Book contents
- Frontmatter
- PREFACE TO THE THIRD EDITION
- PREFACE
- PREFACE
- Contents
- INTRODUCTION
- PART FIRST SHAKESPEARE CONSIDERED AS A DRAMATIC ARTIST,IN FIFTEEN STUDIES
- PART SECOND SURVEY OF DRAMATIC CRITICISM AS AN INDUCTIVE SCIENCE
- XVI TOPICS OF DRAMATIC CRITICISM
- XVII INTEREST OF CHARACTER
- XVIII INTEREST OF PASSION
- XIX INTEREST OF PLOT: STATICS
- XX INTEREST OF PLOT: DYNAMICS
- APPENDIX: TECHNICAL ANALYSIS OF PLOTS
- INDEXES
- INDEX OF SCENES
XX - INTEREST OF PLOT: DYNAMICS
Published online by Cambridge University Press: 05 April 2012
- Frontmatter
- PREFACE TO THE THIRD EDITION
- PREFACE
- PREFACE
- Contents
- INTRODUCTION
- PART FIRST SHAKESPEARE CONSIDERED AS A DRAMATIC ARTIST,IN FIFTEEN STUDIES
- PART SECOND SURVEY OF DRAMATIC CRITICISM AS AN INDUCTIVE SCIENCE
- XVI TOPICS OF DRAMATIC CRITICISM
- XVII INTEREST OF CHARACTER
- XVIII INTEREST OF PASSION
- XIX INTEREST OF PLOT: STATICS
- XX INTEREST OF PLOT: DYNAMICS
- APPENDIX: TECHNICAL ANALYSIS OF PLOTS
- INDEXES
- INDEX OF SCENES
Summary
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- Chapter
- Information
- Shakespeare as a Dramatic ArtistA Popular Illustration of the Principles of Scientific Criticism, pp. 370 - 398Publisher: Cambridge University PressPrint publication year: 2011First published in: 1893