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  • Cited by 8
Publisher:
Cambridge University Press
Online publication date:
September 2011
Print publication year:
1999
Online ISBN:
9781139002110

Book description

This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

Reviews

‘ … this Companion implements in every respect the claims its publishers make for it as ‘an essential guide to all aspects of the organ and its music’. Perhaps unusually for so valuable a book of reference, much of it also makes engrossing reading.’

Source: Church Times

‘ … never less than readable, and sometimes positively compelling … an extremely valuable book that should be on every musician’s bookshelf.’

Source: The Musical Times

‘… editors of this Companion have done an excellent job in producing a sharply-focused, coherent set of essays within 330 pages … this is a book that can usefully, indeed should, be read by anyone interested in the organ and its music. Students will need their own copies for constant reference, while the more experienced will be stilumated, informed and challenged.’

Source: Music and Letters

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Contents

  • Frontmatter
    pp i-xiv
  • Part I - The instrument
  • 1 - Origins and development of the organ
    pp 1-17
  • 2 - Organ construction
    pp 18-30
  • 3 - The physics of the organ
    pp 31-41
  • 4 - Temperament and pitch
    pp 42-54
  • 5 - The organ case
    pp 55-81
  • 6 - Organ building today
    pp 82-92
  • Part II - The player
  • 7 - The fundamentals of organ playing
    pp 93-112
  • 8 - A survey of historical performance practices
    pp 113-129
  • 9 - Organ music and the liturgy
    pp 130-147
  • Part III - Selected repertoires
  • 10 - Italian organ music to Frescobaldi
    pp 148-163
  • 11 - Iberian organ music before 1700
    pp 164-175
  • 12 - The French classical organ school
    pp 176-189
  • 13 - English organ music to c1700
    pp 190-203
  • 14 - Catholic Germany and Austria 1648–c1800
    pp 204-218
  • 15 - The north German organ school
    pp 219-235
  • 16 - The organ music of J. S. Bach
    pp 236-249
  • 17 - German organ music after 1800
    pp 250-262
  • 18 - French and Belgian organ music after 1800
    pp 263-278
  • 19 - British organ music after 1800
    pp 279-298
  • 20 - North American organ music after 1800
    pp 299-315
  • Appendix: The modes (toni) and their attributes according to Zarlino
    pp 316-318
  • Notes
    pp 319-321
  • Bibliography
    pp 322-331
  • Index
    pp 332-340

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