No CrossRef data available.
Article contents
Antonia Mercé “La Argentina”: Flamenco and the Spanish Avant Garde by Ninotchka Devorah Bennahum. 2000. Hanover and London: Oxford University Press, xvi + 248 pp., illustrations, glossary, bibliography, index. $40.00 cloth.
Published online by Cambridge University Press: 22 July 2014
Abstract
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static-cambridge-org.ezproxyberklee.flo.org/content/id/urn%3Acambridge.org%3Aid%3Aarticle%3AS0149767700006069/resource/name/firstPage-S0149767700006069a.jpg)
- Type
- Reviews
- Information
- Copyright
- Copyright © Congress on Research in Dance 2001
References
Notes
1. La Argentinita—Encarnacion López Júlvez—and Federico García Lorca were intimate friends and artistic collaborators until Lorca's death in 1936. She appeared as the featured dancer in his first produced play, El Malefício de la Mariposa, in 1920. The two artists recorded and popularized old Spanish songs in the early 1930s, and with other artists they formed the Madrid ballet in 1933.
2. See also the 1990/1993 film, When the Fire Burns: The Life and Music of Manuel de Falla, for accounts by family and colleagues of Falla's growing wish that performances of El Amor Brujo be discontinued.