German Operetta on Broadway and in the West End, 1900–1940

Derek B. Scott

doi:10.1017/9781108614306

- You have access
- Open access
Cited by 4
Cited by
- 4
Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Belina, Anastasia and Scott, Derek B. 2019. The Cambridge Companion to Operetta.

CrossRef

Google Scholar

ZECHNER, INGEBORG 2021. Multiple-Music Versions?. Music, Sound, and the Moving Image, Vol. 15, Issue. 2, p. 133.

CrossRef

Google Scholar

Phillips, James and Severn, John R. 2021. Barrie Kosky’s Transnational Theatres. p. 1.

CrossRef

Google Scholar

2024. The Year that Made the Musical. p. 35.

CrossRef

Google Scholar

Derek B. Scott, University of Leeds

Publisher:: Cambridge University Press
Online publication date:: June 2019
Print publication year:: 2019
Online ISBN:: 9781108614306
DOI:: https://doi.org/10.1017/9781108614306
Creative Commons:: This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0 https://creativecommons.org/creativelicenses

Subjects:: Music, Opera, Drama and Theatre: General Interest, Drama, Theatre, Performance Studies

Information

Contents

Metrics

Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.

‘This virtuoso study provides valuable insights into the musical styles, business models, stars, creators and infrastructures associated with operetta during the decades surrounding the turn of the twentieth century. Scott provides salient distinctions between Viennese and Berlin operetta styles and discusses how both approaches played out in London and New York. His insights into the concepts and production systems of operetta complicate and therefore add to previous accounts of the genre. Scott's book helps us gain a deeper appreciation of this highly popular and influential part of the wider musical theatre firmament and its influence on contemporary transnational practices.'

William Everett - University of Missouri, Kansas City

'Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press German Operetta on Broadway and in the West End, 1900-1940 with a big cheer … [the book] gives a clear overview of this particular field, as a good introduction that mentions many important aspects that will give students more than enough to do on their own in the years to follow.'

Kevin Clarke Source: Operetta Research Center (www.operetta-research-center.org)

'Rather than looking at the influence of American operettas on European stage productions (the customary approach), this excellent study focuses on the influence of German operettas on the stages of the West End and Broadway from 1900 to 1940.'

R. Pitts Source: Choice

‘Scott’s book makes an interesting contribution to existing research … The book will be of value for anyone interested in the history of the entertainment industries and of inter-urban cultural transfers in the first half of the twentieth century, and provides a fresh take on the cultural history of transatlantic exchanges.’

Antje Dietze Source: H-Urban

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services