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Being Watched: Yvonne Rainer and the 1960s by Carrie Lambert-Beatty. 2008. Cambridge, MA: MIT Press. 362 pp., illustrations, notes, index. $34.95 cloth.

Published online by Cambridge University Press:  02 April 2012

Erin Brannigan
Erin Brannigan
Affiliation:
University of New South Wales, Sydney
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Abstract

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Type
Reviews
Information
Dance Research Journal , Volume 43 , Issue 1 , Summer 2011 , pp. 114 - 117
Copyright
Copyright © Congress on Research in Dance 2011

References

Works Cited

Burt, Ramsay. 2007. Judson Dance Theater. London: Routledge.Google Scholar
Green, Shelley. 1994. Radical Juxtaposition: The Films of Yvonne Rainer. Metuchen, NJ: Scarecrow Press.Google Scholar
Lakoff, George. 1980. Metaphors We Live By. Chicago: University of Chicago Press.Google Scholar
Lepecki, André. 2006. Exhausting Dance: Performance and the Politics of Movement. New York: Routledge.CrossRefGoogle Scholar
Phelan, Peggy. 1999. “Yvonne Rainer: From Dance to Film.” In A Woman Who … Essays, Interviews, Scripts, edited by Rainer, Yvonne. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Rainer, Yvonne. 1989. The Films of Yvonne Rainer. Bloomington: Indiana University Press.Google Scholar
Rainer, Yvonne. 2006. Feelings Are Facts:A Life. Cambridge, MA: MIT Press.Google Scholar
Sachs, Sid, ed. 2003. Yvonne Rainer: Radical Juxtapositions 1961–2002. Philadelphia: University of the Arts.Google Scholar
Woods, Catherine. 2007. Yvonne Rainer: The Mind Is a Muscle. London: Afterfall Books.Google Scholar