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AMBITION, COMMITMENT, AND SUBVERSION IN COURBET'S REALISM
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ChuPetra ten-Doesschate, The Most Arrogant Man in France: Gustave Courbet and the Nineteenth-Century Media Culture (Princeton and Oxford: Princeton University Press, 2007)
NochlinLinda, Courbet (New York: Thames and Hudson, 2007)
Published online by Cambridge University Press: 01 August 2008
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References
1 Chu, 9; but I give the translation I offered some years ago in Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1830–1930 (New York, 1986; reprinted Baltimore, 1999), 14, assuming, however that Chu is correct that the verb is crée where I had crie. She seems unaware that anyone else has given attention to Saint-Cheron's article.
2 I took note of them, quoting from one, in Bohemian Paris, 14–15.
3 Quoted with citations in Bohemian Paris, 87.
4 From a letter quoted by Hélène Toussaint in her discussion of the Studio in the catalogue of the Paris exhibition Gustave Courbet (1819–1877) (Paris 1977), 260–61.
5 I take up this comment in Bohemian Paris, 83. I do not believe Chu cites it.
6 For a sustained argument to this effect see Bohemian Paris, esp. chap. 2.
7 The talk was published as the title essay in Nochlin, Linda, Women, Art, and Power (New York, 1988)Google Scholar.