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  1. Home
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  3. Science, Form, and the Problem of Induction in British Romanticism
  • Cited by 16
Publisher:
Cambridge University Press
Online publication date:
June 2018
Print publication year:
2018
Online ISBN:
9781108292412
DOI:
https://doi.org/10.1017/9781108292412
Subjects:
Literature, Literary Theory, English Literature 1830-1900, English Literature 1700-1830
Series:
Cambridge Studies in Romanticism (120)
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Book description

Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work.

Awards

Honourable mention, 2019 University English Annual Book Prize

Shortlisted, 2019 British Association for Romantic Studies (BARS) First Book Prize

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