This chapter explores the political theory within this educational work. It draws on self-produced works, cassettes, photocopied pamphlets, song sheets, and lyric books collected from people’s own archives as they returned from Khartoum, and the interviews, group translations, and discussions of these works and photographs conducted during their collection. These texts, poems, and songs are engaged in critiques of their authors’ economic, political, racial, and social circumstances; they build competing political philosophies and set out a spectrum of ideas about the future. Together the discussions across these projects centred on the possible shape and extent of a new political community rooted in common Black experience of exploitation and marginalisation, versus a political community drawing on more specific ethnic or localised parameters, based on a more conservative and pessimistic reading of the war economy and its futures. At the same time it contains shared common critiques of the civic and moral failings of the wealthy, apathetic, culturally promiscuous, and politically ignorant.