The Cambridge Companion to Choral Music

doi:10.1017/CCOL9780521111737

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Tönsing, J. Gertrud 2017. <I>Limnandi Evangeli</I> and <I>Hlangani Bafundi</I>: An exploration of the interrelationships between Christian choruses and South African songs of the struggle. HTS Teologiese Studies / Theological Studies, Vol. 73, Issue. 4,

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Barrett, Michael Page-Shipp, Roy van Niekerk, Caroline and Ferreira, Johan 2020. Learning music theory en passant: a study in an internationally recognised South African University student choir. British Journal of Music Education, Vol. 37, Issue. 2, p. 155.

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Yoo, Hyesoo 2021. Research-to-Resource: Instructional Strategies for Teaching Culturally Diverse Musics in Ensembles. Update: Applications of Research in Music Education, Vol. 39, Issue. 3, p. 5.

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Yoo, Hyesoo 2023. Teaching Traditional and Transformed Versions of Culturally Diverse Musics With Integrity. Journal of General Music Education, Vol. 37, Issue. 1, p. 26.

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Fernandes, José Fortunato 2024. Empowering Song. Per Musi, Vol. 25, Issue. , p. 1.

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Juan-Morera, Borja Nadal-García, Icíar López-Casanova, Belén and Estella-Escobar, Lucía 2024. Exploratory Study on the Impact on Emotional Health Derived from Participation in an Inclusive Choir. Healthcare, Vol. 12, Issue. 13, p. 1355.

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Edited by André de Quadros, Boston University

Publisher:: Cambridge University Press
Online publication date:: September 2012
Print publication year:: 2012
Online ISBN:: 9781139035392
DOI:: https://doi.org/10.1017/CCOL9780521111737

Subjects:: Music, Music: General Interest, Music Performance
Collection:: The Cambridge Companions to Music
Series:: Cambridge Companions to Music

Information

Contents

Metrics

Choral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide and its professional practice. The volume sets out a historical survey of the genre and follows with a kaleidoscopic bird's eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir and give their professional insights into choral practice. This Companion will appeal to choral scholars, directors and performers alike.

'Invaluable to both undergraduate and postgraduate music students. It would be a useful addition to a specialist music library or a university library both in this country and abroad.'

Lucy Seale Source: Reference Reviews

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