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The Dual Personality of Philip Heseltine

Published online by Cambridge University Press:  08 February 2018

Stanley M. Coleman
Stanley M. Coleman*
Affiliation:
Cornwall Mental Hospital, Bodmin
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Mr. Cecil Gray, in his excellent study, Peter Warlock holds the view that Philip Heseltine's character only becomes understandable if he is regarded as an example of dual personality. Gray gives very clearly and, in my opinion, conclusively the evidence on which he bases this belief. The only question that is left unanswered is the clinical nature of the duality.

Type
Part I.—Original Articles
Information
Journal of Mental Science , Volume 95 , Issue 399 , April 1949 , pp. 456 - 466
Copyright
Copyright © Royal College of Psychiatrists, 1949 

References

Peter Warlock, by Gray, Cecil. Jonathan Cape, 1934.Google Scholar
Frederick Delius, by Heseltine, Philip. John Lane, 1923.Google Scholar
The English Ayre, by Heseltine, Philip. Oxford University Press, 1926.Google Scholar
Merry Go Down, by Noolas, Rab (Philip Heseltine), and decorated by Hal Collins. Mandrake Press, 1929.Google Scholar
Giles Earle His Booke, edited, with preface and notes, by Heseltine, Philip. Houghton Publishing Company, 1932.Google Scholar
“Peter Warlock” (Philip Heseltine), by Foss, Hubert in Bacharach's, British Music of Our Time. Pelican Books, 1946.Google Scholar
Antic Hay, by Huxley, Aldous. Chatto & Windus, 1923.Google Scholar
Women in Love, by Lawrence, D. H. Martin Seeker, 1921.Google Scholar
Witchcraft, Magic and Alchemy, by de Grivy, Grillot. George G. Harrap & Co., Ltd., 1932.Google Scholar
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