actes and doynges, (as it ofte chanceth) we happen to faile and misse of our good pretensed purpose, so that the successe and our intent prove thinges farre odde: yet so we ought with wittie circumspection to handle the matter, that no evyll or incomoditie, as farre furth as may be, and as in us lieth, do therof ensue.”Footnote 53 The passage from Utopia that Robinson mimes was noted by at least two early readers, and remains something of a touchstone for those (such as Skinner) seeking to understand More's Utopia in the tradition of Ciceronian, civic, Christian humanism: “But you must with a crafty wile & a subtell trayne studye and endevoure your selfe asmuch as in you lyethe, to handle the matter wyttelye and handsomelye for the purpose” so that “that whyche you can not turne to good, so to order it that it be not very badde.”Footnote 54 In this passage one can hear an interpretation of More's own intentions in publishing Utopia in 1516, hastily corrected or ambiguously amplified, just at the moment of his entrance into the service of Cardinal Wolsey (1473–1530) and Henry VIII (1491–1547; r. 1509–47)—an interpretation as attractive to Robinson in 1551, and especially in 1556, as it continues to be today. In this understanding, More's Utopia was meant not only to offer a radically imaginative, indirect form of counsel but also to signal one's dedication to the tasks at hand, to the legal and administrative work of making Wolsey's (or Somerset's, or even Mary's) commonwealth slowly “less bad.”Footnote 55 Robinson expresses a tempered resolve, despite the fact that theory (or “good pretensed purpose”) and practice (“our actes and doynges”) remained at a remove from one another.Footnote 56 This seems to capture what must have been the sentiment of scattered commonwealth men during the Marian reprisals, when even the political necessity of their hospitals and their new prison did not necessarily ensure institutional survival.Footnote 57 By imagining another, this world could slowly be made “less bad.” The 1556 edition, with its wry editorial apparatus, could still advance the topical project of an English Utopia.
BOOK 1: “MAKE THEVES, AND THEN PUNISH THEM”
Utopia’s clarion call for the reform of criminal sentencing in England begins in book 1, soon after the seam identified by Hexter, or the textual stutter where More reopened the text.Footnote 58 During the retrospective dialogue at Cardinal Morton's table, an archetypal English lawyer praises the rigorous justice then being dealt to the thieves and vagrants who throng London's streets, as petty criminals are strung up to die twenty at a time on the city's gallows. But the lawyer is perplexed. Since “so fewe escaped punyshment,” he wonders how it could be that thieves nevertheless remain “in every place so ryffe and ranke,” in the 1551 edition, or “so ryffe and so rancke,” in the 1556 corrected edition.Footnote 59 Hythloday, however, sees nothing to be surprised about. “Marvel nothinge here at,” he retorts:
for this punyshment of theves [1a] passeth the limites of Justice, and [1b] is also very hurtefull to the weale publique. For it is [2a] to extreame and cruel a punishment for thefte, & yet [2b] not sufficient to refrayne & withhold men from thefte. For [3a] simple thefte is not so great an offense, that it owght to be punished with death. Neither [3b] ther is any punishment so horrible, that it can kepe them from stealynge, whiche have no other craft, wherby to get their living. Therefore in this poynte, not you onlye, but also the most part of the world, be like evyll scholemaisters, which be readyer to beate, then to teache, their scholers. For great & horrible punishmentes be appointed for theves, whereas much rather provision should have ben made, that there were some meanes, whereby they myght get their livyng, so that no man shoulde be dryven to this extreme necessitie, firste to steale, and then to dye.Footnote 60
This is one of the most remarkably eloquent and convincing speeches in Robinson's translation.Footnote 61 Certainly early modern readers noted it. In a 1551 copy held by the British Library, a reader who signs his name (twice) as “Hughe Pigotte” has inserted two comments on this passage in an italic hand, unfortunately partially trimmed: “England [unreadable] to thev[es]”; “[E]xcellent reasons.”Footnote 62 (Of the four significant comments Pigot made throughout his margins, three concern Utopia’s statements on punishment.Footnote 63) A reader in a 1556 copy held by the Bodleian Library drew an elaborate manicule in the margin here.Footnote 64 In Brown University's 1556 copy, the previous passage was underlined, presumably by a member of the Inner Temple named “Agvstyn hynd,” who also dates his elaborate autograph to both 1571 and 1572 (fig. 1).Footnote 65 In a sixteenth-century manuscript of law readings held by the British Library, extracts from Utopia including this passage are commonplaced: “the punishment for thefte in England is to extreame [and] cruell … for simple thefte is not so great an offence, that it ought to be punished with death,” and so on.Footnote 66 This was what John Bacon noted as a point “of ye first book … agaynst the putting of theves to dethe,” when “rather they were put to work.”Footnote 67 Indeed, “however difficult it may be to determine what More thinks of Utopia,” as George Logan has written, it has long seemed “perfectly clear what he thinks of the present condition of England.”Footnote 68
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Figure 1. Inscription of “Awgystyn hynd,” Brown University Library, D556 .M836f, sig. Bv. Courtesy of the John Carter Brown Library at Brown University. Author's photo.
What, then, is Hythloday's meaning? Death as a punishment for theft is both unjust and ineffective, he argues; it is neither moral nor expedient. First, this punishment is flawed primarily because it is disproportionate: too harsh, too extreme, too horrible. There is no fit between the punishment and the crime, and therefore, “I thinke it not ryght nor justice, that the losse of money should cause the losse of mans life.”Footnote 69 Pigot's marginalia were again partly trimmed: “the losse of [mo]nie ought [not] to be the lo[sse] of anie ma[n's] lyfe.”Footnote 70 Hind underlined this passage as well.Footnote 71 Second, punishing theft with death is simply ineffective, as evidenced by the persistence of thieves. The penalty addresses each instance indiscriminately and yet does nothing about the societal or structural troubles underlying these instances. This is mowing the grass, as some say today, rather than uprooting the problem. England's punishments irrationally seek to address criminals rather than crime itself, each case but not its causes. Hythloday will then go on to offer a more systematic account of the sources of poverty, unemployment, and thereby crime in England: the economics of enclosure, the pressures of foreign wars, the corruption of the elite. Along the way the 1556 edition's marginal notations pick up their pace, translating these causes into the lexicon of Protestant Reformers, primarily their favorite scapegoat, the sin of idleness: “Idlenesse the mother of theves”; “Of Idle servyng men come theves.”Footnote 72 Hind's underlining in 1571–72 followed accordingly.Footnote 73
Hythloday's rational, causal, and systemic analysis, which, “rather than the invention of Utopian society,” was for Russell Ames “More's highest artistic and intellectual achievement,” was accomplished and partly limited by its corrective rhetorical structure.Footnote 74 Hythloday's criteria are laid bare by sentences that shift back and forth between alternatives—first one, then the other. To generalize, first the moral, or Cicero's honestas or Aristotle's universal justice or the formalism of the common law, then (to generalize again), the expedient, or Cicero's utilitas or Aristotle's particular justice or the different formalism of Chancery equity.Footnote 75 At each turn the argument dilates. Logan has suggested how the passage's “triple iteration” of its two claims—that death is neither just nor efficient as a punishment for theft—might be diagrammed: 1a, 1b, 2a, 2b, 3a, 3b (as inserted above).Footnote 76 Rhetorically, the passage opens in two directions that turn out to be corrective, if not fully circular. Passing “the limites of Justice” one way, toward cruelty, can do nothing to stop offenders who have been driven from “extreme necessitie” to pass those same limits in another way, by committing crimes. As in the common legal maxim summum jus summa injuria (extreme justice is extreme injustice): justice enforced so strictly has become unjust.Footnote 77 Or, as Hythloday himself asks a few pages later in another passage Hind has underlined: “why maye not this extreme & rigorous justice we be called plaine injurie?”Footnote 78 In its bidirectional and doubly corrective address to two distinct values—morality and utility, neither just nor useful—returning each time to the same set of claims in an expanded and more detailed register, as if in widening and amplifying concentric circles, Hythloday's periods produce their analytic beauty. A similar pattern structures More's pithy metaphor. “Many are readier to Beate then to teach,” as a reader noted between 1600 and 1605 in a heavily marked 1556 copy now held by Princeton University (fig. 2).Footnote 79
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Figure 2. An example of the density of annotations in Princeton University Library, EX 3865.5.392.83.12, sigs. G7v–G8r. With permission of the Princeton University Library. Photo: Princeton University Library.
What results is a ruthless indictment of England's social order. Hythloday accuses English society of producing the very criminality it seeks to redress, in terms Robinson adapts for the lexicon of midcentury Reformers: idleness, profit, vice, education, and infection: “For this Justice is more beautiful in apperaunce, & more florishynge to the shewe, then either juste or profitable. For by suffring your youthe wantonlie, and viciously to be brought up, and to be infected, even from theyr tender age, by litle and litle with vice: then a goddes name to be punished, when they commit the same faultes after being come to mans state, which from their youthe they were ever like to do: In this point, I praye you, what other thing do you, then make theves, & then punish them?”Footnote 80 Early readers were again particularly interested in this passage. Interestingly, in a 1551 copy held by the Bodleian, which is shorn of book 1 and contains only book 2, a secretary hand retained in the cropped end papers nevertheless copied out this passage (among others from book 1) at a time before the text's first half had been cut from the binding: “Justice more beautifull then … juste or profitable.”Footnote 81 Did a later reader cut book 1 because they cared so little for its arguments, or in order to make off with them? Pigot also commented on this passage, again partially trimmed: “By this meanes th[ey] first make and then hang thieves.”Footnote 82 Hind underlined this passage, and a reader who signed his name as Robert Hare marked this section with a manicule in 1572, in a 1556 copy held by the Folger.Footnote 83
Hythloday's causal analysis remains as remarkable now as it was then. Taking into account the productive power of social structures and institutions, in addition to their repressive function, More's text has been called startlingly “original” for its era, perhaps what might now be called Foucauldian.Footnote 84 “In his capacity to see past the symptoms to the sources of the trouble, in his grasp of the intricacy and ramification of social structure and social action,” Hexter wrote, More's mode of Christian humanism is surprisingly realistic, if not realist.Footnote 85Utopia “does not find the causes of human misery in the mind or soul, in fate, in fallible and unchanging ‘human nature,’ or in the mental and moral weaknesses” of the subject, according to Ames, but rather in “material conditions” and “under social compulsion.”Footnote 86
The acuity of Hythloday's analysis in these passages is not without its dark humor, however, or the “mordancies of the harshest social critique,” as Logan put it.Footnote 87 “I thinke there is no body that knoweth not, how unreasonable, yea: howe pernitious a thinge it is to the weale publike, that a thefe & an homicide or murderer, should suffer equall and like punishment,” Hythloday avers.Footnote 88 When a thief is “in no lesse jeoperdie, nor judged to no lesse punishment” than a murderer, Hythloday's logical conclusion is that a robber might as well kill the victims he would otherwise merely rob, and thus more easily hide his crime.Footnote 89 Why not? If the malefactor is caught for murder in addition to theft, the punishment will be no worse. Undoubtedly the policy's disproportion is appalling, but Hythloday's description also begins to seem hyperbolic: thieves are “strongly and forcibly provoked, and in a maner constreined to kill him, whome els he woulde have but robbed,” Hythloday claims, painting a particularly dark picture of the criminals he had moments earlier claimed were driven to steal only out of necessity.Footnote 90
If Hythloday's rationalist account has gone a bit too far in privileging material conditions over human agency, and is now being satirized by More in this passage, the 1556 index did not follow the tonal shift. During this discussion the marginal markers spike in frequency again, showing a level of earnest interest not demonstrated since the earlier discussion of “idleness”: “Thefte in the olde lawe not punished by death”; “What inconnenience ensueth of punishynge theft with death”; “Punishing of theft by deathe causeth the thefe to be a murtherer”; “What lawfull punishment may be devised for theft.”Footnote 91 Thus those behind the 1556 edition directed access to the text for their readers and commonplacers, guiding attention to the matters they found most topical—remedies for the problems of “idle” beggars and dangerous thieves—but not necessarily clarifying which of these ideas More might have meant seriously and which were intended as satire. A commonplace book compiled by Edward Pudsey (1573–1613) ca. 1600 included this passage as one of eight sententiae clearly extracted with the aid of the 1556 edition's marginal index: “Punishing of theft by death can sete the theef to bee a murtherer, killing the partye whome els hee wold but have robbed,” Pudsey wrote.Footnote 92
In fact, at this point the enthusiasms in the printed marginalia of the 1556 edition have begun to outstrip the text's own commitments in multiple ways. Hythloday commends the Roman practice of using perpetual penal slavery (“to be kepte in cheynes all the days of their life”) as a punishment for “great and heinous trespaces,” which the marginal index erroneously flags as “What lawfull punisment may be devised for theft” and “How the Romaynes punished thefte.”Footnote 93 Neither Robinson nor More's Hythloday was likely to be discussing how the Romans treated minor theft specifically, even if Roman culture was known for its legal innovations regarding property, but rather how they dealt with still more serious crimes, or “great and heynous” (“magnorum facinorum”) ones.Footnote 94 The notes then introduce “A worthy and commendable punishment of theves in the weale publique of the Polylerites in Persia” a full page before Polylerite punishments specifically are described, whereas usually the indexical markers are placed exactly at the one or two lines of text to which they refer.Footnote 95
The index also begins to take on a voice of its own. As the body text describes how the Polylerites (meaning “people of much nonsense”) force their thieves to render restitution to their victims, rather than to their king, “whome they thinke to hav no more righte to the theifestolen thinge, than the theife him selfe hathe,” the marginal note offers a humorous reprimand: “A privie nippe for them that do otherwise,” meaning, perhaps, that this note serves as a rebuke to those that disagree with Polylerite doxa and its implicit criticism of the overreaches of an absolutist monarchy, or that the indicated portion of the text serves as a warning to those (such as More?) who might have tried to “do otherwise” in monarchical England.Footnote 96 As it continues, the index increasingly functions to point out More's perceived humor in this way: “O wittie head,” reads one remark.Footnote 97 “In this place semeth to be a nipping taunte,” reads another.Footnote 98 But such self-aware comments are not made by the index concerning Utopia’s statements on punishment, which are pointed out in earnest, as useful sententiae. While the correctors of Utopia in 1556 were indeed alert to More's humor, they seem to have taken his penology seriously, or chose to present it as such.
There has been little speculation about the identity of the compositor of the 1556 index, but the printer Richard Totell is the most likely candidate: his well-known editorial interventionism, connections to London's legal community, and work on other titles by More, including his complete English Works in 1557, adds credence to this suggestion.Footnote 99 Whoever was responsible, the effects were remarkable. The 1556 edition proffered an even more polyvalent experience for English readers by materially encouraging users of the book to turn back and forth between modes of Renaissance reading: a discontinuous, indexical experience, in which Utopia’s ideas could function more openly as social criticism or as a series of actionable critiques, alongside a more linear experience, in which the text's humor and mercurial shifts in tone returned to the fore. Hythloday's polemic against England's abstractly retributive justice is the most important case in point: singled out or decontextualized, these arguments appear eloquent, effective, sincere—especially the negative critiques of England. But in the positive proposals put forth next, in the system of the Polylerites, Hythloday's ethical position and the text's own tone become more difficult to determine with confidence. This has not stopped many readers, past and present, from endorsing some of Hythloday's earlier sentences while leaving others behind, however, or from embracing some of the described Polylerite ideas while leaving others unremarked.
For the sake of coherence or in the mind of a reader moving linearly, one might expect to approach Polylerite society with the criteria Hythloday has only just finished expounding: are these punishments for theft either just or useful? Criminals “themselves be condempned to be common laborers, and, oneles the thefte be verie heinous, they be neyther locked in prison, nor fettered in gives, but be untied and go at large, laboring in the common works. They that refuse labour, or go slowly and slacklye to their worke, be not onlye tied in cheynes, but also pricked forward with stripes. But beinge diligente about theyr worke they live without checke or rebuke. Every night they be called in by name: and be locked in theyr chambers. Beside their dayly labour, their life is nothing hard or incommodious.”Footnote 100 Concerning utility or efficiency, one can respond in the affirmative. Punishments that turn offenders into laborers for the common good do appear more beneficial than those that would leave them swinging from scaffolds, although maintaining an underclass of penal laborers carries the serious risk of an uprising, which Hythloday will be at pains to deny. Regarding the relative justice of this penal code, conclusions have also been enthusiastically drawn.Footnote 101 As William Bright wrote in his commonplace book compiled between 1644 and 1676, the punishment “for thieves among ye Polylerites is approved of very well.”Footnote 102 The consensus that the Polylerite code “embodies a sensible view of the legitimate aims of punishment … to rehabilitate the criminal and to redress the damage done by his crime,” as Logan has written, continues to predominate among readers of Utopia now.Footnote 103 The 1556 index concurred, or may have influenced this interpretation at its inception (and since) by pointing readers decisively to this passage as “the right end and intent of punishment.”Footnote 104
Punishment's “right end and intent” flags another of the book's most eloquent phrases. The Polylerites are commended for the humane aims of their punishments, which “intendeth nothynge elles, but the destruction of vices, and the savynge of menne: wyth so usynge, and ordering them, that they can not chuse but be good.”Footnote 105 Although leaving offenders no choice “but be good” might seem insincere, readers have tended to repeat the first phrase while leaving aside the second half of the sentence. For example, I would point out a pamphlet advocating for the house of correction as a national penal system, written around 1603–04 and reprinted in 1646, wherein a former Bridewell administrator named Thomas Stanley did precisely this: “The right end and intent of punishing of Rogues, is but the destruction of vices, and saving of men.”Footnote 106 Stanley quoted not only Robinson's formulation of More (“the destruction of vices, and savynge of menne”) but also the 1556 edition's marginal index (“the right end and intent”) with equal accuracy.Footnote 107 Thus, in this instance one can be nearly certain that when the prison master and author of Stanley's Remedy sat down to pen his pamphlet in support of the house of correction, he not only remembered More's maxim, or a similar sententia out of Seneca; he opened up a 1556 Utopia to this particular page, and used this particular indexical mark to locate that ringing phrase.Footnote 108
In the details, however, the policies of Hythloday's Polylerites seem ironically flawed. First, so little is said about the annual chance at parole offered to these offenders that one might suspect their sentences are intended to be, as in Hythloday's description of ancient Rome, perpetual. The marginal index contributes to this impression by mislabeling and highlighting the perpetual servitude as “What lawfull punisment may be devised for theft” and “How the Romaynes punished thefte” (“there to be kepte in cheynes all the days of their life”), then misdirecting readers to the “worthy and commendable punishment of theves in the weale publique of the Polylerites in Persia” on that same page.Footnote 109 As Logan has written, it seems “this system does not fully embody Hythloday's point that the severity of punishment ought to be proportional to the degree of heinousness of the crime: all thefts of whatever kind or size appear to be punished by perpetual bondage.”Footnote 110 This isn't entirely so, at least not if one considers the text's later aside about the annual chance at parole. But should the thief of a loaf of bread who has made restitution to its owner still be forced to serve at a minimum a year-long sentence, and perhaps a perpetual one? The quality of the punishment—labor rather than death—is better proportioned. But the quantity—a year or a lifetime—is not. These objections do not appear to have unsettled Bright or Stanley, however, although the point would not have been lost on anyone in England in the sixteenth and seventeenth century: as a punishment for minor crimes administered at Bridewell, for example, hard labor usually lasted for a few days or weeks, not years (unless an offender was taken on as a longer-term trainee).Footnote 111
There are other reasons to question the sincerity of Hythloday's counterproposal. For example, as part of his assurances that the penal laborers are kept under careful control, several means of identifying this class of penal servants are described—as underlined by Hind, and marked by a manicule in the Bodleian's Tanner 66 (1).Footnote 112 Penal laborers are forced to wear robes of a specific color, are given a certain “rounded” haircut “above the eares,” and have their ears clipped in a certain way: “the type of the one eare is cut of.”Footnote 113 The text continues: “Neither they can have any hope at all to skape away by flienge. For howe should a man, that in no parte of his apparell is like other men, flye prevelie and unknowen, oneles he woulde runne away naked? Howebeit so also flyinge he shoulde be discriued by the roundying of his heade, and his eare marke.”Footnote 114 These assurances may again seem to be relatively empty ones: clothes can be changed, and anyone who could find a hat or grow their hair longer than their ears could mask the signs of their criminal brand, at least temporarily.
More destabilizing, however, would be the credulous conclusion. If it is really meant to be believable that a clipped ear would always give the escaped slave away, how could anyone also believe in the possibility of their rehabilitation as free citizens? Hythloday claims that none of the punished are “hopeles or in dispaire to recover againe his former estate of fredome, by humble obedience, by paciente suffringe, and by geving good tokens and likelyhoode of himselfe, that he wyll ever after that, lyve like a trewe, and an honest man. For every yeare divers of them be restored to their freedome: throughe the commendation of their patience.”Footnote 115 This is the utopian hope of repentance, the mercy of correction; true “patience” will commend itself and be commended. But how will the offender return to life as a “trewe, and an honest” man if he is so effectively and permanently branded as a criminal that he could never have had any hope to escape? What life beyond crime or beyond punishment can really be intended? In his advocacy for houses of correction on a national scale, the Bridewell administrator Stanley was himself capable of pointing out precisely the same harsh reality in England: “such a note of infamie” as criminal branding in fact precluded offenders from ever reentering employment, Stanley argued: “they may be assured no man will set them on work.”Footnote 116
For his part, Cardinal Morton, Hythloday's fictional interlocutor in this conversation within a conversation (but also More's real patron in childhood), is open to the idea of Polylerite penology. He considers aloud ways to implement these policies in England and suggests that vagabonds be treated in the same way that the Polylerites treat thieves: “me thynketh that these vagaboundes may very wel be ordered after the same fashion, against whom we have hitherto made so manye lawes, and so little prevailed.”Footnote 117 (“Vagaboundes,” the marginal index alerts readers.Footnote 118) The cardinal's sycophants all agree, illustrating Hythloday's point about the futility of counsel. The cardinal's fool takes the policy a step further, suggesting that hard labor might serve to help those demographics the margin indexes as the “Sicke, aged, impotent persons and beggers,” in addition to thieves and vagabonds.Footnote 119 Why shouldn't all the miserable and needy be rounded up “sumwhere oute of my sight” in a kind of penal colony, yet within the city? the jester asks.Footnote 120 This fool would “make a lawe, that all these beggers shall be distributed, and bestowed into houses of religion,” since the monasteries were already such dens of iniquity.Footnote 121
In cases such as these, Utopia’s double-edged depictions would have held pleasures of both recognition and ironic distance for early readers. English citizens would indeed have been familiar with the vagaries of criminal branding, which had been instituted in recent decades by repeated legislative acts, in 1531, 1536, 1547, and 1550, and continuing beyond 1593 and 1598, when ear boring and ear clipping were once again replaced with whipping as punishment for vagrancy; yet they also knew these policies stumbled in enforcement, presumably due to the difficulty of convincing local justices and constables to impose such disfigurements on their neighbors.Footnote 122 Early readers could also have recognized Polylerite punishments in their own institution at Bridewell, with its whipping posts to inspire fear but rhetorical aspirations toward more humane conditions, its laborers and craftsmen for hire, its chain gangs and attempts at uniforms. And yet, with the important distinction that Bridewell's sentences were better proportioned to the crime and to the individual on a case-by-case basis, not universally or blindly applied. But perhaps most delightful of all would have been this latest joke, placed in the mouth of Morton's moronic fool—this notion that friars were the worst of the vagabonds, and that the monasteries should be repurposed into public hospitals. For that was precisely what was being done at St. Thomas Hospital and at Christ's Hospital, thanks to the efforts of a generation that had printed their own Utopia on the side. Hind at least saw fit to notate this passage in 1571–72, and Bacon took triplicate note of it in his 1551 copy: “cardinalls fool … nota the begynge of … the geste of the cardinales Foole.”Footnote 123
BOOK 2: “HOW LITTLE LIBERTE THEY HAVE”
Modern historians have indeed cited the utopian quality of the new institutions and prisons that appeared in England in the sixteenth century, and yet there are no prisons at all in Utopia itself, or in book 2.Footnote 124 No jails, no houses of correction: U-topos, the good place (eu-) or nonplace (ou-), has hospitals, but no explicitly carceral institutions.Footnote 125 How could this be? No brick-and-mortar institutions are needed, it seems, because for punishment Utopia consigns offenders to varying sentences of public labor, to be completed in the open air, without the imposition of walls or institutions, alongside Utopia's other slaves or bondmen—those foreigners who have either volunteered themselves for permanent bondage or have been taken as prisoners in war. As another version of a penal code wherein work serves as the primary punishment, the Utopian code reflects that of the Polylerites, although with the additional and more explicit distinction that in Utopia “the decerning of punishment” is “putte to the discretion of the magistrates,” as the marginal index points out, rather than existing as any universal norm.Footnote 126 In fact, since Utopia has so few laws, there is “no prescript punishmente” (“certam poenam”) appointed for any crime at all, except adultery: all adulterers are punished with permanent slavery (“grauissima seruitute”), or, as the 1602 hand in Princeton's 1556 edition comments: “Breakers of wedlock punished with most grievous Bondage.”Footnote 127 Instead of a “pre-script” penal code, “accordinge to the heynousenes of the offense [facinoribus] … the punishemente is moderated by the discretion of the counsell” on a case-by-case basis.Footnote 128 Utopia's more proportionate punishments thus act as a foil for England's previous status quo but also support the argument that the sentencing of the Polylerite system, itself part of More's textual correction or dilation in the Renaissance sense, was presented ironically. The hypocrisies and impracticalities of criminal branding, for example, are not mentioned in book 2. And yet there are other, perhaps graver, ethical contradictions implied by Utopia's indistinct systems of bond slavery and penal slavery, though these contradictions were not material for the 1556 index, and did not stop Reformers such as those behind these books from attempting to legislate and enact similar policies, as my final analysis of the 1547–49 Vagrancy Act will confirm.
At first, Utopian punishments appear primarily correctional. Only the most serious crimes are punished publicly in Utopia, and never by death or simple confinement. Instead, in a reformulation of the argument from book 1, Utopians punish severe crimes “with the incommoditie of bondage,” for
that they suppose to be to the offender no lesse griefe, and to the common wealth more profit, then yf they should hastely put them to death… . For there cummeth more profit of theire laboure, then of theire deathe, and by theire example they feare other the longer from lyke offenses. But if they beinge thus used, doo rebell and kicke againe, then forsothe they be slayne as desperate and wilde beastes, whom neither prison nor chaine coude restraine and kepe under. But they, whiche take theire bondage pacientlye, be not lefte all hopeles. For after they have bene broken and tamed with longe miseries, if then they shewe such repentaunce, as therebye it maye bee preceaved that they be soryer for theire offense then for theire punyshemente: sumtymes by the Prynces prerogatyve, and sumtymes by the voyce and consent of the people, theire bondage either is mitigated, or els cleane released and forgeven.Footnote 129
Utopian punishments extract maximal utility and benefit, for the individual but especially for society. Offenders are remade as labor for the public good and continuing examples for general deterrence—not wasted in the flash of a spectacular execution, but laboring as a daily reminder.Footnote 130 The ultimate end would be not only retribution or social utility, however, but reintegration into society—or at least to confirm that offenders are “broken and tamed.” Hythloday could even seem to describe Utopia's penal bondage “as a progressive form of individual improvement and social control,” and “a positive, virtue-instilling institution … that existed as much to redeem wayward individuals as it did to punish them,” as Michael Guasco has written.Footnote 131
The text's optimistic rhetoric is belied by its own details, however. Even more so than among the Polylerites, the actual possibility of rehabilitation—or breaking and “taming”—appears to be undermined. For example, in Utopia the task of butchering animals is reserved “for the hands of theire bondemen.”Footnote 132 Any distinction in More's Latin between the bondsmen (famuli) mentioned here and the slaves or servants (servi) described elsewhere is obscured by Robinson's “bondage” and “bondmen” (perhaps since it is obscured in More's text as well, as these famuli are later servi when it is added that they also do the hunting):Footnote 133 “For they permitte not their frie citezens to accustome them selfes to the killing of beastes, through the use whereof they thinke, clemencye the genteleste affection of oure nature by lytle and lytle to decaye and peryshe.”Footnote 134 Utopians do not allow their free citizens to hunt or slaughter animals, because they believe this practice habituates the hunter or butcher to inhumanity, corrupting by “lytle and lytle” their moral character.Footnote 135 Instead they reserve this necessary task for their “bondmen.” As Pudsey wrote in his commonplace book near 1600, “Bondemen are appointed butchers & not free citizens, lest thorough the vse there of, clemency shold by little & little perish.”Footnote 136
But what about the opposing effect? Given that Utopian society believes these tasks will degrade rather than improve an offender's character, correction seems unlikely. In fact, all corrupting, shameful labors and “base busyness” are reserved for those in bondage: “al vile seruice, all slavery, and drudgerie, with all laboursome toyle, & base busines [sordis laboris] is done by bondemen [serui].”Footnote 137 Or, as Pudsey wrote, “the basest part of butchery … they leave to their bondmen.”Footnote 138 The marginal index marks this poignant inverse to the humanist belief in the improvability of individual behavior: “Of the slaughter of beastes we have learned manslaughter.”Footnote 139 Violence can be acquired. Admitting this, the Utopian penal system must maintain only a highly conditional hope for rehabilitation, when their most violent criminals are condemned to labors that, according to Utopia's own beliefs, will encourage criminal behavior. Utopian penal service may have been “ideally a temporary condition for the enslaved,” but in practice it would have tended to be otherwise, as the text itself and its 1556 apparatus slyly admitted.Footnote 140 Recidivism rather than rehabilitation would be the effect.
Neither is Utopian bond slavery as humane or progressive as it pretends. In fact, in the details, Utopia's bond slavery seems to be equally as punitive as its penal service. For example, Hythloday's claim that many a “vile drudge” or “poore laborer in an other country” has volunteered for the fair and humane bondage of Utopia over their own destitute freedom is contradicted by the experience of the Anemolian ambassadors, who were assumed to be slaves by the Utopians when they arrived festooned in golden chains, and were ridiculed as such.Footnote 141 This suggests that even the bonds of eu-topian slavery connote dishonor and are psychologically punitive. The irony was noted by Pudsey: “Ynfamous persons & bondmen wear in their ears & on their fingers rings of gold about their necks chaines & on their legs gyves.”Footnote 142 Stephen Greenblatt agreed that slavery in Utopia “functions not only as a penal and economic institution but as an extreme form of shaming,” and noted the degrading and self-perpetuating aspects of Utopian slavery as a “chilling” feature of More's fiction.Footnote 143 Neither did the text's distinction between noncitizen “drudges” and citizen penal drudges appear relevant in 1605 to a reader in Princeton's 1556 copy, who noted that “ther owne they punish” even more “sevearly” than they do their foreign slaves—implying that bondage of either sort was punishing.Footnote 144 Nevertheless, this degrading system of bond slavery was enthusiastically embraced in the margins of the 1556 edition, whose index notes as “A mervelous equitie of this nation” the practices of Utopian slavers, who only “make bondemen of prisoners taken in battayle” under certain circumstances, who never acquire children, and who much prefer to purchase for “very lytle” foreign criminals condemned to death.Footnote 145 These bondmen they keep “not onely in continual woorke and labour, but also in bandes” alongside their own native criminals, who they think have deserved the “greater punishmente” of such enslavement for having erred despite being brought up “so godlye” in Utopia.Footnote 146 Penal servants are “kept in continuall labour,” the 1605 hand in Princeton's 1556 copy notes.Footnote 147
Thus, there are several reasons to wonder what the actual difference would be within this distinction between, on the one hand, Utopian penal service, which—despite its rehabilitative rhetoric—would be nearly as permanent as Utopia's bond-slavery proper, and, on the other hand, Utopia's bond slavery, which—despite its humanitarian claims—would be nearly as punitive as its penal service. But at this point a common caveat about both forms of bond slavery in Utopia must be considered. For neither form of Utopia's penal or bonded slavery is hereditary; neither forms a caste. No one in Utopia is born a slave. This is the regard, as Schlomo Avineri has pointed out, in which Utopian slavery has often been said to be relatively less arbitrary than many historical forms of enslavement, especially racial slavery.Footnote 148
If one pauses, however, and imagines the ends and consequences of the Utopian thought model, as is required of any reader of Utopia, this objection does not stand. If one does believe that Utopia's practices rely on nothing like a caste system, still, it is undeniable that the society relies heavily on a group of slave laborers. Precisely because Utopian slavery is not hereditary, then, one can see that it will need to be self-perpetuating in other ways, with other consequences. First, Utopia's magistrates will be motivated to keep their penal servants in permanent bondage, rather than to seek their rehabilitation or recognize their parole. Second, peace-loving and freedom-loving Utopia will always need more slaves, new slaves—it will therefore need more criminals or more prisoners of war. Utopia will be motivated to conduct foreign conquests, or, like the “people of much nonsense,” Utopia will be motivated to find criminals to punish if its society is to survive, or exist, so structured.
Or perhaps what Utopia would require is simply a body of ever-more slave-like citizens. In fact, the carceral foundations of Utopian discipline can be located paradoxically in the lives of their general citizenry, rather than their bond slaves or criminals; not in their public institutions but in their nonprivate homes; and not only in their closely held control but in the forced migrations of their entire social body. In Utopia doors can hardly be closed, let alone locked: “These doores be made with two leaves, never locked nor bolted, so easie to be opened, that they wil follow the least drawing of a fynger.”Footnote 149 Since their doors open at the touch of a finger, “there is nothinge within the houses that is private.”Footnote 150 These uncloseable doors serve as a perfect emblem for the reverse liberty More has depicted and ironized throughout Utopian society and his dialogic text: with nowhere to hide Utopians can have nothing to hide. Furthermore, in yet another hair-splittingly ironic arrangement, recalling Utopia's approach to suicide (forbidden) and euthanasia (encouraged), or to work (enjoyed by citizens) and degrading work (enjoyed by slaves), while free Utopians are moved from household to household every ten years, and from town to town interchangeably, unsanctioned travel is gravely punished—not on the pain of death, of course, but of penal slavery. Free Utopians move constantly in intervals at the will of the magistrates: “Every tenthe yeare they chaunge ther houses,” notes one hand in Princeton's 1556 copy.Footnote 151 Yet roaming or vagrant Utopians are held in penal bondage. It might be said that this policy is primarily intended to interrupt ties between people and possessions or places, but it would also seem to produce within its citizens the alienation from genealogical social life that Patterson argued is a defining feature of slavery.Footnote 152 Certainly the one thing that follows every Utopian is work: “If they stay above a day they fall to their occupations,” as the 1605 hand commented on this passage in Princeton's copy.Footnote 153
“Now you se how little liberte they have,” and, further, “howe they can have no cloke or pretence to idleness. There be neither winetavernes, nor ale houses, nor stewes, nor anye occasion of vice or wickedness, no lurkinge corners, no places of wicked counsels or unlawfull assembles.”Footnote 154 Utopian panopticism extends from their fields and halls even into their homes, where all citizens are constantly “in the present light, and under the eies of every man.”Footnote 155 There is even the suggestion that Utopia polices thoughts and desires, since their penal code punishes “motions” to crimes as harshly as the crimes themselves; as one skeptical reader remarked, in the single marginal note left in one 1556 copy held by the British Library, partially cropped: “this is to mak[e?] all sinnes equa[lly?] disprooved … concerning theif[es?] / & murderers.”Footnote 156 That More's Utopia—itself an extended and exceptionally provocative thought—should describe a society in which such contemplations could be condemned as criminality is an exemplary instance of the text's mordant wit.
Fredric Jameson has argued that the tradition of utopian texts inaugurated to some extent by More can be recuperated as “maps and plans to be read negatively,” to locate sources of suffering and exploitation in their own historical contexts.Footnote 157 “The best Utopias are those that fail most comprehensively,” because such fictions “can serve the negative purpose of making us more aware of our mental and ideological imprisonment.”Footnote 158 But if this sort of reverse critique was More's purpose, it was not entirely his effect, for his model was enthusiastically repositioned and perhaps too earnestly received: “O holy commonwealth, and of Christians to be folowed,” gushes the marginal note for the above panoptic passage, in both the 1556 and early Latin editions.Footnote 159 “No alehouses nor wine tauvernes,” repeats the most diligent reader of Princeton's 1556 edition, beneath this indexical mark.Footnote 160
As it so happens, the remarkably careful records left by this reader—who dated two series of notations particularly focused on idleness as beginning on “December 4, 160[2]” and “January 16, 1602”—display an unusual level of interaction not only with the text but also with the 1556 index.Footnote 161 Some of the most heavily annotated passages in this entire copy are found in these pages, where the discussion of idleness is helpfully divided by the marginal index into “The kyndes & sortes of idle people” (fig. 3).Footnote 162 The manuscript annotator then adds a number next to each stereotype: “1” next to “Women”; “2” next to “Priestes and religousmen”; “3” next to “Riche men and landed men”; “4” next to “Servyingmen”; and “5” before “Sturdy and valiaunt beggers.”Footnote 163 “Set all to work on profitable occupations,” the reader's annotations conclude, after copying out a long sequence mostly verbatim from the body text, arranged along the numbered index in this enthusiastically crammed margin.Footnote 164
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Figure 3. An example of the annotator's use of the printed marginal index in Princeton University Library, EX 3865.5.392.83.12, sigs. Jv–J2r. With permission of the Princeton University Library. Photo: Princeton University Library.
UTOPIA, THE 1547–49 VAGRANCY ACT, AND THE ORIGINS OF THE HOUSE OF CORRECTION
In 1547, “An Acte for the Punishment of Vagabondes and for the Relief of the poore and impotent Persons” began as so many sermons, tracts, and legislative pronouncements on these topics did, and as the 1602 hand in Princeton's 1556 Utopia would have appreciated, by denouncing “Idlenes and Vagabundrye” as “the mother and roote of all theftes Robberyes and all evill actes and other mischiefs.”Footnote 165 The index to the 1556 edition put it more succinctly, as Hind underlined: “Idlenesse the mother of theves.”Footnote 166 Idleness was the catchword for the Hythloday of book 2, and for discourses of poor relief across the sixteenth and seventeenth centuries, but it was hardly the “roote,” as the Hythloday of book 1 had known. An earlier indexical comment, and another passage underlined by Hind, had more accurately discerned a causal chain: “The decay of husbandry causeth beggary, which is the mother of vagaboundes & theves.”Footnote 167
In fact, More's fiction still remains the best-known diagnosis of persistent social problems that impelled the real political projects under consideration in this article's concluding pages.Footnote 168 Since at least the 1470s, and especially since the 1520s, England's population and prices had been rising, while supplies and employment had not kept pace.Footnote 169 Impoverished laborers and those displaced by enclosure migrated from rural to urban environments, forming crowds of the so-called idle, vagrant, or masterless.Footnote 170 Shorter-term crises exacerbated unrest, including failed harvests in the late 1540s, 1590s, and early 1620s.Footnote 171 Such conditions created England's real and perceived vagrancy crisis and drove the country's tax-funded schemes to both relieve and control the poor during the later medieval and early modern periods.
Within these efforts a turn toward work discipline was shaped by several influences. Historians debate the relative importance of humanism, Protestantism, and increasing commercialization as factors that might have varying impacts within specific political regimes, such as Edward VI's government (1547–53), or Oliver Cromwell's (1599–1658) Protectorate (1653–58), for example.Footnote 172 The shift in ethos evolved slowly from longer perspectives; Marjorie McIntosh has discerned as much continuity as disruption within these programs between the fourteenth and sixteenth centuries.Footnote 173 Yet the dramatic events of the Henrician and Edwardian eras of the Reformation undoubtedly catalyzed these changes, if only by rending so “much of the institutional fabric which had provided charity for the poor in the past,” as Paul Slack has described it.Footnote 174 Protestant replacements for the services of the monasteries were especially needed. Attempts that had been underway since at least 1414 to reform and reorganize England's ancient hospitals suddenly gained greater urgency, as witnessed by the founding or refounding of London's five Royal Hospitals between 1547 and 1553, including Bridewell, with its emphasis on work discipline for minor offenders and the able-bodied poor.Footnote 175 Legislative efforts, such as iterations of the early poor laws passed in 1536, 1547, 1576, 1598, 1610, 1646, and 1649, increasingly described their goal as the “correction” of vagrants and vagabonds and aimed to retrain profitable members of the commonwealth by setting offenders to work.Footnote 176
These longer histories, along with the shorter-term upheavals of the mid-Tudor crises, form the background for two exceptionally suggestive projects of the late 1540s and 1550s: not only the founding of Bridewell in 1553, which “provides an almost unique example of an institution that has been universally regarded as marking” a “new departure” in penology, as Sharpe has written, but also the Vagrancy Act of 1547–49 that preceded it, and which Davies has called “the most savage act in the grim history of English vagrancy legislation.”Footnote 177
The “Acte for the Punishment of Vagabondes and for the Relief of the poore and impotent Persons” began by demanding a deceptively utopian scheme for handling vagrancy and petty crime: rather than simply whipping, stocking, carting, or hanging offenders, they would be put to work. Lamenting that “godlie Statutes hitherto hath had small effecte,” and “Idle and Vagabounde persons” continue to “remayne and increase” as “unprofitable membres or rather ennemyes of the Commen wealthe,” the statute suggested that if such enemies of the state should be punished with “deathe whipping emprysonement or with other Corporall payne,” it would not be beyond their due, citing what might be classed as both retributive (“it were not without their desertes”) and utilitarian (“for thexample of others and to the benefit of the Commen wealth”) justifications.Footnote 178 But the law's ultimate aims were distinct. Offenders should be “brought to be made proffitable” and to “doo service” rather than put to death or simply imprisoned.Footnote 179 As in Utopia, reintegration and the extraction of exponential utility were the stated ideals.Footnote 180
Under the 1547–49 law, however, offenders would not only be set to work (and were not really very likely be rehabilitated). Instead, they would become “Slaves,” temporarily at first, but under sentences that were designed to quickly be extended to life. At the outset, any master whose employment had been refused or reneged on for any reason could summon two justices of the peace, who, “hearing the proefe of the Idle living of the saide parsone” from at least two witnesses, would “immediatelie cawse the saide loyterer to be marked with an whott Iron in brest the marke of V” and “adjudge the said parsone living so Idelye to such presentor to be his Slave.”Footnote 181 Sentences were set initially at two years: “To have and to holde the said Slave to him his executors or assignes for the space of twoo Yeres.”Footnote 182 Any offender caught trying to escape was to be branded (on the forehead this time) with an S and condemned for life. Any S caught running away a second time was to be executed: “to suffer paynes of death as other fellons ought to doo.”Footnote 183 No parole for the original sentences, and no privilege of the clergy whatsoever, was to be given.
Several of the same ironic patterns noticed in Utopia thus reemerge here: as in the conflicted code of the Polylerites, permanently branding and scarring offenders (V for vagabond, S for slave) would effectively render promises of reintegration empty, as even Stanley in the seventeenth century had recognized. In fact, sentences under the 1547–49 law quite explicitly moved only one way. Every universal two-year sentence could quickly be extended to a lifetime of forced labor, but none could be shortened for an offender who had proven themselves reformed. Permanent bondage, rather than rehabilitation, would have been the more likely effect.
Although the 1547–49 law made none of Utopia's ironic claims about the humane conditions of its slavery, there were many other similarities. During their period of bondage, “to have and to holde” an offender required providing only bread and water for sustenance. Beating and chaining the enslaved person with a “a rynge of Iron abowt his Necke Arme or his Legge” was endorsed wherever deemed necessary—especially if any of these bondmen were found to be gathering together without warrant, and perhaps thereby conspiring.Footnote 184 As in Utopia, a master could “cawse the saide Slave to worke by beating, cheyning or otherwise” in whatever labor, however degrading to person or character, or “how vyle so ever it be.”Footnote 185 Again as in Utopia, provisions for a convict-leasing scheme were included, wherein slaves could be held by individuals, as well as by parishes and corporations.Footnote 186 But again going slightly farther, the act's punishments were explicitly meant to justify reducing offenders to chattel slaves, who could be sold, leased, or bequeathed as “anny … movable goodes or Catelles.”Footnote 187
The act's emphasis on targeting poor children (or “Infant Beggars”) seems particularly concerning, even or especially given the so-called “mervelous equitie” of the Utopian slavers, who were praised by the 1556 edition for not taking children captive.Footnote 188 Under the 1547–49 act, any “children” (defined by the law as between the ages of five and twenty-four for men or twenty for women) seen begging or wandering, even if they had committed no other crime beyond their poverty, and certainly whether “theie be willing or not,” could be taken in for forced adoption as servants or apprentices by any master able to catch them; all that was needed was physical detainment and presentment before the constables and justices of the peace.Footnote 189 Once captured, these children and adolescents would fall under the same conditions and penalties as adult vagrants for attempts to escape: first, to be permanently sentenced and branded as indentured “Slaves” and, second, to die.Footnote 190 Any “suche Slave or Slaves or children so adjudged” and found to be “resisting there corrections” could be put to “suffer therefore paynes of death.”Footnote 191
The law's passage was its peak, however. Its “extremitie” could not have been “putt in use,” as the statute that repealed it in 1549 stated; there is little external evidence that the statute was ever enforced at all.Footnote 192 And yet, although the 1547–49 act certainly merited rejection as “extreme,” its provisions were not necessarily so far from other forms of unfreedom practiced in England across the medieval and early modern periods: serfdom, villeinage, indentured servitude, and forced apprenticeships for children—one feature of the 1547–49 law with a long and successful afterlife, as Steve Hindle has pointed out—and, later, houses of correction and workhouses.Footnote 193 What was most unusual, however, was also what was most Utopian about the 1547–49 statute, and what became the organizing principle of those later institutions: the deployment of such a labor condition explicitly as punishment.Footnote 194 Thus what seems particularly unacceptable and unusual now—the practice and language of slavery, which the 1547–49 act appears to have envisioned as a way to “produce the effect of penal servitude while sparing the trouble of establishing any machinery to administer it,” as Davies wrote—was swiftly rejected.Footnote 195 But what was actually more unique about the law in its own time was the conceptual shift toward deploying labor as punishment, and this correctional idea was not rejected at all. Precisely such a concept was coming to permeate national legislative attempts to organize poor relief from the parish upward, and precisely such a concept was then given its first dedicated institution almost immediately thereafter, at London's Bridewell, and by many of the same Reformers involved with both the 1547–49 law and the 1550s Utopias.
Although details of parliamentary debates or amendments to this Vagrancy Act are unfortunately lost, Tadlowe, Cecil, Smith, Bowes, and Nicholas Ridley (1500–55) would all have been serving in Parliament when the act was passed in 1547, as well as when, in the wake of the uprisings and crises of 1549 and the subsequent demise of Somerset's protectorate, the legislation was hastily repealed.Footnote 196 Thus this earlier attempt at top-down reform and its embarrassing failure would have been fresh in their memories when Tadlowe, Cecil, Smith, and their cohort were involved with the English Utopia in 1551; or when Tadlowe, Bowes, Ridley, and Grafton advocated for the establishment of the house of correction in 1550–53; or when Tadlowe, Bowes, and Grafton convened its administration in 1556 and thereafter; or even when Grafton's son-in-law Tottel printed the 1556 edition. Thomas Smith would surely have recognized comparisons to the “ferocity” of the 1547–49 law when he acted alongside his former pupil Cecil as censor on the Privy Council, allowing Utopia to go to print in 1551 (translated by Cecil's schoolmate Robinson), for Smith is even thought to have been the author of the 1547–49 Vagrancy Act.Footnote 197 As More wrote in his Utopia, in a passage marked with a manicule in a 1556 copy held by the Folger Library, lessons learned from “adversities” and “experience of the world” are those “which beinge so learned can not easely be forgotten.”Footnote 198
Perhaps it was as a political lesson learned the hard way, rather than as the reversible map described by Jameson, that the “oddball blueprints” of both the 1547–49 Vagrancy Act and even Utopia did not prove so eccentric, given the “actual institutional developments” at Bridewell that followed so closely thereupon, as Beier, for example, has argued.Footnote 199 Institutions rather than legislative statements carried these ideas forward. “Life in a house of correction” would turn out to be “very like the slavery envisaged in 1547,” as Davies concluded.Footnote 200 And yet both the law and the new form of prison were also in their own moment, as Innes and others have noted, and as this article has sought to substantiate, in all senses of the term, quintessentially “utopian.”Footnote 201
CONCLUSION
This article has offered a set of readings of the Robinson text, its editorial positioning, and some of its users’ responses as material and social evidence for a phenomenon described by intellectual and legal historians as taking place at a more abstract level: “the More tradition” in the history of English penology, as Davies dubbed it.Footnote 202 Although correlation is still by no means causation, More's text became associated generally and by many individual readers with the origins of a wider trend in English policy, especially after the Reformation and during an age of increasing commercialization, when a new emphasis was placed on linking punishment to labor and common utility. Utopia gave the concept of penal service “new found respect,” Mary Nyquist has argued, especially when presented in an increasingly unironic fashion in the English editions of the 1550s, I would add.Footnote 203 In fact, by tracing the less ironic presentation, reception, and recontextualization of such ideas in and around the 1551 and 1556 editions, specifically, this article has sought to build a more nuanced basis for understanding how schemes so similar to Utopia’s rhetorical and even satirical models could have “found their way into” earnest laws and institutions during and after the crucible of the mid-Tudor years.Footnote 204
First, in the voice of Hythloday especially, the text advanced a powerful and powerfully extractable argument for rehabilitative punishments, forming what was then the most radical critique of the penal status quo circulating in England.Footnote 205 At the same time the ironies of the text's surrounding counterproposals, their consequences, and their satirical tones, if intended by More to hedge against his characters’ primary arguments, did not succeed in giving much pause—at least not to the users of the book whose presences can still be traced from the 1550s Robinson editions. Nor did these ironies or counterarguments dissuade the civic Reformers whom Bishop especially has shown stood behind these books and their comparable institutions and policies, such as the uncannily similar policies of the 1547–49 statute, as I have suggested, or, slightly later, the new prison at Bridewell.Footnote 206 In fact, the failure of that utopian statute may have imparted a lasting lesson for the administrators behind the new prison. As Guasco observed, Englishmen “such as Ralph Robinson,” Thomas Smith, and others seem to have realized that while penal slavery had “no place” in early modern England, another system of penal labor, or a “system of human bondage founded on progressive, redemptive ideals,” could nevertheless prove “tantalizing.”Footnote 207
Correction was just such a system. Although the penology introduced at the house of correction in the 1550s would take centuries to become fully rationalized and institutionalized, and to fully eclipse its associations within the ars rhetorica, this core idea—that petty criminals ought to be trained for work, not just incapacitated, both for their own sake and for society's—was given its strongest early modern expression in More's Utopia. This idea would become one of the most powerful arguments of the modern penal age, or what Foucault called “the correctional world.”Footnote 208 This idea retains the status of common sense today, even when correctional institutions consistently fall short of their supposedly rehabilitative aims. This idea, I would argue, and not necessarily Utopia’s critique of England's economic principles, became the text's signature argument in the sixteenth and seventeenth centuries, and its most enduringly important rhetorical relay, in form as in content: wherein more beneficial punishments were offered as a better way of justifying society's expanding carceral capacities. As Robinson's translation put it: “For there cummeth more profit of theire laboure, than of theire deathe.”Footnote 209