Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction: The Baroque, Symbolism and Hispanic Modernity: A Benjaminian Meditation on the Construction of History
- 1 Góngora and the Colonial Body Politic: Moriscos, Amerindians and Poetry as Protest
- 2 Violence and the “Tremulous Private Body” in Lazarillo de Tormes, Fuenteovejuna, and the Soledades
- 3 Trauma, Body and Machine in Don Quijote
- 4 Góngora and Darío in Constellation: On the Poetics of Rape, Colonialism and Modernity
- 5 Pilgrimage into the Trauma of History: Continuities of Góngora in Carpentier, Rulfo and Vallejo
- 6 Signposts in a Genealogy of Post-Symbolism in Latin American Poetry
- Afterword
- Appendix I: On Mallarmé’s “Un Coup de dés”
- Appendix II: The Annales School and Maravall’s La cultura del barroco
- Works Cited
- Index
1 - Góngora and the Colonial Body Politic: Moriscos, Amerindians and Poetry as Protest
Published online by Cambridge University Press: 16 December 2020
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction: The Baroque, Symbolism and Hispanic Modernity: A Benjaminian Meditation on the Construction of History
- 1 Góngora and the Colonial Body Politic: Moriscos, Amerindians and Poetry as Protest
- 2 Violence and the “Tremulous Private Body” in Lazarillo de Tormes, Fuenteovejuna, and the Soledades
- 3 Trauma, Body and Machine in Don Quijote
- 4 Góngora and Darío in Constellation: On the Poetics of Rape, Colonialism and Modernity
- 5 Pilgrimage into the Trauma of History: Continuities of Góngora in Carpentier, Rulfo and Vallejo
- 6 Signposts in a Genealogy of Post-Symbolism in Latin American Poetry
- Afterword
- Appendix I: On Mallarmé’s “Un Coup de dés”
- Appendix II: The Annales School and Maravall’s La cultura del barroco
- Works Cited
- Index
Summary
In this chapter I will address a colonial topic, expanding Beverley's argument that Góngora and his humanist circle constituted an early case of avantgarde, by showing how they used the imaginary of hermeticism to address the frustrated national ambitions of colonized peoples within the Spanish empire, the Moriscos and Amerindians. I will also consider Góngora's specific engagement with Inca Garcilaso and the humanist Pedro de Valencia in the context of changing historiographic practices within the empire, which were evoked by the Sacromonte debates.
Literary critics have long recognized that Luis de Góngora's great lyric poem of the Spanish Baroque, the Soledades, engages with the problem of imperial expansion and domestic agrarian crisis, citing the influence of the humanist Pedro de Valencia upon the poet. While the critique of the voyages of exploration is a well-remarked feature of the poem, aspects of the impact of imperial history and its literature upon the work continue to be elucidated. Most importantly, Mercedes Blanco has identified an encoded critique of the South Pacific expansion, specifically of Fernández de Quirós's aspirations for the colonization of Australia (Góngora heroico, 321–27; 331n). Recently, I have suggested that on the domestic side, the poem incorporates symbolic criticism of the expulsion of the Moriscos (Chemris, “Falconry Scene”; “Biblical Architecture”). I will now propose a global integration of these concerns, focusing on the transatlantic incorporation of humanist and utopian thought in the Soledades—and in some of Góngora's other poems—via Pedro de Valencia's writings and the Comentarios reales of Inca Garcilaso.
I will argue that Valencia's writings on social issues and on the Moriscos should be considered in concert with his lesser known work on the American and Pacific colonization, given his appointment as Royal Chronicler for not only Castile but the Indies (1607–1620) (Magnier 6). I will also engage with the anthropologist and biographer Carmen Bernand's provocative assertions, which locate Góngora, Pedro de Valencia, and Inca Garcilaso within conflicted humanist circles that grappled with the status of national minorities and with new Biblical and Eastern studies, in the context of emerging early modern disciplines of history, anthropology and archeology.
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- The Spanish Baroque and Latin American Literary ModernityWriting in Constellation, pp. 29 - 54Publisher: Boydell & BrewerPrint publication year: 2021