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Asuman Suner. New Turkish Cinema: Belonging, Identity and Memory. New York: I.B. Tauris, 2010, xii + 209 pages.

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Asuman Suner. New Turkish Cinema: Belonging, Identity and Memory. New York: I.B. Tauris, 2010, xii + 209 pages.

Published online by Cambridge University Press:  21 July 2015

Özlem Köksal
Özlem Köksal*
Affiliation:
Birkbeck College, University of London
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Abstract

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Type
Book Reviews
Information
New Perspectives on Turkey , Volume 42 , Spring 2010 , pp. 274 - 278
Copyright
Copyright © New Perspectives on Turkey 2010

References

1 Higson, Andrew, ‘The Concept of National Cinema,” Screen, 30, no. 4 (1989): 37CrossRefGoogle Scholar.

2 Suner, Asuman, Hayalet Ev (İstanbul: Metis), 2006Google Scholar.

3 Bachelard, Gaston, Poetics of Space (Boston: Beacon), 1994Google Scholar.

4 Boym, Svetlana, The Future of Nostalgia (New York: Basic Books), 2001Google Scholar.

5 Originally the name of a street in İstanbul's Beyoğlu district, Yeşilçam refers to the heyday of Turkish cinema and the film industry in Turkey in general, which came to an end in the late 1970s.