The Cambridge Companion to Stravinsky

doi:10.1017/CCOL9780521663304

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Matthews, Steven 2008. Modernism. p. 166.

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COLE, ROSS 2014. ‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968. Twentieth-Century Music, Vol. 11, Issue. 2, p. 217.

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Campbell, Edward and O'Hagan, Peter 2021. The Cambridge Stravinsky Encyclopedia.

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2021. The Cambridge Stravinsky Encyclopedia. p. 217.

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2021. The Cambridge Stravinsky Encyclopedia. p. 1.

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Edited by Jonathan Cross, University of Bristol

Publisher:: Cambridge University Press
Online publication date:: September 2011
Print publication year:: 2003
Online ISBN:: 9780511998898
DOI:: https://doi.org/10.1017/CCOL9780521663304

Subjects:: Twentieth-Century and Contemporary Music, Music, Music: General Interest
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

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Stravinsky's work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.

'… well annotated and illustrated … it will provide a valuable guide for music students and scholars as well as for music lovers who have the desire and technical knowledge to engage more fully with a major phenomenon in modern music … Jonathan Cross's Companion deserves to be translated into Russian and published in the country where the heritage of one of its greatest composers seems to be still only partially appreciated.'

Source: Slavonic and East European Review

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The Cambridge Companion to Stravinsky

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-xvi

Part I - Origins and contexts

1 - Stravinsky's Russian origins
pp 1-18

2 - Stravinsky as modernist
pp 19-36

3 - Stravinsky in context
pp 37-56

Part II - The works

4 - Early Stravinsky
pp 57-78

5 - Russian rites: Petrushka, The Rite of Spring and Les Noces
pp 79-97

6 - Stravinsky's neoclassicism
pp 98-136

7 - Stravinsky's theatres
pp 137-148

8 - Stravinsky the serialist
pp 149-174

Part III - Reception

9 - Stravinsky conducts Stravinsky
pp 175-191

10 - Stravinsky as devil: Adorno's three critiques
pp 192-202

11 - Stravinsky in analysis: the anglophone traditions
pp 203-229

12 - Stravinsky and the critics
pp 230-247

13 - Composing with Stravinsky
pp 248-259

14 - Stravinsky and us
pp 260-284

Chronological list of works
pp 285-290

Notes
pp 291-316

Select bibliography
pp 317-320

Index
pp 321-328

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The Cambridge Companion to Stravinsky

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