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Glastonbury Abbey: archaeological investigations 1904–79. By Roberta Gilchrist and Cheryl Green. 305mm. Pp 494, col and b&w ills. The Society of Antiquaries of London, London, 2015. isbn 9780854313006. £45 (hbk).

Published online by Cambridge University Press:  02 November 2016

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Abstract

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Reviews
Copyright
© The Society of Antiquaries of London 2016 

Glastonbury Abbey is a numinous place, which has been a centre of attraction to antiquaries and archaeologists as well as those absorbed in the legends of King Arthur since the twelfth century. It is thus hardly surprising that it has accumulated a vast body of record and comment. Roberta Gilchrist and Cheryl Green, with a distinguished team of thirty-one specialists, therefore took on a huge task in trying to reassess and reinterpret all known archaeological investigations from 1904 to 1979. This publication, as well as the digital archive, is the fruit of their project (Glastonbury Abbey Archaeological Archive Project) in which the Trustees of Glastonbury Abbey and the University of Reading collaborated, and it represents a notable achievement.

For the first time it is possible to say that the surviving records of all the archaeological interventions on the site have been perused and evaluated, which was only possible after the archive of the late Ralegh Radford became available in the public domain. This lack of crucial evidence clearly affected the work of other scholars such as Philip Rahtz, who previously (in 1993 and 2003) tried to make sense of the earlier excavations. Radford, who worked on the site from 1951 to 1964, always intended, up to the time of his death in 1998, to write the definitive narrative himself. As an independent scholar, without the institutional backing that is the norm for archaeologists today, this was an almost impossible task. In the event, this new work considers the evidence for the site and surviving buildings of the abbey in much more depth, both literally and metaphorically, than would have been attempted in the 1980s, when he published an interim account of the early phases of the site (Radford 1981). Chapter Two, which provides the evidence for the recent geophysical surveys, is a case in point. This book has not only brought together for the first time the archaeological evidence for the whole history of the site, but in doing so has produced a primary evaluation of the nature of the medieval monastery and its buildings.

This is a handsome publication, lavishly illustrated with new colour and black-and-white figures as well as fascinating historical photographs, but it is not a book for the faint-hearted or those seeking a quick overview. It is indeed useful to digest the Summary and the phasing and figure conventions before plunging into the first chapter because then the piecemeal nature of the evidence can be fully appreciated, and the format of the plans understood. Throughout the book there has been a scrupulous regard for whether evidence is firmly supported or still uncertain, and this is reflected in the colour coding of the plans, which on the whole works well, but sometimes it is difficult to distinguish between the light and dark colours in a site with so many interventions to record.

Most attention in the past has been focused on the early history of the site and the events and people, both real and imagined, associated with such an important religious location. The documentary evidence for the legends (including those relating to King Arthur’s burial) and the more solid medieval history is clearly set out in Chapter Three as a prelude to the discussion of the current knowledge of the standing buildings. There follow Chapters Four to Six in which the site is dissected through time and by area: the Cemetery and the Church, the Cloister, and the Inner Court and Precinct. Each of these major sections is preceded by a summary in which the evidence and the current interpretation is set out and briefly commented upon, noting what has been added as new evidence by the reinvestigation. The component parts of each item are then phased and evaluated with colour-coded plans and sections. To provide one example, the cemetery is divided into: the lay cemetery; the monks’ cemetery with discussions of the cemetery boundaries and cemetery platform; and then a separate treatment for a burial chamber, cist graves and other graves. The evidence is then pulled together in the Chronological Summary in Chapter Ten and put into a wider context in the Conclusions in Chapter Eleven.

Sometimes the gap between the statement of the evidence and the methods used to re-evaluate it and provide a new chronology can be frustrating, and, for this author, that applied to the important evidence for the Saxon glass furnaces. These, because of their rarity and the differing dates that have been assigned to them, are justifiably given a chapter of their own (Chapter Seven). Glass-making furnaces were discovered at Glastonbury between 1955 and 1957 but were not fully published, although they have formed part of any discussion of Anglo-Saxon glass production ever since. For the first time now these furnaces have been securely located, and the evidence presented in new plans and sections with an analysis of the stratigraphy that enables a reinterpretation of the dating and nature of the glass making. A new catalogue of all locatable finds has been made and these include for the first time evidence of the production waste. For the clinching evidence, provided by modern scientific methods, for the date of the manufacture, however, one has to wait for Chapter Ten. The seventh- to eighth-century date for this evidence of glass working fits well with that for very similar window glass excavated at Wearmouth and Jarrow, and the position of the manufacturing so close to the church can be compared with San Vincenzo al Volturno, so that one can deduce that this episode took place as part of the construction and enhancement of a phase of church building, rather than that it was a repetitive process in a workshop. In the Glastonbury context, the construction of the stone church in the reign of King Ine seems to fit the context for the window-glass manufacture and the authors suggest that ‘no other pre-Dunstan stone structure has been identified’ (p 104).

The finds, from prehistoric to early modern, are brought together in Chapter Eight and include important new analysis and interpretation of the post-Roman pottery, much of which was selectively discarded during earlier excavations, including Radford’s, as I saw for myself on visiting the site during excavation. What remains is, however, a very important body of material. Some categories of finds, such as the Anglo-Saxon sculptures, are not discussed, having been published elsewhere, but the much richer assemblage of medieval worked stone has not before been fully considered and there is an important chapter in which this material is analysed in its petrological groups. In fact, it is the greater understanding of the medieval buildings, their uses and their position within the architectural history of western Europe, which is perhaps the outstanding achievement of this book.

In summary, it is now possible for the first time to consider the entire sequence of activity on this site and to know with some certainty where the gaps in our knowledge lie. The site has produced evidence for some prehistoric activity in the area, if not directly on the site, and possibly two wells in the abbey complex may have had Roman or earlier origins. There must have been substantial Roman buildings in the vicinity of the site, which were robbed to provide building materials for parts of the Anglo-Saxon monastery. The nature of this evidence and of the Roman pottery and small finds are a close parallel to the evidence at other Anglo-Saxon monastic sites, such as Jarrow, where there is attested robbing from nearby Roman sites. The gap between the Roman and early medieval periods has, however, been filled at Glastonbury by new evidence in the shape of late Roman imported pottery associated with floors and traces of timber structures within the cemetery area which confirms a sixth-century occupation on the site, but whether of a secular or religious community is uncertain.

Some questions about the form of the mid- and late Saxon monastery cannot yet be conclusively answered. It has been suggested that the massive ditch and bank, which has appeared in most earlier publications as a potential monastic enclosure (a vallum monasterii), may well be an earlier defensive feature, pre-dating the monastery. Indeed, if monasteries elsewhere are any guide, a greater area would have been enveloped in the outer enclosure, and such a ‘vallum’ would not have been so near to the church. A number of other ditches have been excavated in separate areas around the site, which, if joined to form a square enclosure, could vary in size from 4 to 14ha. Without further excavation these discrepancies can hardly be resolved, and indeed if one compares the evidence from other monasteries such as Hartlepool or Beverley, subdivisions of the sites can be marked by subsidiary ditches.

The three building phases of the pre-Conquest churches have been clarified, and comparisons can now be made with the plans of other monastic churches of the seventh to tenth centuries, while the detached burial chamber to the east of the main church is comparable with a similar chamber to the east of the early church at Whithorn.

There is no evidence for a conventional cloister at Glastonbury before the rebuilding by Henry of Blois in the mid-twelfth century, but the freestanding buildings to the south of the cemetery are confirmed and have been compared with the range of two large buildings to the south of the churches and cemetery at Jarrow. Mention might have been made of a similar range of two large rooms at the sister and earlier monastery of Wearmouth, which were linked to the church by a covered way or proto-cloister walk.

A much more complete picture of the twelfth-century church and cloister is available, although even here some of the evidence is tantalisingly vestigial. Whether the remains in the south-east corner could have been of a lavatorium or the fragments of walling in the north west the foundations of a conduit house continue to be a matter of debate. The evidence for the rebuilt cloister and east range after the 1184 fire is much more firmly founded and the complex evidence for the fourteenth-century abbot’s range is presented clearly for the first time, with a substantial hall, chapel, service range with the great kitchen, and a rectangular walled garden. The abbot’s complex of buildings well illustrates the palatial nature of the lifestyle of the later abbots of Glastonbury.

In Chapter Eleven, section three, ‘Concluding remarks’, stresses quite rightly that new excavations are needed to ‘establish the character, form and extent of the Saxon monastery’ and suggestions are made as to where these could be most valuable. The priority given to investigation to the north of the churches is particularly relevant since in so many of the sites comparable in date, such as Wearmouth, Jarrow and Canterbury, investigation has concentrated on the south sides of the churches, and only at Whitby is there a hint that it is to the north of the churches that one might find the more subsidiary and domestic buildings.

One must agree with the concluding statement in this useful and innovative book that ‘new understanding has been brought to the abbey’s archaeology and a series of questions have been posed for future research’.

References

Radford, C A R 1981. ‘Glastonbury Abbey before 1184: interim report on the excavations 1908–64’, in N Coldstream and P Draper (eds), Medieval Art and Architecture at Wells and Glastonbury, Brit Archaeol Ass Conference Trans iv, 110134, London and Leeds Google Scholar