Griechische Klassik: ihr Wesen und ihre Bedeutung für die Gegenwart. Von Ernst Langlotz. Pp. 26; 14 text-figures. Stuttgart: Kohlhammer, 1932. Paper, M. 2.80. - Griechische und römische Kunst. Von Andreas Rumpf. Pp. 106. (Gercke und Norden, Einleitung in die Altertumswissenschaft, II. 3.) Leipzig: Teubner, 1931. Paper, RM. 4. 32.

H. J. Rose

doi:10.1017/S0009840X00061175

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Griechische Klassik: ihr Wesen und ihre Bedeutung für die Gegenwart. Von Ernst Langlotz. Pp. 26; 14 text-figures. Stuttgart: Kohlhammer, 1932. Paper, M. 2.80. - Griechische und römische Kunst. Von Andreas Rumpf. Pp. 106. (Gercke und Norden, Einleitung in die Altertumswissenschaft, II. 3.) Leipzig: Teubner, 1931. Paper, RM. 4. 32.

Volume 47, Issue 1
H. J. Rose ^(a1)
DOI: https://doi.org/10.1017/S0009840X00061175

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Griechische Klassik: ihr Wesen und ihre Bedeutung für die Gegenwart. Von Ernst Langlotz. Pp. 26; 14 text-figures. Stuttgart: Kohlhammer, 1932. Paper, M. 2.80. - Griechische und römische Kunst. Von Andreas Rumpf. Pp. 106. (Gercke und Norden, Einleitung in die Altertumswissenschaft, II. 3.) Leipzig: Teubner, 1931. Paper, RM. 4. 32.

Volume 47, Issue 1
H. J. Rose ^(a1)
DOI: https://doi.org/10.1017/S0009840X00061175

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Griechische Klassik: ihr Wesen und ihre Bedeutung für die Gegenwart. Von Ernst Langlotz. Pp. 26; 14 text-figures. Stuttgart: Kohlhammer, 1932. Paper, M. 2.80. - Griechische und römische Kunst. Von Andreas Rumpf. Pp. 106. (Gercke und Norden, Einleitung in die Altertumswissenschaft, II. 3.) Leipzig: Teubner, 1931. Paper, RM. 4. 32.

Volume 47, Issue 1
H. J. Rose ^(a1)
DOI: https://doi.org/10.1017/S0009840X00061175

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