Nicholas Baragwanath, The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera (Bloomington: Indiana University Press, 2011).

Matthew Brown. Debussy Redux: The Impact of His Music on Popular Culture (Bloomington: Indiana University Press, 2012).

Donald Burrows. Handel, 2^nd ed. (Oxford: Oxford University Press, 2012).

Martin V. Clarke, ed. Music and Theology in Nineteenth-Century Britain (Farnham: Ashgate Publishing, 2012).

David Conway. Jewry in Music: Entry into the Profession from the Enlightenment to Richard Wagner (Cambridge: Cambridge University Press, 2012).

Rachel Cowgill and Hilary Poriss, eds. The Arts of the Prima Donna in the Long Nineteenth Century (Oxford: Oxford University Press, 2012).

Mark Darlow. Staging the French Revolution: Cultural Politics and the Paris Opera (Oxford: Oxford University Press, 2012).

Florence Gétreau, ed. Orchestras aux XVIII ^eand XIX ^esiècles: composition, disposition, direction, representation, Revue française d'organologie et d'iconographie musicale 12 (Paris: CNRS Editions, 2010).

Arthur Groos, ed. Richard Wagner: Tristan und Isolde (Cambridge: Cambridge University Press, 2011).

Joseph Horowitz, Moral Fire: Musical Portraits from America's Fin de Siècle (Berkeley and Los Angeles: University of California Press, 2012).

Eric Frederick Jensen. Schumann, 2^nd ed. (Oxford: Oxford University Press, 2012).

Shay Loya. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition (Rochester: University of Rochester Press, 2012).

Christian McWhirter. Battle Hymns: The Power and Popularity of Music in the Civil War (Chapel Hill: The University of North Carolina Press, 2012).

Michael Musgrave. The Life of Schumann (Cambridge: Cambridge University Press, 2011).

Kristina Muxfeldt. Vanishing Sensibilities: Schubert, Beethoven, Schumann (Oxford: Oxford University Press, 2012).

Neal Peres da Costa. Off the Record: Performing Practices in Romantic Piano Playing (Oxford: Oxford University Press, 2012).

Irena Poniatowska, ed. Chopin and His Critics (up to World War I) (Warsaw: The Fryderyk Chopin Institute, 2012).

Ryszard Przybylski, trans. John Comber. A Swallow's Shadow (Warsaw: The Fryderyk Chopin Institute, 2012).

Michael J. Puri. Ravel the Decadent: Memory, Sublimation, and Desire (Oxford: Oxford University Press, 2012).

Charles Rosen. Freedom and the Arts: Essay (Cambridge, MA: Harvard University Press, 2012).

Esti Sheinberg, ed. Musical Semiotics: A Network of Musical Significations in Honour and memory of Raymond Monelle (Farnham: Ashgate, 2012).

Michael Spitzer, ed. American Orchestras in the Nineteenth Century (Chicago: University of Chicago Press, 2012.

Christoph Wolff. Mozart at the Gateway to His Fortune: Serving the Emperor, 1788–1791 (New York: W.W. Norton, 2012).