The Cambridge Companion to Jazz

doi:10.1017/CCOL9780521663205

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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Macaulay, Michael 2008. The parallax of art and commerce. Jazz Research Journal, Vol. 1, Issue. 2, p. 225.

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Bowie, Andrew 2009. An Introduction to Music Studies. p. 176.

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2016. The Cambridge Companion to Film Music. p. 413.

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Salazar Sutil, Nicolas 2017. Jism for Schism. Performance Research, Vol. 22, Issue. 2, p. 1.

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2017. The Cambridge Companion to the Musical.

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Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.

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Velenis, Konstantinos Kaliakatsos-Papakostas, Maximos Pasias, Leandros and Cambouropoulos, Emilios 2023. Visualisations of Jazz Standards Derived from Transformer-based Multi-task Learning. p. 79.

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Chaichana, Tanarat 2024. The Sinicization of jazz: Exploring the rise and fall of jazz cultures in Shanghai from the colonial to the communist eras. Humanities, Arts and Social Sciences Studies,

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Edited by Mervyn Cooke, University of Nottingham, David Horn, University of Liverpool

Publisher:: Cambridge University Press
Online publication date:: September 2011
Print publication year:: 2003
Online ISBN:: 9781139002233
DOI:: https://doi.org/10.1017/CCOL9780521663205

Subjects:: Twentieth-Century and Contemporary Music, Music, Music: General Interest, Music Performance
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

Information

Contents

Metrics

The vibrant world of jazz may be viewed from many perspectives, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory. This volume of nineteen specially commissioned essays provides informed and accessible guidance to the challenge, offering the reader a range of expert views on the character, history and uses of jazz. The book starts by considering what kind of identity jazz has acquired and how, and goes on to discuss the crucial practices that define jazz and to examine some specific moments of historical change and some important issues for jazz study. Finally, it looks at a set of perspectives that illustrate different 'takes' on jazz - ways in which jazz has been valued and represented.

‘… most of the writers in this Companion are academics, and it's hard to fault the obvious passion underlying their diverse points of view.’

Source: BBC Music Magazine

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