No CrossRef data available.
Article contents
The Work of Dance: Labor, Movement, and Identity in the 1930s, by Mark Franko. 2002. Middletown, CT: Wesleyan University Press, ix + 213 pp., illustrations, notes, index.
Published online by Cambridge University Press: 22 July 2014
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static-cambridge-org.ezproxyberklee.flo.org/content/id/urn%3Acambridge.org%3Aid%3Aarticle%3AS014976770000841X/resource/name/firstPage-S014976770000841Xa.jpg)
- Type
- Reviews
- Information
- Copyright
- Copyright © Congress on Research in Dance 2005
References
Works Cited
Foulkes, Julia. 2002. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill, NC: University of North Carolina Press.Google Scholar
Franko, Mark. 1995. Dancing Modernism/Performing Politics. Bloomington, IN: Indiana University Press.Google Scholar
Graff, Ellen. 1997. Stepping Left: Dance and Politics in New York City, 1928–1942. Durham, NC: Duke University Press.Google Scholar
LaMothe, Kimerer. 2005. Nietzsche's Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values. New York: Palgrave Press, December.Google Scholar
Manning, Susan. 1998. “Black Voices, White Bodies: The Performance of Race and Gender in How Long Brethren.” American Quarterly (50) 1: 24–46.CrossRefGoogle Scholar