Hostname: page-component-745bb68f8f-cphqk Total loading time: 0 Render date: 2025-02-06T06:58:05.925Z Has data issue: false hasContentIssue false
  • English
  • Français

Pier Paolo Pasolini and the medium of song: texts written for Laura Betti for the Giro a vuoto show

Published online by Cambridge University Press:  07 January 2016

Sebastiano Ferrari
Sebastiano Ferrari*
Affiliation:
Centre d'études italiennes, Université catholique de Louvain, Belgium
*
∗Email: sebastiano.ferrari@uclouvain.be
Rights & Permissions [Opens in a new window]

Abstract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

This article focuses on the outcome of an important episode within contemporary Italian culture: the encounter between the world of literature and song, and specifically examines the lyrics written by Pier Paolo Pasolini for the actress and singer Laura Betti for the Giro a Vuoto show, performed in 1960 in Milan. This essay intends to highlight the key elements of this encounter and the characteristic elements of these songs by virtue of textual and stylistic analysis, and provide remarks with regard to the relationship between music, text and singing performance. A study of this kind allows emphasis to be placed on the innovation originating from this distinctive collaboration which represents an important sign of change towards the emergence of a quality song within the mass market which would later come to be defined as canzone d'autore (singer-songwriter genre).

Keywords

Pasolini's song lyricsBettiGiro a vuotoGirolamo
Type
Articles
Information
Modern Italy , Volume 17 , Issue 3 , August 2012 , pp. 325 - 342
Copyright
Copyright © Association for the study of Modern Italy 

References

Angelini, F. 2000. Pasolini e lo spettacolo. Rome: Bulzoni.Google Scholar
Asor Rosa, A. 1965. Scrittori e popolo. Il populismo nella letteratura italiana contemporanea. Rome: Samonà e Savelli.Google Scholar
Calabretto, R. 1999. Pasolini e la musica. Pordenone: Cinemazero.Google Scholar
Chierici, M. 1993. Moto Guzzi. Guzzino. Milan: Nada.Google Scholar
Coveri, L., ed. 1996. Parole in musica. Novara: Interlinea.Google Scholar
Eco, U. 2003. Apocalittici e integrati. Milan: Bompiani.Google Scholar
Fabbri, F. 2002. Il suono in cui viviamo. Rome: Arcana.Google Scholar
Fiori, U. 2003. Scrivere con la voce. Milan: Unicopli.Google Scholar
Gramsci, A. 1971. Il materialismo storico e la filosofia di Benedetto Croce. Rome: Editori Riuniti.Google Scholar
Jona, E. and Straniero, M.L. 1995. Cantacronache, un'avventura politico musicale degli anni Cinquanta. Turin: Paravia.Google Scholar
Kellner, D. 1984. Herbert Marcuse and the crisis of Marxism. Berkeley/Los Angeles: University of California Press.Google Scholar
Liperi, F. 1999. Storia della canzone italiana. Rome: Rai-Eri.Google Scholar
Magaletta, G. 1997. La musica nell'opera letteraria e cinematografica di Pier Paolo Pasolini. Urbino: Quattro Venti.Google Scholar
Martellini, L. 1984. Pier Paolo Pasolini. Florence: Le Monnier.Google Scholar
Merola, N., ed. 2006. La poesia italiana del secondo Novecento: atti del convegno di Arcavacata di Rende. Soveria Mannelli: Rubbettino.Google Scholar
Middleton, R. 1994. Studiare la popular music. Transl. Mele, Melinda. Milan: Feltrinelli.Google Scholar
Pasolini, P.P., ed. 1960. La poesia popolare italiana. Milan: Garzanti.Google Scholar
Pasolini, P.P., ed. 1972. Canzoniere italiano. Antologia della poesia popolare. Milan: Garzanti (1955).Google Scholar
Pasolini, P.P. 1973. Calderón. Milan: Garzanti.Google Scholar
Pasolini, P.P. 1975. La divina mimesis. Turin: Einaudi.Google Scholar
Pasolini, P.P. 1976/1961. La religione del mio tempo. Milan: Garzanti.Google Scholar
Pasolini, P.P. 2003/1957. Le ceneri di Gramsci. Milan: Garzanti.Google Scholar
Pasolini, P.P. 2010. Scritti corsari. Milan: Garzanti (1975).Google Scholar
Pasolini, P.P., and Dell'Arco, M., eds. 1952. Poesia dialettale del Novecento. Parma: Guanda.Google Scholar
Piromalli, A., and Scarfoglio, D., eds. 1976. Volgar'eloquio. Naples: Athena.Google Scholar
Rodari, G., ed. 1956a. Avanguardia, anno IV, no. 9 (26 February):1–18.Google Scholar
Rodari, G., ed. 1956b. Avanguardia, anno IV, no. 14 (1 April):1–18.Google Scholar
Santato, G. 1980. Pier Paolo Pasolini. L'opera. Vicenza: Neri Pozza.Google Scholar
Siciliano, E. 1995. Vita di Pasolini. Florence: Giunti.Google Scholar
Scheiwiller, V, ed. 1960. Giro a vuoto. Milan: Scheiwiller-Pesce d'oro.Google Scholar
Siti, W. and De Laude, S., eds. 2001. Pier Paolo Pasolini. Teatro. Milan: Mondadori.Google Scholar