Sound and Movie examples from this issue 21(3) can already be found online at the journal’s website: www.journals.cambridge.org/OSO. Organised Sound has discontinued its production of DVDs with volume 20.

Anıl Çamcı

Imagining through Sound: An experimental analysis of narrativity in electronic music

4 Sound examples

Sound example 1: Birdfish (2012) by Anıl Çamcı – 4′40″

Sound example 2: Element Yon (2011) by Anıl Çamcı – 3′34″

Sound example 3: Christmas 2013 (2011) by Anıl Çamcı – 2′16″

Sound example 4: Diegese (2013) by Anıl Çamcı – 1′54″

Isobel Anderson and Tullis Rennie

Thoughts in the Field: ‘Self-reflexive narrative’ in field recording

4 Sound examples

Sound example 1: ‘Sound Diary: Los Yarumos Ecologic Park Forest, Manizales, Colombia’ field recording (2014) by Tullis Rennie – 2′50″

Sound example 2: ‘Getting Lost’ composition (2015) by Isobel Anderson and Tullis Rennie – 8′50″

Sound example 3: ‘Sound Diary: Searching for Home’ field recording (2014) by Tullis Rennie (excerpt) – 1′12″

Sound example 4: ‘Sound Diary: Searching for Lingerbay’ field recording (2014) by Isobel Anderson (excerpt) – 1′28″

Yannis Kyriakides

Hearing Words Written

3 Movie examples

Movie example 1: Subliminal: The Lucretian Picnic (2003) by Yannis Kyriakides – live recording from performance by ASKO Ensemble (excerpt from opening) – 5′38″

Movie example 2: Dreams of the Blind IV: Car Radio (2007) by Yannis Kyriakides – recorded by Ensemble MAE conducted by Bas Wiegers – 6′03″

Movie example 3: The Arrest (2010) by Yannis Kyriakides recorded by Ensemble MAE conducted by Bas Wiegers (excerpt from end) – 3′09″

(All compositions published by Donemus and released on DVD by Unsounds in 2012.)