Yorùbá Music in the Twentieth Century: Identity, Agency, and Performance Practice

Bode Omojola

doi:10.1017/9781805431732

Yorùbá Music in the Twentieth Century

Identity, Agency, and Performance Practice

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Meadows, Ruthie 2021. Tradicionalismo africanoin Cuba: Women, ConsecratedBatá, and the Polemics of “Re-Yorubization” in Cuban Ritual Music. Ethnomusicology, Vol. 65, Issue. 1, p. 86.

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Bode Omojola, Mount Holyoke College, Massachusetts

Publisher:: Boydell & Brewer
Online publication date:: January 2024
Print publication year:: 2014
Online ISBN:: 9781805431732
DOI:: https://doi.org/10.1017/9781805431732

Series:: Eastman/Rochester Studies in Ethnomusicology
Subjects:: Music, Music Criticism

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Yorùbá Music in the Twentieth Century
Bode Omojola
Online ISBN: 9781805431732

Book DOI: https://doi.org/10.1017/9781805431732
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Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music.

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Yorùbá Music in the Twentieth Century

Identity, Agency, and Performance Practice

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

Acknowledgments
pp ix-x

Introduction
pp 1-15

1 - Yorùbá Drumming: Performance Practice and the Politics of Identity
pp 16-45

2 - Talking and Stammering: Toward an Analysis of Yorùbá Drumming
pp 46-69

3 - Songs of the King’s Wives: Gendered and Social Identities in Yorùbá Vocal Performance
pp 70-90

4 - The Aírégbé Song Tradition of Yorùbá Female Chiefs
pp 91-112

5 - Yorùbá Music in the Christian Liturgy: Notation, Performance, and Identity
pp 113-135

6 - Yorùbá Music in Christian Worship: The Aládǔrà Church
pp 136-161

7 - Yorùbá Popular Music: Hybridity, Identity, and Power
pp 162-203

8 - Yorùbá Islamic Popular Music
pp 204-220

Conclusion
pp 221-230

Appendixes

A - Fieldwork
pp 231-233

B - Audio Track List
pp 234-234

Notes
pp 235-254

Selected Discography and Videography
pp 255-258

Bibliography
pp 259-272

Index
pp 273-285

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Yorùbá Music in the Twentieth Century

Identity, Agency, and Performance Practice

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