No CrossRef data available.
Article contents
Noble Sissle and Eubie Blake: Shuffle Along Music of the United States Volume 29. Recent Researches in American Music Volume 85. Edited by Lyn Schenbeck and Lawrence Schenbeck. Middleton, WI: A-R Editions, 2018.
Published online by Cambridge University Press: 11 April 2022
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Book Review
- Information
- Copyright
- Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music
References
1 Sarath, Ed, Black Music Matters: Jazz and the Transformation of Music Studies (Lanham, MD: Rowman & Littlefield, 2018)Google Scholar.
2 Riis, Thomas, “Defying Boundaries and Escaping Stereotypes: African American Entertainers in the Late Nineteenth Century,” in Rethinking American Music, ed. Browner, Tara and L., Thomas Riis (Urbana: University of Illinois Press, 2019), 200–01Google Scholar.
3 Schenbeck, Lawrence, Racial Uplift and American Music 1878–1943 (Jackson: University Press of Mississippi, 2012)CrossRefGoogle Scholar.
4 Thompson, David S., “Shuffling Roles: Alternations and Audiences in Shuffle Along,” Theatre Symposium Annual 20 (2012): 97–108CrossRefGoogle Scholar.
5 Hill, Constance Valis, Tap Dancing America (New York: Oxford University Press, 2010)Google Scholar.
6 Brown, Jayna, Babylon Girls: Black Women Performers and the Shaping of the Modern (Durham: Duke University Press, 2008)Google Scholar.