The Critique of Judgment and the Unity of Kant’s Critical System - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vii

Acknowledgments

pp viii-viii

Note on Sources

pp ix-ix

Kant’s Writings by Abbreviations Used for German Titles with Corresponding Translations

pp x-xvi

Introduction

pp 1-16

Part I - The Highest Good and the Postulates

pp 17-98

Chapter 1 - Kant’s Justification of the “Fact of Reason” and the Objective Reality of Freedom from a “Practical Point of View”

pp 19-46

Chapter 2 - The Highest Good and the Realism of Moral Glaube

pp 47-71

Chapter 3 - Reflective Judgment and the Realism of the “Moral Image”

pp 72-98

Part II - Aesthetic Judgment and the “Moral Image”

pp 99-176

Chapter 4 - Beauty as a “Symbol of Morality”

pp 101-122

Chapter 5 - The Free Harmony of the Faculties and the Primacy of Imagination in Kant’s Aesthetic Judgment

pp 123-149

Chapter 6 - Genius, Ugliness, and Nonsense

pp 150-176

Part III - Teleological Judgment and the “Moral Image”

pp 177-266

Chapter 7 - Kant’s Account of Nature’s Systematicity and the Unity of Theoretical and Practical Reason

pp 179-205

Chapter 8 - Organisms as “Natural Ends” and Reflective Judgment’s “Image” of Externalized Freedom

pp 206-234

Chapter 9 - Kant’s Teleological Philosophy of History

pp 235-262

Concluding Remarks

pp 263-266

Bibliography

pp 267-276

Index

pp 277-280