Hostname: page-component-6bf8c574d5-mggfc Total loading time: 0 Render date: 2025-02-14T22:06:02.470Z Has data issue: false hasContentIssue false
  • English
  • Français

Treitler Leo, Reflections on Musical Meaning and its Representations (Bloomington and Indianapolis: Indiana University Press, 2011). xii + 317 pp. $35.00.

Published online by Cambridge University Press:  17 June 2013

Scott Burnham
Scott Burnham*
Affiliation:
Princeton Universitysburnham@princeton.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 10 , Issue 1 , June 2013 , pp. 182 - 187
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The present volume joins Leo Treitler's previous collections Music and the Historical Imagination (Cambridge, MA: Harvard University Press, 1990) and With Voice and Pen: Coming to Know Medieval Song and How It Was Made (Oxford: Oxford University Press, 2007).

2 The two new essays are ‘What Kind of Thing is Musical Notation?’ and ‘Sketching Music, Writing Music’.