Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-6dbcb7884d-cm8hq Total loading time: 0 Render date: 2025-02-14T08:50:16.600Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  16 January 2025

Edited by
Martin Dubois
Martin Dubois
Affiliation:
University of Durham
Get access
Type
Chapter
Information
Gerard Manley Hopkins in Context , pp. 334 - 349
Publisher: Cambridge University Press
Print publication year: 2025

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Martin, Robert Bernard, Gerard Manley Hopkins: A Very Private Life (New York: G. B. Putnam’s Sons, 1991).Google Scholar
White, Norman, Hopkins: A Literary Biography (Oxford: Clarendon, 1992).CrossRefGoogle Scholar

Secondary Sources

Brown, Daniel, Gerard Manley Hopkins (Tavistock: Northcote House, 2004).CrossRefGoogle Scholar
Easson, Angus, Gerard Manley Hopkins (New York: Routledge, 2011).Google Scholar
Jenkins, Alice, The Poems of Gerard Manley Hopkins: A Sourcebook (London: Routledge, 2006).Google Scholar
MacKenzie, Norman H., A Reader’s Guide to Gerard Manley Hopkins (London: Thames and Hudson, 1981; 2nd ed. 2008).Google Scholar
Mariani, Paul L., A Commentary on the Complete Poems of Gerard Manley Hopkins (Ithaca, NY: Cornell University Press, 1970).Google Scholar
Storey, Graham, A Preface to Hopkins (London: Longman, 1981).Google Scholar
Ballinger, Philip A., The Poem as Sacrament: The Theological Aesthetic of Gerard Manley Hopkins (Louvain: Peeters Press, 2000).Google Scholar
Brown, Daniel, Hopkins’ Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon, 1997).CrossRefGoogle Scholar
Cotter, James Finn, Inscape: The Christology and Poetry of Gerard Manley Hopkins (Pittsburgh, PA: University of Pittsburgh Press, 1972).Google Scholar
Dau, Duc, Touching God: Hopkins and Love (London: Anthem Press, 2012).Google Scholar
Dubois, Martin, Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge: Cambridge University Press, 2017).CrossRefGoogle Scholar
Feeney, Joseph J., SJ, The Playfulness of Gerard Manley Hopkins (Aldershot: Ashgate, 2008).Google Scholar
Grafe, Adrian, Gerard Manley Hopkins: La profusion ténébreuse (Lille: Septentrion, 2003).Google Scholar
Llewelyn, John, Gerard Manley Hopkins and the Spell of John Duns Scotus (Edinburgh: Edinburgh University Press, 2015).Google Scholar
MacKenzie, Norman H., Excursions in Hopkins (Philadelphia, PA: Saint Joseph’s University Press, 2008).Google Scholar
Muller, Jill, Gerard Manley Hopkins and Victorian Catholicism: A Heart in Hiding (New York: Routledge, 2003).Google Scholar
Nixon, Jude V., Gerard Manley Hopkins and His Contemporaries: Liddon, Newman, Darwin, and Pater (New York: Garland, 1994).Google Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (Amsterdam: Brill, 2010).CrossRefGoogle Scholar
Phillips, Catherine, Gerard Manley Hopkins and the Victorian Visual World (Oxford: Oxford University Press, 2007).Google Scholar
Plotkin, Cary H., ed., Soundings: Hopkins Studies in Transition (Philadelphia, PA: Saint Joseph’s University Press, 2007).Google Scholar
Saville, Julia F., A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (Charlottesville: University of Virginia Press, 2000).Google Scholar
Sobolev, Dennis, The Split World of Gerard Manley Hopkins: An Essay in Semiotic Phenomenology (Washington, DC: Catholic University of America Press, 2011).Google Scholar
Tanabe, Kumiko, Gerard Manley Hopkins and His Poetics of Fancy (Newcastle: Cambridge Scholars, 2015).Google Scholar
Virkar Yates, Aakanksha, The Philosophical Mysticism of Gerard Manley Hopkins (New York: Routledge, 2018).CrossRefGoogle Scholar
Ward, Bernadette Waterman, World as Word: Philosophical Theology in Gerard Manley Hopkins (Washington, DC: Catholic University of America Press, 2002).Google Scholar
Westover, Daniel, and Alan Holmes, Thomas, eds., The Fire That Breaks: Gerard Manley Hopkins’s Poetic Legacies (Clemson, SC: Clemson University Press, 2020).CrossRefGoogle Scholar
Willems, Brian, Hopkins and Heidegger (London: Continuum, 2009).Google Scholar
Wimsatt, James I., Hopkins’s Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape (Toronto, ON: University of Toronto Press, 2006).CrossRefGoogle Scholar
Allsopp, Michael, ‘Hopkins at Highgate: Biographical Fragments’, Hopkins Quarterly, 6 (1980), 3–10.Google Scholar
Feeney, Joseph J., SJ, ‘The Highgate Hopkins Obituary, with Introduction and Commentary’, Renascence, 42.1–2 (1989–90), 3–12.CrossRefGoogle Scholar
House, Humphry, The Youth of Gerard Manley Hopkins: 1844–1868, ed. Higgins, Lesley, in Hopkins Quarterly, 37 (2010), 1–220.Google Scholar
Nixon, Jude V., ‘Fathering Graces at Hampstead: Manley Hopkins’s “The Old Trees” and Gerard Manley Hopkins’s “Binsey Poplars”’, Victorian Poetry, 44 (2006), 191–211.CrossRefGoogle Scholar
White, Norman, ‘The Parents and Early Background of Gerard Hopkins’, Hopkins Quarterly, 20, 3–4 (1995), 63–114.Google Scholar
Allsopp, Michael, ‘Hopkins at Oxford 1863–1867: His Formal Studies’, Hopkins Quarterly, 4 (1977–8), 161–76.Google Scholar
Daunton, Martin, ed., The Organisation of Knowledge in Victorian Britain (Oxford: Oxford University Press, 2005).CrossRefGoogle Scholar
Deslandes, Paul, Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850–1920 (Bloomington: Indiana University Press, 2005).Google Scholar
Dowling, Linda, Hellenism and Homosexuality in Victorian Oxford (Ithaca, NY: Cornell University Press, 1994).Google Scholar
Higgins, Lesley, ‘Essaying “W. H. Pater Esq.”: New Perspectives on the Tutor/ Student Relationship between Pater and Hopkins’, in Pater in the 1990s, ed. Brake, Laurel and Small, Ian (Greensboro, NC: ELT Press, 1991), pp. 77–94.Google Scholar
Higgins, Lesley ‘Introduction’ to CW, iv, pp. 1–87.Google Scholar
Higgins, Lesley ‘The “piecemeal peace” of Hopkins’s Return to Oxford, 1878–1879’, in Gerard Manley Hopkins and Critical Discourse, ed. Hollahan, Eugene (New York: AMS Press, 1993), pp. 167–82.Google Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Prest, John, ed., Balliol Studies (London: Leopard’s Head Press, 1982).Google Scholar
Bohata, Kirsti, Postcolonialism Revisited (Cardiff: University of Wales Press, 2004).Google Scholar
Conran, Tony, Frontiers in Anglo-Welsh Poetry (Cardiff: University of Wales Press, 1997).Google Scholar
Davies, Damian Walford, Cartographies of Culture: New Geographies of Welsh Writing in English (Cardiff: University of Wales Press, 2012).Google Scholar
Feeney, Joseph J., SJ, ‘Grades, Academic Reform, and Manpower: Why Hopkins Never Completed His Course in Theology’, Hopkins Quarterly, 9 (1982), 21–31.Google Scholar
Feeney, Joseph J. ‘Scarlet Geraniums and the “Mother of Muses”: Gerard Manley Hopkins in Wales 1874–1877’, Hopkins Quarterly, 31 (2004), 181–93.Google Scholar
Saville, Julia F., A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (Charlottesville: University Press of Virginia, 2000).Google Scholar
White, Norman, Gerard Manley Hopkins in Wales (Bridgend: Seren, 1998).Google Scholar
Barry, Peter, ‘“Seeing the spot”: Hopkins, Liverpool, and Context’, in Literature in Contexts (Manchester: Manchester University Press, 2007), pp. 115–34.Google Scholar
McDermott, John, Hopkins’ Lancashire: Sesquicentennial Essays (Wigan: North West Catholic History Society, 1994).Google Scholar
Roberts, Gerald, ‘The Jaded Muse: Hopkins at Stonyhurst’, Hopkins Quarterly, 6 (1979), 35–47.Google Scholar
Campbell, Matthew, Irish Poetry under the Union, 1801–1924 (Cambridge: Cambridge University Press, 2013), pp. 157–83.CrossRefGoogle Scholar
Campbell, Matthew, ed., Irish Literature in Transition, 1830–1880 (Cambridge: Cambridge University Press, 2020).CrossRefGoogle Scholar
Higgins, Lesley, and Suarez, Michael F. SJ, ‘Introduction’, in CW, vii, pp. 1–56.Google Scholar
White, Norman, Hopkins in Ireland (Dublin: University College Dublin Press, 2002).Google Scholar
Flint, Kate, The Victorians and the Visual Imagination (Cambridge: Cambridge University Press, 2000).Google Scholar
Gillett, Paula, Worlds of Art: Painters in Victorian Society (New Brunswick, NJ: Rutgers University Press, 1990).Google Scholar
Landow, George P., ‘Victorian Art Criticism and the Rise of a Middle-Class Audience’. www.victorianweb.org/authors/ruskin/finearts/criticism.Google Scholar
Macleod, Dianne Sachko, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996).Google Scholar
Phillips, Catherine, Gerard Manley Hopkins and the Victorian Visual World (Oxford: Oxford University Press, 2007).Google Scholar
Anderson, Warren, ‘Hopkins’ Dublin Notes on Homer’, Hopkins Quarterly, 14 (1987), 179–91.Google Scholar
Arkins, Brian, ‘Heraclitean Fire: Greek Themes in Hopkins’, International Journal of the Classical Tradition, 3 (1997), 458–72.CrossRefGoogle Scholar
Bender, Todd K., Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work (Baltimore, MD: Johns Hopkins University Press, 1966).CrossRefGoogle Scholar
Milward, Peter S. J., ‘Gerard Manley Hopkins and the Classics’, in Daidalikon: Studies in Memory of Raymond V. Schoder, S.J., ed. Sutton Jr, R. F. (Wauconda: Bolchazy-Carducci, 1989), 257–62.Google Scholar
Schlatter, Frederic W., ‘Gerard Manley Hopkins: Poetic Fragments, Comments on Lucan and Cicero, Essay on Duty’, Hopkins Quarterly, 27 (2000), 1–9.Google Scholar
Smith, Andrew, ‘Gerard Manley Hopkins as a Classicist’, Irish University Review, 20 (1990), 257–62.Google Scholar
Stanford, W. B., ‘Gerard Manley Hopkins and Aeschylus’, Studies: An Irish Quarterly Review, 30 (1941), 59–68.Google Scholar
Berkhout, Carl T., and McC. Gatch, Milton, eds., Anglo-Saxon Scholarship: The First Three Centuries (Boston, MA: G. K. Hall, 1982).Google Scholar
Bradley, S. A. J., ed. and trans., Anglo-Saxon Poetry (London: Dent, 1982).Google Scholar
Clark, David, and Perkins, Nicholas, eds., Anglo-Saxon Culture and the Modern Imagination (Cambridge: D. S. Brewer, 2010).CrossRefGoogle Scholar
Frantzen, Allen J., and Niles, John D., eds., Anglo-Saxonism and the Construction of Social Identity (Gainesville: University Press of Florida, 1997).Google Scholar
Harmon, William, ‘English Versification: Fifteen Hundred Years of Continuity and Change’, Studies in Philology, 94 (1997), 1–47.Google Scholar
Jones, Chris, Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Niles, John D. The Idea of Anglo-Saxon England 1066–1901 (Chichester: Wiley Blackwell, 2015).CrossRefGoogle Scholar
Phelan, Joseph, The Music of Verse: Metrical Experiment in Nineteenth-Century Poetry (Houndmills: Palgrave Macmillan, 2012).CrossRefGoogle Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Pulsiano, Philip, and Treharne, Elaine, eds., A Companion to Anglo-Saxon Literature (Oxford: Blackwell, 2001).Google Scholar
Quinn, William A, ‘Hopkins’s Anglo-Saxon’, Hopkins Quarterly, 8 (1981), 25–32.Google Scholar
Scragg, Donald, and Weinberg, Carole, eds., Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century (Cambridge: Cambridge University Press, 2000).CrossRefGoogle Scholar
Stephenson, Edward A., ‘Hopkins’s “Sprung Rhythm” and the Rhythm of Beowulf’, Victorian Poetry, 19 (1981), 97–116.Google Scholar
Coren, Pamela, ‘Gerard Manley Hopkins, Plainsong and the Performance of Poetry’, Review of English Studies, 60 (2009), 271–94.CrossRefGoogle Scholar
Graves, William L., ‘Gerard Manley Hopkins as Composer’, Victorian Poetry, 1 (1963), 146–55.Google Scholar
Hamer, Laura, ‘“Every Impulse and Spring of Art Seems to Have Died in Me, Except for Music”: Gerard Manley Hopkins as Composer’, The Musical Times, 159 (2018), 27–41.Google Scholar
Stevens, John, ‘Gerard Manley Hopkins as Musician’, in The Journals and Papers of Gerard Manley Hopkins, ed. House, Humphry and Storey, Graham (London: Oxford University Press, 1959), pp. 457–97.Google Scholar
Waterhouse, John F., ‘Gerard Manley Hopkins and Music’, Music & Letters, 18 (1937), 227–35.CrossRefGoogle Scholar
Wilson, Christopher R., ‘The Idea of “Musicality” in Hopkins’ Verse’, Hopkins Quarterly, 26 (1999), 27–55.Google Scholar
Wilson, Christopher R. ‘Nineteenth-Century Musical Agogics as an Element in Gerard Manley Hopkins’s Prosody’, Comparative Literature, 52 (2000), 72–86.CrossRefGoogle Scholar
Brown, Stewart J., Nockles, Peter, and Pereiro, James, eds., The Oxford Handbook of the Oxford Movement (Oxford: Oxford University Press, 2017).CrossRefGoogle Scholar
Faught, C. Brad, The Oxford Movement: A Thematic History of the Tractarians and Their Times (University Park: Pennsylvania State University Press, 2003).Google Scholar
Johnson, Margaret, Gerard Manley Hopkins and Tractarian Poetry (Aldershot: Ashgate, 1997).Google Scholar
Mason, Emma, Christina Rossetti: Poetry, Ecology, Faith (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Morris, Jeremy, The High Church Revival in the Church of England: Arguments and Identities (Leiden: Brill, 2016).Google Scholar
Nixon, Jude V., Gerard Manley Hopkins and His Contemporaries: Liddon, Newman, Darwin, and Pater (New York: Garland, 1994).Google Scholar
Skinner, Simon, Tractarians and the ‘Condition of England’: The Social and Political Thought of the Oxford Movement (Oxford: Oxford University Press, 2004).CrossRefGoogle Scholar
Ward, Bernadette Waterman, World as Word: Philosophical Theology in Gerard Manley Hopkins (Washington, DC: Catholic University of America Press, 2002).Google Scholar
Brown, Daniel, Hopkins’ Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon, 1997).CrossRefGoogle Scholar
Jenkyns, Richard, The Victorians and Ancient Greece (Oxford: Basil Blackwell, 1980).Google Scholar
Schmidt, Carl, ‘Classical Studies at Balliol in the 1860s: The Undergraduate Essays of Gerard Manley Hopkins’, in Balliol Studies, ed. Prest, John (London: Leopard’s Head Press, 1982), pp. 159–84.Google Scholar
Stray, Christopher, Classics in Britain: Scholarship, Education, and Publishing 1800–2000 (Oxford: Oxford University Press, 2018).Google Scholar
Stray, Christopher Classics Transformed: Schools, Universities, and Society in England, 1830–1960 (Oxford: Clarendon, 1998).CrossRefGoogle Scholar
Turner, Frank M., ‘The Victorian Platonic Revival’, in The Greek Heritage in Victorian Britain (New Haven, CT: Yale University Press, 1981), pp. 369–446.Google Scholar
Walsh, W. H., ‘The Zenith of Greats’, in The History of the University of Oxford. Vol. VII: Nineteenth-Century Oxford, Part 2, ed. Brock, M. G. and Curthoys, M. C. (Oxford: Clarendon, 2000), pp. 311–26.Google Scholar
Dubois, Martin, ‘Bibles’, in Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge: Cambridge University Press, 2017), pp. 27–49.CrossRefGoogle Scholar
Frei, Hans W., The Eclipse of Biblical Narrative: A Study in Eighteenth and Nineteenth Century Hermeneutics (New Haven, CT: Yale University Press, 1974).Google Scholar
Heimann, Mary, Catholic Devotion in Victorian England (Oxford: Clarendon, 1995).CrossRefGoogle Scholar
Norton, David, A History of the Bible as Literature, 2 vols. (Cambridge: Cambridge University Press, 1993).Google Scholar
Wheeler, Michael, Death and the Future Life in Victorian Literature and Theology (Cambridge: Cambridge University Press, 1990).Google Scholar
Wheeler, Michael The Old Enemies: Catholic and Protestant in Nineteenth-Century English Culture (Cambridge: Cambridge University Press, 2006).Google Scholar
Wheeler, Michael ‘Ruskin and His Contemporaries Reading the King James Bible’, in The King James Bible after 400 Years: Literary, Linguistic and Cultural Influences, ed. Hamlin, Hannibal and Jones, Norman W. (Cambridge: Cambridge University Press, 2010), pp. 234–52.Google Scholar
Dubois, Martin, Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge: Cambridge University Press, 2017).CrossRefGoogle Scholar
Ker, Ian, The Catholic Revival in English Literature, 1845–1961 (Notre Dame, IN: University of Notre Dame Press, 2003).Google Scholar
Milbank, Alison, Dante and the Victorians (Manchester: Manchester University Press, 2009).Google Scholar
Moran, Maureen, Catholic Sensationalism and Victorian Literature (Liverpool: Liverpool University Press, 2007).Google Scholar
Muller, Jill, Gerard Manley Hopkins and Victorian Roman Catholicism: A Heart in Hiding (London: Routledge, 2003).Google Scholar
Ward, Bernadette Waterman, World as Word: Philosophical Theology in Gerard Manley Hopkins (Washington, DC: Catholic University of America Press, 2002).Google Scholar
Clarke, Richard F., SJ, ‘The Training of a Jesuit’, The Nineteenth Century, 40 (1896), 211–25.Google Scholar
Friedrich, Markus, The Jesuits: A History (Princeton, NJ: Princeton University Press, 2022).Google Scholar
Guibert, Joseph de SJ, The Jesuits: Their Spiritual Doctrine and Practice: A Historical Study (St. Louis, MO: Institute of Jesuit Sources, 1964), substantially completed in 1940.Google Scholar
Le, Loan, Religious Life: A Reflective Examination of Its Charism and Mission for Today (Newcastle-upon-Tyne: Cambridge Scholars, 2016).Google Scholar
Martin, James SJ, The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life (New York: HarperCollins, 2010).Google Scholar
O’Malley, John W. SJ, The Jesuits: A History from Ignatius to the Present (Lanham, MD: Rowman & Littlefield, 2014).CrossRefGoogle Scholar
Clarke, Richard F., SJ, ‘The Training of a Jesuit’, Nineteenth Century, 40 (1896), 211–35.Google Scholar
Devlin, Christopher, SJ, ed., The Sermons and Devotional Writings of Gerard Manley Hopkins (London: Oxford University Press, 1959).Google Scholar
Feeney, Joseph J., SJ, ‘Gerard Manley Hopkins’ “Consule Jones”: A Critical Edition with Introduction and Commentary’, Hopkins Quarterly, 29 (2002), 3–20.Google Scholar
Feeney, Joseph J. ‘Grades, Academic Reform, and Manpower: Why Hopkins Never Completed His Course in Theology’, Hopkins Quarterly, 9 (1982), 21–31.Google Scholar
Feeney, Joseph J. ‘Hopkins’ “Failure” in Theology: Some New Archival Data and a Reevaluation’, Hopkins Quarterly, 13 (1986–7), 99–114.Google Scholar
Pomplun, Trent, ‘The Theology of Gerard Manley Hopkins: From John Duns Scotus to the Baroque’, The Journal of Religion, 95 (2015), 1–34.CrossRefGoogle Scholar
Thomas, Alfred, SJ, Hopkins the Jesuit: The Years of Training (London: Oxford University Press, 1969).Google Scholar
Zaniello, Thomas A., ‘The Stonyhurst Philosophers’, Hopkins Quarterly, 9 (1983), 133–59.Google Scholar
Meyer, Eric Daryl, ‘Incarnation and Omnipresence: Hopkins, Scotus, Particularity and Pantheism’, Hopkins Quarterly, 34 (2007), 102–16.Google Scholar
Pick, John, Gerard Manley Hopkins, Priest and Poet (New York: Oxford University Press, 1966).Google Scholar
Pohle, Joseph, The Sacraments: A Dogmatic Treatise, ed. Preuss, Arthur (St. Louis, MO: B. Herder, 1923).Google Scholar
Banfield, Marie, ‘Darwinism, Doxology, and Energy Physics: The New Sciences, the Poetry and Poetics of Gerard Manley Hopkins’, Victorian Poetry, 45 (2007), 175–94.CrossRefGoogle Scholar
Cochran, James M., ‘Gerard Manley Hopkins’s Incarnational Ecology’, Religion and the Arts, 21 (2017), 335–51.CrossRefGoogle Scholar
Constantini, Mariaconcetta, ‘“Strokes of havoc”: Tree-Felling and the Poetic Tradition of Ecocriticism in Manley Hopkins and Gerard Manley Hopkins’, Victorian Poetry, 46 (2008), 487–509.CrossRefGoogle Scholar
Day, Brian J., ‘Hopkins’ Spiritual Ecology in “Binsey Poplars”’, Victorian Poetry, 42 (2004), 181–93.CrossRefGoogle Scholar
Hardman, Malcolm, ‘Hopkins’s “Ribblesdale”: Sifts and Riddles’, Victorian Poetry, 60 (2022), 87–102.CrossRefGoogle Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (Amsterdam: Rodolpi, 2010).CrossRefGoogle Scholar
Saville, Julia F., ‘Anthropocentrism and the Soul of Hopkins’s Ecopoetics’, Victorian Poetry, 56 (2018), 129–46.CrossRefGoogle Scholar
Williams, Daniel, ‘Down the Slant towards the Eye: Hopkins and Ecological Perception’, Victorian Literature and Culture, 48 (2020), 127–54.CrossRefGoogle Scholar
Nixon, Jude V., ‘Fathering Graces at Hampstead: Manley Hopkins’ “The Old Trees” and Gerard Manley Hopkins’ “Binsey Poplars”’, Victorian Poetry, 44 (2006), 191–211.CrossRefGoogle Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (Amsterdam: Rodolpi, 2010).CrossRefGoogle Scholar
Thornton, Kelsey, ‘Sentimental Ecology, John Clare, Gerard Manley Hopkins and Trees: A Note’, John Clare Society Journal 31 (2012), 43–50.Google Scholar
Beer, Gillian, Open Fields: Science in Cultural Encounter (Oxford: Clarendon, 1996).CrossRefGoogle Scholar
Brown, Daniel, Hopkins’ Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon, 1997).CrossRefGoogle Scholar
Bruns, Gerard L., Inventions: Writing, Textuality, and Understanding in Literary History (New Haven, CT: Yale University Press, 1982).Google Scholar
Nixon, Jude V., ‘“Death Blots Black Out”: Thermodynamics and the Poetry of Gerard Manley Hopkins’, Victorian Poetry, 40 (2002), 131–56.CrossRefGoogle Scholar
Flint, Kate, ‘Seeing Inversnaid: Gerard Manley Hopkins, “Inversnaid”, and the Ecological Eye’, Victorian Poetry, 60 (2022), 437–63.CrossRefGoogle Scholar
Dellamora, Richard, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).Google Scholar
Dowling, Linda, Hellenism and Homosexuality in Victorian Oxford (Ithaca, NY: Cornell University Press, 1994).Google Scholar
Martin, Robert Bernard, Gerard Manley Hopkins: A Very Private Life (London: Flamingo, 1991).Google Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave Macmillan, 2002).CrossRefGoogle Scholar
Saville, Julia F., A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (Charlottesville: University Press of Virginia, 2000).Google Scholar
Adams, James Eli, Dandies and Desert Saints: Styles of Victorian Masculinity (Ithaca, NY: Cornell University Press, 1995).CrossRefGoogle Scholar
Bristow, Joseph, ‘“Churlsgrace”: Gerard Manley Hopkins and the Working-Class Male Body’, English Literary History, 59 (1992), 693–711.CrossRefGoogle Scholar
Dellamora, Richard, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).Google Scholar
Green, Sarah, Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence (Cambridge: Cambridge University Press, 2023).CrossRefGoogle Scholar
Holt, Jennifer, ‘The Negotiation of Power Relations in Gerard Manley Hopkins’ “The Wreck of the Deutschland” and Sonnets about Working-Class Men’, Victorian Poetry, 38 (2000), 299–318.CrossRefGoogle Scholar
Moran, Maureen, ‘“Lovely manly mould”: Hopkins and the Christian Body’, Journal of Victorian Culture, 6 (2001), 61–88.CrossRefGoogle Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave Macmillan, 2002).CrossRefGoogle Scholar
Sussman, Herbert, Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art (Cambridge: Cambridge University Press, 1995).Google Scholar
Waithe, Marcus, ‘Hopkins’ Poetic Anvil’, in The Work of Words: Literature, Craft, and the Labour of Mind in Britain, 1830–1940 (Edinburgh: Edinburgh University Press, 2023), pp. 170–9.Google Scholar
Grafe, Adrian, ‘“What I Have Done Violent”: Hopkins and Violence’, Cahiers Victoriens et Edouardiens, 60 (2004), 73–93.Google Scholar
Higgins, Lesley, ‘“Bone-House” and “Lovescape”: Writing the Body in Hopkins’s Canon’, in Rereading Hopkins: Selected New Essays, ed. Fennell, Francis L. (Victoria, BC: University of Victoria Press, 1996), pp. 11–35.Google Scholar
Higgins, Lesley ‘“She Rears Herself”: Feminist Possibilities in Hopkins’s Poetry’, Studies: An Irish Quarterly Review, 84 (1995), 130–40.Google Scholar
Moran, Maureen, ‘The Art of Looking Dangerously: Victorian Images of Martyrdom’, Victorian Literature and Culture, 32 (2004), 475–93.CrossRefGoogle Scholar
Moran, Maureen ‘“Lovely Manly Mould”: Hopkins and the Christian Body’, Journal of Victorian Culture, 6 (2001), 61–88.CrossRefGoogle Scholar
Morgan, Thaïs, ‘Violence, Creativity and the Feminine: Poetics and Gender Politics in Swinburne and Hopkins’, in Gender and Discourse in Victorian Literature and Art, ed. Harrison, Anthony H. and Taylor, Beverly (DeKalb: Northern Illinois University Press, 1992), pp. 84–107.Google Scholar
Paxton, Amanda, Willful Submission: Sado-erotics and Heavenly Marriage in Victorian Religious Poetry (Charlottesville: University of Virginia Press, 2018).Google Scholar
Dau, Duc, Touching God: Hopkins and Love (London: Anthem Press, 2012).Google Scholar
Paxton, Amanda, Willful Submission: Sado-erotics and Heavenly Marriage in Victorian Religious Poetry (Charlottesville: University of Virginia Press, 2017).CrossRefGoogle Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave, 2003).Google Scholar
Sobolev, Dennis, ‘Hopkins’s “Bellbright Bodies”: The Dialectics of Desire in His Writings’, Texas Studies in Literature and Language, 45 (2003), 114–40.CrossRefGoogle Scholar
Blair, Kirstie, Victorian Poetry and the Culture of the Heart (Oxford: Clarendon, 2006).CrossRefGoogle Scholar
Campbell, Matthew, Rhythm and Will in Victorian Poetry (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Griffiths, Eric, The Printed Voice of Victorian Poetry (Oxford: Oxford University Press, 1989).Google Scholar
Hall, Jason David, ed., Meter Matters: Verse Cultures of the Long Nineteenth Century (Athens: Ohio University Press, 2011).Google Scholar
Hurley, Michael D., ‘Darkening the Subject of Hopkins’ Prosody’, Victorian Poetry, 43 (2005), 485–96.CrossRefGoogle Scholar
Hurley, Michael D. ‘What Sprung Rhythm Really Is NOT’, Hopkins Quarterly, 32 (2005), 71–94.Google Scholar
King, Joshua, ‘Hopkins’ Affective Rhythm: Grace and Intention in Tension’, Victorian Poetry, 45 (2007), 209–37.CrossRefGoogle Scholar
Martin, Meredith, ‘Hopkins’s Prosody’, Victorian Poetry, 49 (2011), 1–30.CrossRefGoogle Scholar
Martin, Meredith The Rise and Fall of Meter (Princeton, NJ: Princeton University Press, 2012).Google Scholar
Prins, Yopie, ‘Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania’, in Nation, Language and the Ethics of Translation, ed. Bermann, Sandra and Wood, Michael (Princeton, NJ: Princeton University Press, 2005), pp. 229–56.Google Scholar
Prins, Yopie ‘Victorian Meters’, in The Cambridge Companion to Victorian Poetry, ed. Bristow, Joseph (Cambridge: Cambridge University Press, 2000), pp. 89–113.CrossRefGoogle Scholar
Rudy, Jason, Electric Meters: Victorian Physiological Poetics (Athens: Ohio University Press, 2009).Google Scholar
Wimsatt, James I., Hopkins’s Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape (Toronto, ON: University of Toronto Press, 2006).CrossRefGoogle Scholar
Barrow, Barbara, Science, Language, and Reform in Victorian Poetry (New York: Routledge, 2019).CrossRefGoogle Scholar
Korg, Jacob, ‘Hopkins’s Linguistic Deviations’, PMLA, 92 (1977), 977–86.Google Scholar
Lecercle, Jean-Jacques, Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature (London: Routledge, 1994).CrossRefGoogle Scholar
Martin, Meredith, ‘Gerard Manley Hopkins and Sacred Language’, Religion & Literature, 45 (2013), 166–74.Google Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: André Deutsch, 1977).Google Scholar
Sprinker, Michael, A Counterpoint of Dissonance: The Aesthetics and Poetry of Gerard Manley Hopkins (Baltimore, MD: Johns Hopkins University Press, 1980).Google Scholar
Culler, Jonathan, ‘Apostrophe’, in The Pursuit of Signs (London: Routledge, 1981), pp. 149–71.Google Scholar
Culler, Jonathan, Theory of the Lyric (Cambridge, MA: Harvard University Press, 2015).CrossRefGoogle Scholar
Johnson, Barbara, ‘Apostrophe, Animation, and Abortion’, in A World of Difference (Baltimore, MD: Johns Hopkins University Press, 1987), pp. 184–99.Google Scholar
Johnson, Barbara Persons and Things (Cambridge, MA: Harvard University Press, 2008).Google Scholar
Johnson, W. R., The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry (Berkeley: University of California Press, 1982).Google Scholar
Man, Paul de, ‘Autobiography as De-Facement’, Modern Language Notes, 94 (1979), 919–30.Google Scholar
Man, Paul de, ‘Hypogram and Inscription’, in The Resistance to Theory (Minneapolis: University of Minnesota Press, 1986).Google Scholar
Waters, William, Poetry’s Touch: On Lyric Address (Ithaca, NY: Cornell University Press, 2003).CrossRefGoogle Scholar
Adamson, Sylvia, ‘Literary Language’, in The Cambridge History of the English Language, Volume 4: 1776–1997, ed. Romaine, Suzanne (Cambridge: Cambridge University Press, 1999), pp. 589–692.CrossRefGoogle Scholar
Finegan, Edward, ‘English Grammar and Usage’, in The Cambridge History of the English Language, Volume 4: 1776–1997, ed. Romaine, Suzanne (Cambridge: Cambridge University Press, 1999), pp. 536–88.Google Scholar
Jones, Chris, Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: Deutsch, 1977).Google Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Campbell, Matthew, ‘Rhyme’, in The Oxford Handbook of Victorian Poetry, ed. Bevis, Matthew (Oxford: Oxford University Press, 2013), pp. 74–92.Google Scholar
Ellsberg, Margaret, Created to Praise: The Language of Gerard Manley Hopkins (New York: Oxford University Press, 1987).Google Scholar
McDonald, Peter, Sound Intentions: The Workings of Rhyme in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2012).CrossRefGoogle Scholar
Merriman, Emily Taylor, ‘Corresponding Grace: Hopkins’ Theory and Use of Rhyme’, Hopkins Quarterly, 32 (2005), 85–111.Google Scholar
Miller, J. Hillis, ‘The Universal Chiming’, in Hopkins: A Collection of Critical Essays, ed. Hartman, Geoffrey H. (Englewood Cliffs, NJ: Prentice-Hall, 1966), pp. 89–116.Google Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: André Deutsch, 1977).Google Scholar
Wimsatt, James I., Hopkins’s Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape (Toronto, ON: University of Toronto Press, 2006).CrossRefGoogle Scholar
Anderson, Warren, ‘“Never-Eldering Revel”: The Wreck and the Ode Tradition’, in Readings of the Wreck: Essays in Commemoration of the Centenary of G. M. Hopkins’ The Wreck of the Deutschland, ed. Milward, Peter SJ (Chicago, IL: Loyola University Press, 1976), pp. 128–41.Google Scholar
Barth, J. Robert, SJ, ‘Wordsworth and Hopkins: In Pursuit of Transcendence’, Renascence 48 (1996), 175–89.CrossRefGoogle Scholar
Bender, Todd K., Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work (Baltimore, MD: Johns Hopkins University Press, 1966).CrossRefGoogle Scholar
Bonn, John Louis, SJ, ‘Greco-Roman Verse Theory and Gerard Manley Hopkins’, in Immortal Diamond: Studies in Gerard Manley Hopkins, ed. Weyend, Norman SJ (New York: Sheed & Ward, 1949).Google Scholar
Curran, Stuart, ‘The Hymn and Ode’, in Poetic Form and British Romanticism (Oxford: Oxford University Press, 1986), pp. 56–84.Google Scholar
Holloway, Marcella M., ‘Hopkins’ Defense of Wordsworth’s Great Ode’, Hopkins Quarterly, 5 (1978), 69–74.Google Scholar
Hughes, Linda K., ‘Victorian Dialogues with Poetic Tradition’, in The Cambridge Introduction to Victorian Poetry (Cambridge: Cambridge University Press, 2010), pp. 40–88.CrossRefGoogle Scholar
Schneider, Elisabeth W., ‘The Dragon in the Gate’, in The Dragon in the Gate: Studies in the Poetry of G. M. Hopkins (Berkeley: University of California Press, 1968), pp. 11–41.Google Scholar
Cousins, Anthony D., and Howarth, Peter, eds., The Cambridge Companion to the Sonnet (Cambridge: Cambridge University Press, 2011).CrossRefGoogle Scholar
Hurley, Michael D., and O’Neill, Michael, ‘The Sonnet’, in Poetic Form: An Introduction (Cambridge: Cambridge University Press, 2012), pp. 76–99.CrossRefGoogle Scholar
Phelan, Joseph, The Nineteenth-Century Sonnet (Hampshire: Palgrave Macmillan, 2005).CrossRefGoogle Scholar
Regan, Stephen, The Sonnet (Oxford: Oxford University Press, 2019).Google Scholar
Hurley, Michael D., ‘Passion and Playfulness in the Letters of Gerard Manley Hopkins’, in Letter Writing among Poets: From William Wordsworth to Elizabeth Bishop, ed. Ellis, Jonathan (Edinburgh: Edinburgh University Press, 2015), pp. 141–54.Google Scholar
Phillips, Catherine, ‘“Believe me very sincerely yours”: Gerard Manley Hopkins as Letter-Writer’, Hopkins Quarterly, 31 (2004), 157–65.Google Scholar
Thornton, R. K. R., and Phillips, Catherine, ‘Introduction’, in CW, i, xli–lxxvi.Google Scholar
Ball, Patricia M., The Science of Aspects: The Changing Role of Fact in the Work of Coleridge, Ruskin and Hopkins (London: Athlone Press, 1971), pp. 103–50.Google Scholar
Bellanca, Mary Ellen, ‘Gerard Manley Hopkins’ Journal and the Poetics of Natural History’, Nineteenth-Century Prose, 25 (1998), 45–63.Google Scholar
Perry, Seamus, ‘Introduction’, in Coleridge’s Notebooks: A Selection, ed. Perry, Seamus (Oxford: Oxford University Press, 2002), pp. vii–xiv.Google Scholar
Ravinthiran, Vidyan, Spontaneity and Form in Modern Prose (Oxford: Oxford University Press, 2022), pp. 79–98.CrossRefGoogle Scholar
Reader, Simon, Notework: Victorian Literature and Nonlinear Style (Stanford, CA: Stanford University Press, 2021), pp. 95–125.Google Scholar
Davies, Horton, Worship and Theology in England: From Newman to Martineau, 1850–1900 (Princeton, NJ: Princeton University Press, 1962).CrossRefGoogle Scholar
Ellison, Robert H., The Victorian Pulpit: Spoken and Written Sermons in Nineteenth-Century Britain (Selinsgrove: Susquehanna University Press, 1998).Google Scholar
Nixon, Jude V., and Barber, Noel SJ, ‘Introduction’, in CW, v, pp. 34–47.Google Scholar
Fordham, Finn, I Do I Undo I Redo: The Textual Genesis of Modernist Selves (Oxford: Oxford University Press, 2010), pp. 79–110.Google Scholar
Mellown, Elgin W., ‘The Reception of Gerard Manley Hopkins’ Poems, 1918–30’, Modern Philology, 63 (1965), 38–51.CrossRefGoogle Scholar
Roberts, Gerald, ed., Gerard Manley Hopkins: The Critical Heritage (London: Routledge, 1987).Google Scholar
Tackett, Justin, ‘From the Margin to the Core: The Vagaries of Publicizing Poems of Gerard Manley Hopkins in 1918 and 1930’, Hopkins Quarterly, 42 (2015), 1–22.Google Scholar
Chinweizu, Onwuchekwa Jemie, and Madubuike, Ihechukwu, Toward the Decolonization of African Literature: African Fiction and Poetry and Their Critics (Washington, DC: Howard University Press, 1983).Google Scholar
Clarke, George Elliott, ‘Gerard Manley Hopkins and African Writers’, Hopkins Festival Lectures 2010. www.gerardmanleyhopkins.org/lectures_2010/hopkins_and_african_writers.html.Google Scholar
Egan, Desmond, ‘Hopkins’ Influence on Poetry’, in Saving Beauty: Further Studies in Hopkins, ed. Allsopp, Michael E. and Downes, David Anthony (New York: Garland, 1994), pp. 295–311.Google Scholar
Giles, Richard F., ed., Hopkins among the Poets: Studies in Modern Responses to Gerard Manley Hopkins (Hamilton, ON: International Hopkins Association, 1985).Google Scholar
Maxwell, Glyn, Drinks with Dead Poets: A Season of Poe, Whitman, Byron, and the Brontës (New York: Pegasus, 2017).Google Scholar
Maxwell, Glyn On Poetry (London: Bloomsbury, 2021).Google Scholar
Westover, Daniel, and Holmes, Thomas Alan, eds., The Fire That Breaks: Gerard Manley Hopkins’s Poetic Legacies (Clemson, SC: Clemson University Press, 2020).Google Scholar
Westover, Daniel, and Wright, William, eds., The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (Clemson, SC: Clemson University Press, 2016).CrossRefGoogle Scholar
Balthasar, Hans Urs von, ‘Gerard Manley Hopkins’, in The Glory of the Lord III: Studies in Theological Style: Lay Styles, ed. Riches, John, trans. Andrew Louth and others (San Francisco, CA: Ignatius Press, 1986), pp. 353–99.Google Scholar
Hart, Kevin, ‘Poetry and Revelation: Hopkins, Counter-Experience, and Reductio’, and ‘“For the life that was manifested”: On “material spirit” in Hopkins’, in Poetry and Revelation: For a Phenomenology of Religious Poetry (London: Bloomsbury Academic, 2018), pp. 3–40.Google Scholar
Hurley, Michael D., ‘Gerard M. Hopkins: Counter Stress’, in Faith in Poetry: Verse Style as a Mode of Religious Belief (London: Bloomsbury Academic, 2018), pp. 101–28.Google Scholar
Quash, Ben, Theology and the Drama of History (Cambridge: Cambridge University Press, 2005).CrossRefGoogle Scholar
Ward, Bernadette Waterman, ‘Hopkins, Scotus, and von Balthasar: Philosophical Theology in Poetry’, in Theological Aesthetics after von Balthasar, ed. Bychkov, Olga and Fodor, James (Burlington, VT: Ashgate, 2008), pp. 67–77.Google Scholar
Bonneuil, Christophe, and Fressoz, Jean-Baptiste, The Shock of the Anthropocene: The Earth, History and Us, trans. David Fernbach (London: Verso, 2016).Google Scholar
Garofalo, Devin, ‘Victorian Lyric in the Anthropocene’, Victorian Literature and Culture, 47 (2019), 753–83.CrossRefGoogle Scholar
Hensley, Nathan K., and Steer, Philip, eds., Ecological Form: System and Aesthetics in the Age of Empire (New York: Fordham University Press, 2018).CrossRefGoogle Scholar
MacDuffie, Allen, Victorian Literature, Energy, and the Ecological Imagination (Cambridge: Cambridge University Press, 2014).CrossRefGoogle Scholar
Menely, Tobias, and Taylor, Jesse Oak, eds., Anthropocene Reading: Literary History in Geologic Times (University Park: Pennsylvania State University Press, 2017).CrossRefGoogle Scholar
Moore, Jason W., Capitalism in the Web of Life: Ecology and the Accumulation of Capital (New York: Verso, 2015).Google Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (New York: Rodopi, 2010).CrossRefGoogle Scholar
Scott, Heidi C. M., Chaos and Cosmos: Literary Roots of Modern Ecology in the British Nineteenth Century (University Park: Pennsylvania State University Press, 2014).CrossRefGoogle Scholar
Williams, Daniel, ‘Victorian Ecocriticism for the Anthropocene’, Victorian Literature and Culture, 45 (2017), 667–84.CrossRefGoogle Scholar
Allsopp, Michael, ‘Hopkins at Highgate: Biographical Fragments’, Hopkins Quarterly, 6 (1980), 3–10.Google Scholar
Feeney, Joseph J., SJ, ‘The Highgate Hopkins Obituary, with Introduction and Commentary’, Renascence, 42.1–2 (1989–90), 3–12.CrossRefGoogle Scholar
House, Humphry, The Youth of Gerard Manley Hopkins: 1844–1868, ed. Higgins, Lesley, in Hopkins Quarterly, 37 (2010), 1–220.Google Scholar
Nixon, Jude V., ‘Fathering Graces at Hampstead: Manley Hopkins’s “The Old Trees” and Gerard Manley Hopkins’s “Binsey Poplars”’, Victorian Poetry, 44 (2006), 191–211.CrossRefGoogle Scholar
White, Norman, ‘The Parents and Early Background of Gerard Hopkins’, Hopkins Quarterly, 20, 3–4 (1995), 63–114.Google Scholar
Allsopp, Michael, ‘Hopkins at Oxford 1863–1867: His Formal Studies’, Hopkins Quarterly, 4 (1977–8), 161–76.Google Scholar
Daunton, Martin, ed., The Organisation of Knowledge in Victorian Britain (Oxford: Oxford University Press, 2005).CrossRefGoogle Scholar
Deslandes, Paul, Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850–1920 (Bloomington: Indiana University Press, 2005).Google Scholar
Dowling, Linda, Hellenism and Homosexuality in Victorian Oxford (Ithaca, NY: Cornell University Press, 1994).Google Scholar
Higgins, Lesley, ‘Essaying “W. H. Pater Esq.”: New Perspectives on the Tutor/ Student Relationship between Pater and Hopkins’, in Pater in the 1990s, ed. Brake, Laurel and Small, Ian (Greensboro, NC: ELT Press, 1991), pp. 77–94.Google Scholar
Higgins, Lesley ‘Introduction’ to CW, iv, pp. 1–87.Google Scholar
Higgins, Lesley ‘The “piecemeal peace” of Hopkins’s Return to Oxford, 1878–1879’, in Gerard Manley Hopkins and Critical Discourse, ed. Hollahan, Eugene (New York: AMS Press, 1993), pp. 167–82.Google Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Prest, John, ed., Balliol Studies (London: Leopard’s Head Press, 1982).Google Scholar
Bohata, Kirsti, Postcolonialism Revisited (Cardiff: University of Wales Press, 2004).Google Scholar
Conran, Tony, Frontiers in Anglo-Welsh Poetry (Cardiff: University of Wales Press, 1997).Google Scholar
Davies, Damian Walford, Cartographies of Culture: New Geographies of Welsh Writing in English (Cardiff: University of Wales Press, 2012).Google Scholar
Feeney, Joseph J., SJ, ‘Grades, Academic Reform, and Manpower: Why Hopkins Never Completed His Course in Theology’, Hopkins Quarterly, 9 (1982), 21–31.Google Scholar
Feeney, Joseph J. ‘Scarlet Geraniums and the “Mother of Muses”: Gerard Manley Hopkins in Wales 1874–1877’, Hopkins Quarterly, 31 (2004), 181–93.Google Scholar
Saville, Julia F., A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (Charlottesville: University Press of Virginia, 2000).Google Scholar
White, Norman, Gerard Manley Hopkins in Wales (Bridgend: Seren, 1998).Google Scholar
Barry, Peter, ‘“Seeing the spot”: Hopkins, Liverpool, and Context’, in Literature in Contexts (Manchester: Manchester University Press, 2007), pp. 115–34.Google Scholar
McDermott, John, Hopkins’ Lancashire: Sesquicentennial Essays (Wigan: North West Catholic History Society, 1994).Google Scholar
Roberts, Gerald, ‘The Jaded Muse: Hopkins at Stonyhurst’, Hopkins Quarterly, 6 (1979), 35–47.Google Scholar
Campbell, Matthew, Irish Poetry under the Union, 1801–1924 (Cambridge: Cambridge University Press, 2013), pp. 157–83.CrossRefGoogle Scholar
Campbell, Matthew, ed., Irish Literature in Transition, 1830–1880 (Cambridge: Cambridge University Press, 2020).CrossRefGoogle Scholar
Higgins, Lesley, and Suarez, Michael F. SJ, ‘Introduction’, in CW, vii, pp. 1–56.Google Scholar
White, Norman, Hopkins in Ireland (Dublin: University College Dublin Press, 2002).Google Scholar
Allsopp, Michael, ‘Hopkins at Highgate: Biographical Fragments’, Hopkins Quarterly, 6 (1980), 3–10.Google Scholar
Feeney, Joseph J., SJ, ‘The Highgate Hopkins Obituary, with Introduction and Commentary’, Renascence, 42.1–2 (1989–90), 3–12.CrossRefGoogle Scholar
House, Humphry, The Youth of Gerard Manley Hopkins: 1844–1868, ed. Higgins, Lesley, in Hopkins Quarterly, 37 (2010), 1–220.Google Scholar
Nixon, Jude V., ‘Fathering Graces at Hampstead: Manley Hopkins’s “The Old Trees” and Gerard Manley Hopkins’s “Binsey Poplars”’, Victorian Poetry, 44 (2006), 191–211.CrossRefGoogle Scholar
White, Norman, ‘The Parents and Early Background of Gerard Hopkins’, Hopkins Quarterly, 20, 3–4 (1995), 63–114.Google Scholar
Allsopp, Michael, ‘Hopkins at Oxford 1863–1867: His Formal Studies’, Hopkins Quarterly, 4 (1977–8), 161–76.Google Scholar
Daunton, Martin, ed., The Organisation of Knowledge in Victorian Britain (Oxford: Oxford University Press, 2005).CrossRefGoogle Scholar
Deslandes, Paul, Oxbridge Men: British Masculinity and the Undergraduate Experience, 1850–1920 (Bloomington: Indiana University Press, 2005).Google Scholar
Dowling, Linda, Hellenism and Homosexuality in Victorian Oxford (Ithaca, NY: Cornell University Press, 1994).Google Scholar
Higgins, Lesley, ‘Essaying “W. H. Pater Esq.”: New Perspectives on the Tutor/ Student Relationship between Pater and Hopkins’, in Pater in the 1990s, ed. Brake, Laurel and Small, Ian (Greensboro, NC: ELT Press, 1991), pp. 77–94.Google Scholar
Higgins, Lesley ‘Introduction’ to CW, iv, pp. 1–87.Google Scholar
Higgins, Lesley ‘The “piecemeal peace” of Hopkins’s Return to Oxford, 1878–1879’, in Gerard Manley Hopkins and Critical Discourse, ed. Hollahan, Eugene (New York: AMS Press, 1993), pp. 167–82.Google Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Prest, John, ed., Balliol Studies (London: Leopard’s Head Press, 1982).Google Scholar
Bohata, Kirsti, Postcolonialism Revisited (Cardiff: University of Wales Press, 2004).Google Scholar
Conran, Tony, Frontiers in Anglo-Welsh Poetry (Cardiff: University of Wales Press, 1997).Google Scholar
Davies, Damian Walford, Cartographies of Culture: New Geographies of Welsh Writing in English (Cardiff: University of Wales Press, 2012).Google Scholar
Feeney, Joseph J., SJ, ‘Grades, Academic Reform, and Manpower: Why Hopkins Never Completed His Course in Theology’, Hopkins Quarterly, 9 (1982), 21–31.Google Scholar
Feeney, Joseph J. ‘Scarlet Geraniums and the “Mother of Muses”: Gerard Manley Hopkins in Wales 1874–1877’, Hopkins Quarterly, 31 (2004), 181–93.Google Scholar
Saville, Julia F., A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (Charlottesville: University Press of Virginia, 2000).Google Scholar
White, Norman, Gerard Manley Hopkins in Wales (Bridgend: Seren, 1998).Google Scholar
Barry, Peter, ‘“Seeing the spot”: Hopkins, Liverpool, and Context’, in Literature in Contexts (Manchester: Manchester University Press, 2007), pp. 115–34.Google Scholar
McDermott, John, Hopkins’ Lancashire: Sesquicentennial Essays (Wigan: North West Catholic History Society, 1994).Google Scholar
Roberts, Gerald, ‘The Jaded Muse: Hopkins at Stonyhurst’, Hopkins Quarterly, 6 (1979), 35–47.Google Scholar
Campbell, Matthew, Irish Poetry under the Union, 1801–1924 (Cambridge: Cambridge University Press, 2013), pp. 157–83.CrossRefGoogle Scholar
Campbell, Matthew, ed., Irish Literature in Transition, 1830–1880 (Cambridge: Cambridge University Press, 2020).CrossRefGoogle Scholar
Higgins, Lesley, and Suarez, Michael F. SJ, ‘Introduction’, in CW, vii, pp. 1–56.Google Scholar
White, Norman, Hopkins in Ireland (Dublin: University College Dublin Press, 2002).Google Scholar
Flint, Kate, The Victorians and the Visual Imagination (Cambridge: Cambridge University Press, 2000).Google Scholar
Gillett, Paula, Worlds of Art: Painters in Victorian Society (New Brunswick, NJ: Rutgers University Press, 1990).Google Scholar
Landow, George P., ‘Victorian Art Criticism and the Rise of a Middle-Class Audience’. www.victorianweb.org/authors/ruskin/finearts/criticism.Google Scholar
Macleod, Dianne Sachko, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996).Google Scholar
Phillips, Catherine, Gerard Manley Hopkins and the Victorian Visual World (Oxford: Oxford University Press, 2007).Google Scholar
Anderson, Warren, ‘Hopkins’ Dublin Notes on Homer’, Hopkins Quarterly, 14 (1987), 179–91.Google Scholar
Arkins, Brian, ‘Heraclitean Fire: Greek Themes in Hopkins’, International Journal of the Classical Tradition, 3 (1997), 458–72.CrossRefGoogle Scholar
Bender, Todd K., Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work (Baltimore, MD: Johns Hopkins University Press, 1966).CrossRefGoogle Scholar
Milward, Peter S. J., ‘Gerard Manley Hopkins and the Classics’, in Daidalikon: Studies in Memory of Raymond V. Schoder, S.J., ed. Sutton Jr, R. F. (Wauconda: Bolchazy-Carducci, 1989), 257–62.Google Scholar
Schlatter, Frederic W., ‘Gerard Manley Hopkins: Poetic Fragments, Comments on Lucan and Cicero, Essay on Duty’, Hopkins Quarterly, 27 (2000), 1–9.Google Scholar
Smith, Andrew, ‘Gerard Manley Hopkins as a Classicist’, Irish University Review, 20 (1990), 257–62.Google Scholar
Stanford, W. B., ‘Gerard Manley Hopkins and Aeschylus’, Studies: An Irish Quarterly Review, 30 (1941), 59–68.Google Scholar
Berkhout, Carl T., and McC. Gatch, Milton, eds., Anglo-Saxon Scholarship: The First Three Centuries (Boston, MA: G. K. Hall, 1982).Google Scholar
Bradley, S. A. J., ed. and trans., Anglo-Saxon Poetry (London: Dent, 1982).Google Scholar
Clark, David, and Perkins, Nicholas, eds., Anglo-Saxon Culture and the Modern Imagination (Cambridge: D. S. Brewer, 2010).CrossRefGoogle Scholar
Frantzen, Allen J., and Niles, John D., eds., Anglo-Saxonism and the Construction of Social Identity (Gainesville: University Press of Florida, 1997).Google Scholar
Harmon, William, ‘English Versification: Fifteen Hundred Years of Continuity and Change’, Studies in Philology, 94 (1997), 1–47.Google Scholar
Jones, Chris, Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Niles, John D. The Idea of Anglo-Saxon England 1066–1901 (Chichester: Wiley Blackwell, 2015).CrossRefGoogle Scholar
Phelan, Joseph, The Music of Verse: Metrical Experiment in Nineteenth-Century Poetry (Houndmills: Palgrave Macmillan, 2012).CrossRefGoogle Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Pulsiano, Philip, and Treharne, Elaine, eds., A Companion to Anglo-Saxon Literature (Oxford: Blackwell, 2001).Google Scholar
Quinn, William A, ‘Hopkins’s Anglo-Saxon’, Hopkins Quarterly, 8 (1981), 25–32.Google Scholar
Scragg, Donald, and Weinberg, Carole, eds., Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century (Cambridge: Cambridge University Press, 2000).CrossRefGoogle Scholar
Stephenson, Edward A., ‘Hopkins’s “Sprung Rhythm” and the Rhythm of Beowulf’, Victorian Poetry, 19 (1981), 97–116.Google Scholar
Coren, Pamela, ‘Gerard Manley Hopkins, Plainsong and the Performance of Poetry’, Review of English Studies, 60 (2009), 271–94.CrossRefGoogle Scholar
Graves, William L., ‘Gerard Manley Hopkins as Composer’, Victorian Poetry, 1 (1963), 146–55.Google Scholar
Hamer, Laura, ‘“Every Impulse and Spring of Art Seems to Have Died in Me, Except for Music”: Gerard Manley Hopkins as Composer’, The Musical Times, 159 (2018), 27–41.Google Scholar
Stevens, John, ‘Gerard Manley Hopkins as Musician’, in The Journals and Papers of Gerard Manley Hopkins, ed. House, Humphry and Storey, Graham (London: Oxford University Press, 1959), pp. 457–97.Google Scholar
Waterhouse, John F., ‘Gerard Manley Hopkins and Music’, Music & Letters, 18 (1937), 227–35.CrossRefGoogle Scholar
Wilson, Christopher R., ‘The Idea of “Musicality” in Hopkins’ Verse’, Hopkins Quarterly, 26 (1999), 27–55.Google Scholar
Wilson, Christopher R. ‘Nineteenth-Century Musical Agogics as an Element in Gerard Manley Hopkins’s Prosody’, Comparative Literature, 52 (2000), 72–86.CrossRefGoogle Scholar
Flint, Kate, The Victorians and the Visual Imagination (Cambridge: Cambridge University Press, 2000).Google Scholar
Gillett, Paula, Worlds of Art: Painters in Victorian Society (New Brunswick, NJ: Rutgers University Press, 1990).Google Scholar
Landow, George P., ‘Victorian Art Criticism and the Rise of a Middle-Class Audience’. www.victorianweb.org/authors/ruskin/finearts/criticism.Google Scholar
Macleod, Dianne Sachko, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996).Google Scholar
Phillips, Catherine, Gerard Manley Hopkins and the Victorian Visual World (Oxford: Oxford University Press, 2007).Google Scholar
Anderson, Warren, ‘Hopkins’ Dublin Notes on Homer’, Hopkins Quarterly, 14 (1987), 179–91.Google Scholar
Arkins, Brian, ‘Heraclitean Fire: Greek Themes in Hopkins’, International Journal of the Classical Tradition, 3 (1997), 458–72.CrossRefGoogle Scholar
Bender, Todd K., Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work (Baltimore, MD: Johns Hopkins University Press, 1966).CrossRefGoogle Scholar
Milward, Peter S. J., ‘Gerard Manley Hopkins and the Classics’, in Daidalikon: Studies in Memory of Raymond V. Schoder, S.J., ed. Sutton Jr, R. F. (Wauconda: Bolchazy-Carducci, 1989), 257–62.Google Scholar
Schlatter, Frederic W., ‘Gerard Manley Hopkins: Poetic Fragments, Comments on Lucan and Cicero, Essay on Duty’, Hopkins Quarterly, 27 (2000), 1–9.Google Scholar
Smith, Andrew, ‘Gerard Manley Hopkins as a Classicist’, Irish University Review, 20 (1990), 257–62.Google Scholar
Stanford, W. B., ‘Gerard Manley Hopkins and Aeschylus’, Studies: An Irish Quarterly Review, 30 (1941), 59–68.Google Scholar
Berkhout, Carl T., and McC. Gatch, Milton, eds., Anglo-Saxon Scholarship: The First Three Centuries (Boston, MA: G. K. Hall, 1982).Google Scholar
Bradley, S. A. J., ed. and trans., Anglo-Saxon Poetry (London: Dent, 1982).Google Scholar
Clark, David, and Perkins, Nicholas, eds., Anglo-Saxon Culture and the Modern Imagination (Cambridge: D. S. Brewer, 2010).CrossRefGoogle Scholar
Frantzen, Allen J., and Niles, John D., eds., Anglo-Saxonism and the Construction of Social Identity (Gainesville: University Press of Florida, 1997).Google Scholar
Harmon, William, ‘English Versification: Fifteen Hundred Years of Continuity and Change’, Studies in Philology, 94 (1997), 1–47.Google Scholar
Jones, Chris, Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Niles, John D. The Idea of Anglo-Saxon England 1066–1901 (Chichester: Wiley Blackwell, 2015).CrossRefGoogle Scholar
Phelan, Joseph, The Music of Verse: Metrical Experiment in Nineteenth-Century Poetry (Houndmills: Palgrave Macmillan, 2012).CrossRefGoogle Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Pulsiano, Philip, and Treharne, Elaine, eds., A Companion to Anglo-Saxon Literature (Oxford: Blackwell, 2001).Google Scholar
Quinn, William A, ‘Hopkins’s Anglo-Saxon’, Hopkins Quarterly, 8 (1981), 25–32.Google Scholar
Scragg, Donald, and Weinberg, Carole, eds., Literary Appropriations of the Anglo-Saxons from the Thirteenth to the Twentieth Century (Cambridge: Cambridge University Press, 2000).CrossRefGoogle Scholar
Stephenson, Edward A., ‘Hopkins’s “Sprung Rhythm” and the Rhythm of Beowulf’, Victorian Poetry, 19 (1981), 97–116.Google Scholar
Coren, Pamela, ‘Gerard Manley Hopkins, Plainsong and the Performance of Poetry’, Review of English Studies, 60 (2009), 271–94.CrossRefGoogle Scholar
Graves, William L., ‘Gerard Manley Hopkins as Composer’, Victorian Poetry, 1 (1963), 146–55.Google Scholar
Hamer, Laura, ‘“Every Impulse and Spring of Art Seems to Have Died in Me, Except for Music”: Gerard Manley Hopkins as Composer’, The Musical Times, 159 (2018), 27–41.Google Scholar
Stevens, John, ‘Gerard Manley Hopkins as Musician’, in The Journals and Papers of Gerard Manley Hopkins, ed. House, Humphry and Storey, Graham (London: Oxford University Press, 1959), pp. 457–97.Google Scholar
Waterhouse, John F., ‘Gerard Manley Hopkins and Music’, Music & Letters, 18 (1937), 227–35.CrossRefGoogle Scholar
Wilson, Christopher R., ‘The Idea of “Musicality” in Hopkins’ Verse’, Hopkins Quarterly, 26 (1999), 27–55.Google Scholar
Wilson, Christopher R. ‘Nineteenth-Century Musical Agogics as an Element in Gerard Manley Hopkins’s Prosody’, Comparative Literature, 52 (2000), 72–86.CrossRefGoogle Scholar
Brown, Stewart J., Nockles, Peter, and Pereiro, James, eds., The Oxford Handbook of the Oxford Movement (Oxford: Oxford University Press, 2017).CrossRefGoogle Scholar
Faught, C. Brad, The Oxford Movement: A Thematic History of the Tractarians and Their Times (University Park: Pennsylvania State University Press, 2003).Google Scholar
Johnson, Margaret, Gerard Manley Hopkins and Tractarian Poetry (Aldershot: Ashgate, 1997).Google Scholar
Mason, Emma, Christina Rossetti: Poetry, Ecology, Faith (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Morris, Jeremy, The High Church Revival in the Church of England: Arguments and Identities (Leiden: Brill, 2016).Google Scholar
Nixon, Jude V., Gerard Manley Hopkins and His Contemporaries: Liddon, Newman, Darwin, and Pater (New York: Garland, 1994).Google Scholar
Skinner, Simon, Tractarians and the ‘Condition of England’: The Social and Political Thought of the Oxford Movement (Oxford: Oxford University Press, 2004).CrossRefGoogle Scholar
Ward, Bernadette Waterman, World as Word: Philosophical Theology in Gerard Manley Hopkins (Washington, DC: Catholic University of America Press, 2002).Google Scholar
Brown, Daniel, Hopkins’ Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon, 1997).CrossRefGoogle Scholar
Jenkyns, Richard, The Victorians and Ancient Greece (Oxford: Basil Blackwell, 1980).Google Scholar
Schmidt, Carl, ‘Classical Studies at Balliol in the 1860s: The Undergraduate Essays of Gerard Manley Hopkins’, in Balliol Studies, ed. Prest, John (London: Leopard’s Head Press, 1982), pp. 159–84.Google Scholar
Stray, Christopher, Classics in Britain: Scholarship, Education, and Publishing 1800–2000 (Oxford: Oxford University Press, 2018).Google Scholar
Stray, Christopher Classics Transformed: Schools, Universities, and Society in England, 1830–1960 (Oxford: Clarendon, 1998).CrossRefGoogle Scholar
Turner, Frank M., ‘The Victorian Platonic Revival’, in The Greek Heritage in Victorian Britain (New Haven, CT: Yale University Press, 1981), pp. 369–446.Google Scholar
Walsh, W. H., ‘The Zenith of Greats’, in The History of the University of Oxford. Vol. VII: Nineteenth-Century Oxford, Part 2, ed. Brock, M. G. and Curthoys, M. C. (Oxford: Clarendon, 2000), pp. 311–26.Google Scholar
Dubois, Martin, ‘Bibles’, in Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge: Cambridge University Press, 2017), pp. 27–49.CrossRefGoogle Scholar
Frei, Hans W., The Eclipse of Biblical Narrative: A Study in Eighteenth and Nineteenth Century Hermeneutics (New Haven, CT: Yale University Press, 1974).Google Scholar
Heimann, Mary, Catholic Devotion in Victorian England (Oxford: Clarendon, 1995).CrossRefGoogle Scholar
Norton, David, A History of the Bible as Literature, 2 vols. (Cambridge: Cambridge University Press, 1993).Google Scholar
Wheeler, Michael, Death and the Future Life in Victorian Literature and Theology (Cambridge: Cambridge University Press, 1990).Google Scholar
Wheeler, Michael The Old Enemies: Catholic and Protestant in Nineteenth-Century English Culture (Cambridge: Cambridge University Press, 2006).Google Scholar
Wheeler, Michael ‘Ruskin and His Contemporaries Reading the King James Bible’, in The King James Bible after 400 Years: Literary, Linguistic and Cultural Influences, ed. Hamlin, Hannibal and Jones, Norman W. (Cambridge: Cambridge University Press, 2010), pp. 234–52.Google Scholar
Dubois, Martin, Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge: Cambridge University Press, 2017).CrossRefGoogle Scholar
Ker, Ian, The Catholic Revival in English Literature, 1845–1961 (Notre Dame, IN: University of Notre Dame Press, 2003).Google Scholar
Milbank, Alison, Dante and the Victorians (Manchester: Manchester University Press, 2009).Google Scholar
Moran, Maureen, Catholic Sensationalism and Victorian Literature (Liverpool: Liverpool University Press, 2007).Google Scholar
Muller, Jill, Gerard Manley Hopkins and Victorian Roman Catholicism: A Heart in Hiding (London: Routledge, 2003).Google Scholar
Ward, Bernadette Waterman, World as Word: Philosophical Theology in Gerard Manley Hopkins (Washington, DC: Catholic University of America Press, 2002).Google Scholar
Clarke, Richard F., SJ, ‘The Training of a Jesuit’, The Nineteenth Century, 40 (1896), 211–25.Google Scholar
Friedrich, Markus, The Jesuits: A History (Princeton, NJ: Princeton University Press, 2022).Google Scholar
Guibert, Joseph de SJ, The Jesuits: Their Spiritual Doctrine and Practice: A Historical Study (St. Louis, MO: Institute of Jesuit Sources, 1964), substantially completed in 1940.Google Scholar
Le, Loan, Religious Life: A Reflective Examination of Its Charism and Mission for Today (Newcastle-upon-Tyne: Cambridge Scholars, 2016).Google Scholar
Martin, James SJ, The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life (New York: HarperCollins, 2010).Google Scholar
O’Malley, John W. SJ, The Jesuits: A History from Ignatius to the Present (Lanham, MD: Rowman & Littlefield, 2014).CrossRefGoogle Scholar
Clarke, Richard F., SJ, ‘The Training of a Jesuit’, Nineteenth Century, 40 (1896), 211–35.Google Scholar
Devlin, Christopher, SJ, ed., The Sermons and Devotional Writings of Gerard Manley Hopkins (London: Oxford University Press, 1959).Google Scholar
Feeney, Joseph J., SJ, ‘Gerard Manley Hopkins’ “Consule Jones”: A Critical Edition with Introduction and Commentary’, Hopkins Quarterly, 29 (2002), 3–20.Google Scholar
Feeney, Joseph J. ‘Grades, Academic Reform, and Manpower: Why Hopkins Never Completed His Course in Theology’, Hopkins Quarterly, 9 (1982), 21–31.Google Scholar
Feeney, Joseph J. ‘Hopkins’ “Failure” in Theology: Some New Archival Data and a Reevaluation’, Hopkins Quarterly, 13 (1986–7), 99–114.Google Scholar
Pomplun, Trent, ‘The Theology of Gerard Manley Hopkins: From John Duns Scotus to the Baroque’, The Journal of Religion, 95 (2015), 1–34.CrossRefGoogle Scholar
Thomas, Alfred, SJ, Hopkins the Jesuit: The Years of Training (London: Oxford University Press, 1969).Google Scholar
Zaniello, Thomas A., ‘The Stonyhurst Philosophers’, Hopkins Quarterly, 9 (1983), 133–59.Google Scholar
Meyer, Eric Daryl, ‘Incarnation and Omnipresence: Hopkins, Scotus, Particularity and Pantheism’, Hopkins Quarterly, 34 (2007), 102–16.Google Scholar
Pick, John, Gerard Manley Hopkins, Priest and Poet (New York: Oxford University Press, 1966).Google Scholar
Pohle, Joseph, The Sacraments: A Dogmatic Treatise, ed. Preuss, Arthur (St. Louis, MO: B. Herder, 1923).Google Scholar
Brown, Stewart J., Nockles, Peter, and Pereiro, James, eds., The Oxford Handbook of the Oxford Movement (Oxford: Oxford University Press, 2017).CrossRefGoogle Scholar
Faught, C. Brad, The Oxford Movement: A Thematic History of the Tractarians and Their Times (University Park: Pennsylvania State University Press, 2003).Google Scholar
Johnson, Margaret, Gerard Manley Hopkins and Tractarian Poetry (Aldershot: Ashgate, 1997).Google Scholar
Mason, Emma, Christina Rossetti: Poetry, Ecology, Faith (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Morris, Jeremy, The High Church Revival in the Church of England: Arguments and Identities (Leiden: Brill, 2016).Google Scholar
Nixon, Jude V., Gerard Manley Hopkins and His Contemporaries: Liddon, Newman, Darwin, and Pater (New York: Garland, 1994).Google Scholar
Skinner, Simon, Tractarians and the ‘Condition of England’: The Social and Political Thought of the Oxford Movement (Oxford: Oxford University Press, 2004).CrossRefGoogle Scholar
Ward, Bernadette Waterman, World as Word: Philosophical Theology in Gerard Manley Hopkins (Washington, DC: Catholic University of America Press, 2002).Google Scholar
Brown, Daniel, Hopkins’ Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon, 1997).CrossRefGoogle Scholar
Jenkyns, Richard, The Victorians and Ancient Greece (Oxford: Basil Blackwell, 1980).Google Scholar
Schmidt, Carl, ‘Classical Studies at Balliol in the 1860s: The Undergraduate Essays of Gerard Manley Hopkins’, in Balliol Studies, ed. Prest, John (London: Leopard’s Head Press, 1982), pp. 159–84.Google Scholar
Stray, Christopher, Classics in Britain: Scholarship, Education, and Publishing 1800–2000 (Oxford: Oxford University Press, 2018).Google Scholar
Stray, Christopher Classics Transformed: Schools, Universities, and Society in England, 1830–1960 (Oxford: Clarendon, 1998).CrossRefGoogle Scholar
Turner, Frank M., ‘The Victorian Platonic Revival’, in The Greek Heritage in Victorian Britain (New Haven, CT: Yale University Press, 1981), pp. 369–446.Google Scholar
Walsh, W. H., ‘The Zenith of Greats’, in The History of the University of Oxford. Vol. VII: Nineteenth-Century Oxford, Part 2, ed. Brock, M. G. and Curthoys, M. C. (Oxford: Clarendon, 2000), pp. 311–26.Google Scholar
Dubois, Martin, ‘Bibles’, in Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge: Cambridge University Press, 2017), pp. 27–49.CrossRefGoogle Scholar
Frei, Hans W., The Eclipse of Biblical Narrative: A Study in Eighteenth and Nineteenth Century Hermeneutics (New Haven, CT: Yale University Press, 1974).Google Scholar
Heimann, Mary, Catholic Devotion in Victorian England (Oxford: Clarendon, 1995).CrossRefGoogle Scholar
Norton, David, A History of the Bible as Literature, 2 vols. (Cambridge: Cambridge University Press, 1993).Google Scholar
Wheeler, Michael, Death and the Future Life in Victorian Literature and Theology (Cambridge: Cambridge University Press, 1990).Google Scholar
Wheeler, Michael The Old Enemies: Catholic and Protestant in Nineteenth-Century English Culture (Cambridge: Cambridge University Press, 2006).Google Scholar
Wheeler, Michael ‘Ruskin and His Contemporaries Reading the King James Bible’, in The King James Bible after 400 Years: Literary, Linguistic and Cultural Influences, ed. Hamlin, Hannibal and Jones, Norman W. (Cambridge: Cambridge University Press, 2010), pp. 234–52.Google Scholar
Dubois, Martin, Gerard Manley Hopkins and the Poetry of Religious Experience (Cambridge: Cambridge University Press, 2017).CrossRefGoogle Scholar
Ker, Ian, The Catholic Revival in English Literature, 1845–1961 (Notre Dame, IN: University of Notre Dame Press, 2003).Google Scholar
Milbank, Alison, Dante and the Victorians (Manchester: Manchester University Press, 2009).Google Scholar
Moran, Maureen, Catholic Sensationalism and Victorian Literature (Liverpool: Liverpool University Press, 2007).Google Scholar
Muller, Jill, Gerard Manley Hopkins and Victorian Roman Catholicism: A Heart in Hiding (London: Routledge, 2003).Google Scholar
Ward, Bernadette Waterman, World as Word: Philosophical Theology in Gerard Manley Hopkins (Washington, DC: Catholic University of America Press, 2002).Google Scholar
Clarke, Richard F., SJ, ‘The Training of a Jesuit’, The Nineteenth Century, 40 (1896), 211–25.Google Scholar
Friedrich, Markus, The Jesuits: A History (Princeton, NJ: Princeton University Press, 2022).Google Scholar
Guibert, Joseph de SJ, The Jesuits: Their Spiritual Doctrine and Practice: A Historical Study (St. Louis, MO: Institute of Jesuit Sources, 1964), substantially completed in 1940.Google Scholar
Le, Loan, Religious Life: A Reflective Examination of Its Charism and Mission for Today (Newcastle-upon-Tyne: Cambridge Scholars, 2016).Google Scholar
Martin, James SJ, The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life (New York: HarperCollins, 2010).Google Scholar
O’Malley, John W. SJ, The Jesuits: A History from Ignatius to the Present (Lanham, MD: Rowman & Littlefield, 2014).CrossRefGoogle Scholar
Clarke, Richard F., SJ, ‘The Training of a Jesuit’, Nineteenth Century, 40 (1896), 211–35.Google Scholar
Devlin, Christopher, SJ, ed., The Sermons and Devotional Writings of Gerard Manley Hopkins (London: Oxford University Press, 1959).Google Scholar
Feeney, Joseph J., SJ, ‘Gerard Manley Hopkins’ “Consule Jones”: A Critical Edition with Introduction and Commentary’, Hopkins Quarterly, 29 (2002), 3–20.Google Scholar
Feeney, Joseph J. ‘Grades, Academic Reform, and Manpower: Why Hopkins Never Completed His Course in Theology’, Hopkins Quarterly, 9 (1982), 21–31.Google Scholar
Feeney, Joseph J. ‘Hopkins’ “Failure” in Theology: Some New Archival Data and a Reevaluation’, Hopkins Quarterly, 13 (1986–7), 99–114.Google Scholar
Pomplun, Trent, ‘The Theology of Gerard Manley Hopkins: From John Duns Scotus to the Baroque’, The Journal of Religion, 95 (2015), 1–34.CrossRefGoogle Scholar
Thomas, Alfred, SJ, Hopkins the Jesuit: The Years of Training (London: Oxford University Press, 1969).Google Scholar
Zaniello, Thomas A., ‘The Stonyhurst Philosophers’, Hopkins Quarterly, 9 (1983), 133–59.Google Scholar
Meyer, Eric Daryl, ‘Incarnation and Omnipresence: Hopkins, Scotus, Particularity and Pantheism’, Hopkins Quarterly, 34 (2007), 102–16.Google Scholar
Pick, John, Gerard Manley Hopkins, Priest and Poet (New York: Oxford University Press, 1966).Google Scholar
Pohle, Joseph, The Sacraments: A Dogmatic Treatise, ed. Preuss, Arthur (St. Louis, MO: B. Herder, 1923).Google Scholar
Banfield, Marie, ‘Darwinism, Doxology, and Energy Physics: The New Sciences, the Poetry and Poetics of Gerard Manley Hopkins’, Victorian Poetry, 45 (2007), 175–94.CrossRefGoogle Scholar
Cochran, James M., ‘Gerard Manley Hopkins’s Incarnational Ecology’, Religion and the Arts, 21 (2017), 335–51.CrossRefGoogle Scholar
Constantini, Mariaconcetta, ‘“Strokes of havoc”: Tree-Felling and the Poetic Tradition of Ecocriticism in Manley Hopkins and Gerard Manley Hopkins’, Victorian Poetry, 46 (2008), 487–509.CrossRefGoogle Scholar
Day, Brian J., ‘Hopkins’ Spiritual Ecology in “Binsey Poplars”’, Victorian Poetry, 42 (2004), 181–93.CrossRefGoogle Scholar
Hardman, Malcolm, ‘Hopkins’s “Ribblesdale”: Sifts and Riddles’, Victorian Poetry, 60 (2022), 87–102.CrossRefGoogle Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (Amsterdam: Rodolpi, 2010).CrossRefGoogle Scholar
Saville, Julia F., ‘Anthropocentrism and the Soul of Hopkins’s Ecopoetics’, Victorian Poetry, 56 (2018), 129–46.CrossRefGoogle Scholar
Williams, Daniel, ‘Down the Slant towards the Eye: Hopkins and Ecological Perception’, Victorian Literature and Culture, 48 (2020), 127–54.CrossRefGoogle Scholar
Nixon, Jude V., ‘Fathering Graces at Hampstead: Manley Hopkins’ “The Old Trees” and Gerard Manley Hopkins’ “Binsey Poplars”’, Victorian Poetry, 44 (2006), 191–211.CrossRefGoogle Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (Amsterdam: Rodolpi, 2010).CrossRefGoogle Scholar
Thornton, Kelsey, ‘Sentimental Ecology, John Clare, Gerard Manley Hopkins and Trees: A Note’, John Clare Society Journal 31 (2012), 43–50.Google Scholar
Beer, Gillian, Open Fields: Science in Cultural Encounter (Oxford: Clarendon, 1996).CrossRefGoogle Scholar
Brown, Daniel, Hopkins’ Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon, 1997).CrossRefGoogle Scholar
Bruns, Gerard L., Inventions: Writing, Textuality, and Understanding in Literary History (New Haven, CT: Yale University Press, 1982).Google Scholar
Nixon, Jude V., ‘“Death Blots Black Out”: Thermodynamics and the Poetry of Gerard Manley Hopkins’, Victorian Poetry, 40 (2002), 131–56.CrossRefGoogle Scholar
Flint, Kate, ‘Seeing Inversnaid: Gerard Manley Hopkins, “Inversnaid”, and the Ecological Eye’, Victorian Poetry, 60 (2022), 437–63.CrossRefGoogle Scholar
Banfield, Marie, ‘Darwinism, Doxology, and Energy Physics: The New Sciences, the Poetry and Poetics of Gerard Manley Hopkins’, Victorian Poetry, 45 (2007), 175–94.CrossRefGoogle Scholar
Cochran, James M., ‘Gerard Manley Hopkins’s Incarnational Ecology’, Religion and the Arts, 21 (2017), 335–51.CrossRefGoogle Scholar
Constantini, Mariaconcetta, ‘“Strokes of havoc”: Tree-Felling and the Poetic Tradition of Ecocriticism in Manley Hopkins and Gerard Manley Hopkins’, Victorian Poetry, 46 (2008), 487–509.CrossRefGoogle Scholar
Day, Brian J., ‘Hopkins’ Spiritual Ecology in “Binsey Poplars”’, Victorian Poetry, 42 (2004), 181–93.CrossRefGoogle Scholar
Hardman, Malcolm, ‘Hopkins’s “Ribblesdale”: Sifts and Riddles’, Victorian Poetry, 60 (2022), 87–102.CrossRefGoogle Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (Amsterdam: Rodolpi, 2010).CrossRefGoogle Scholar
Saville, Julia F., ‘Anthropocentrism and the Soul of Hopkins’s Ecopoetics’, Victorian Poetry, 56 (2018), 129–46.CrossRefGoogle Scholar
Williams, Daniel, ‘Down the Slant towards the Eye: Hopkins and Ecological Perception’, Victorian Literature and Culture, 48 (2020), 127–54.CrossRefGoogle Scholar
Nixon, Jude V., ‘Fathering Graces at Hampstead: Manley Hopkins’ “The Old Trees” and Gerard Manley Hopkins’ “Binsey Poplars”’, Victorian Poetry, 44 (2006), 191–211.CrossRefGoogle Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (Amsterdam: Rodolpi, 2010).CrossRefGoogle Scholar
Thornton, Kelsey, ‘Sentimental Ecology, John Clare, Gerard Manley Hopkins and Trees: A Note’, John Clare Society Journal 31 (2012), 43–50.Google Scholar
Beer, Gillian, Open Fields: Science in Cultural Encounter (Oxford: Clarendon, 1996).CrossRefGoogle Scholar
Brown, Daniel, Hopkins’ Idealism: Philosophy, Physics, Poetry (Oxford: Clarendon, 1997).CrossRefGoogle Scholar
Bruns, Gerard L., Inventions: Writing, Textuality, and Understanding in Literary History (New Haven, CT: Yale University Press, 1982).Google Scholar
Nixon, Jude V., ‘“Death Blots Black Out”: Thermodynamics and the Poetry of Gerard Manley Hopkins’, Victorian Poetry, 40 (2002), 131–56.CrossRefGoogle Scholar
Flint, Kate, ‘Seeing Inversnaid: Gerard Manley Hopkins, “Inversnaid”, and the Ecological Eye’, Victorian Poetry, 60 (2022), 437–63.CrossRefGoogle Scholar
Dellamora, Richard, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).Google Scholar
Dowling, Linda, Hellenism and Homosexuality in Victorian Oxford (Ithaca, NY: Cornell University Press, 1994).Google Scholar
Martin, Robert Bernard, Gerard Manley Hopkins: A Very Private Life (London: Flamingo, 1991).Google Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave Macmillan, 2002).CrossRefGoogle Scholar
Saville, Julia F., A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (Charlottesville: University Press of Virginia, 2000).Google Scholar
Adams, James Eli, Dandies and Desert Saints: Styles of Victorian Masculinity (Ithaca, NY: Cornell University Press, 1995).CrossRefGoogle Scholar
Bristow, Joseph, ‘“Churlsgrace”: Gerard Manley Hopkins and the Working-Class Male Body’, English Literary History, 59 (1992), 693–711.CrossRefGoogle Scholar
Dellamora, Richard, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).Google Scholar
Green, Sarah, Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence (Cambridge: Cambridge University Press, 2023).CrossRefGoogle Scholar
Holt, Jennifer, ‘The Negotiation of Power Relations in Gerard Manley Hopkins’ “The Wreck of the Deutschland” and Sonnets about Working-Class Men’, Victorian Poetry, 38 (2000), 299–318.CrossRefGoogle Scholar
Moran, Maureen, ‘“Lovely manly mould”: Hopkins and the Christian Body’, Journal of Victorian Culture, 6 (2001), 61–88.CrossRefGoogle Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave Macmillan, 2002).CrossRefGoogle Scholar
Sussman, Herbert, Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art (Cambridge: Cambridge University Press, 1995).Google Scholar
Waithe, Marcus, ‘Hopkins’ Poetic Anvil’, in The Work of Words: Literature, Craft, and the Labour of Mind in Britain, 1830–1940 (Edinburgh: Edinburgh University Press, 2023), pp. 170–9.Google Scholar
Grafe, Adrian, ‘“What I Have Done Violent”: Hopkins and Violence’, Cahiers Victoriens et Edouardiens, 60 (2004), 73–93.Google Scholar
Higgins, Lesley, ‘“Bone-House” and “Lovescape”: Writing the Body in Hopkins’s Canon’, in Rereading Hopkins: Selected New Essays, ed. Fennell, Francis L. (Victoria, BC: University of Victoria Press, 1996), pp. 11–35.Google Scholar
Higgins, Lesley ‘“She Rears Herself”: Feminist Possibilities in Hopkins’s Poetry’, Studies: An Irish Quarterly Review, 84 (1995), 130–40.Google Scholar
Moran, Maureen, ‘The Art of Looking Dangerously: Victorian Images of Martyrdom’, Victorian Literature and Culture, 32 (2004), 475–93.CrossRefGoogle Scholar
Moran, Maureen ‘“Lovely Manly Mould”: Hopkins and the Christian Body’, Journal of Victorian Culture, 6 (2001), 61–88.CrossRefGoogle Scholar
Morgan, Thaïs, ‘Violence, Creativity and the Feminine: Poetics and Gender Politics in Swinburne and Hopkins’, in Gender and Discourse in Victorian Literature and Art, ed. Harrison, Anthony H. and Taylor, Beverly (DeKalb: Northern Illinois University Press, 1992), pp. 84–107.Google Scholar
Paxton, Amanda, Willful Submission: Sado-erotics and Heavenly Marriage in Victorian Religious Poetry (Charlottesville: University of Virginia Press, 2018).Google Scholar
Dau, Duc, Touching God: Hopkins and Love (London: Anthem Press, 2012).Google Scholar
Paxton, Amanda, Willful Submission: Sado-erotics and Heavenly Marriage in Victorian Religious Poetry (Charlottesville: University of Virginia Press, 2017).CrossRefGoogle Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave, 2003).Google Scholar
Sobolev, Dennis, ‘Hopkins’s “Bellbright Bodies”: The Dialectics of Desire in His Writings’, Texas Studies in Literature and Language, 45 (2003), 114–40.CrossRefGoogle Scholar
Dellamora, Richard, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).Google Scholar
Dowling, Linda, Hellenism and Homosexuality in Victorian Oxford (Ithaca, NY: Cornell University Press, 1994).Google Scholar
Martin, Robert Bernard, Gerard Manley Hopkins: A Very Private Life (London: Flamingo, 1991).Google Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave Macmillan, 2002).CrossRefGoogle Scholar
Saville, Julia F., A Queer Chivalry: The Homoerotic Asceticism of Gerard Manley Hopkins (Charlottesville: University Press of Virginia, 2000).Google Scholar
Adams, James Eli, Dandies and Desert Saints: Styles of Victorian Masculinity (Ithaca, NY: Cornell University Press, 1995).CrossRefGoogle Scholar
Bristow, Joseph, ‘“Churlsgrace”: Gerard Manley Hopkins and the Working-Class Male Body’, English Literary History, 59 (1992), 693–711.CrossRefGoogle Scholar
Dellamora, Richard, Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).Google Scholar
Green, Sarah, Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence (Cambridge: Cambridge University Press, 2023).CrossRefGoogle Scholar
Holt, Jennifer, ‘The Negotiation of Power Relations in Gerard Manley Hopkins’ “The Wreck of the Deutschland” and Sonnets about Working-Class Men’, Victorian Poetry, 38 (2000), 299–318.CrossRefGoogle Scholar
Moran, Maureen, ‘“Lovely manly mould”: Hopkins and the Christian Body’, Journal of Victorian Culture, 6 (2001), 61–88.CrossRefGoogle Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave Macmillan, 2002).CrossRefGoogle Scholar
Sussman, Herbert, Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art (Cambridge: Cambridge University Press, 1995).Google Scholar
Waithe, Marcus, ‘Hopkins’ Poetic Anvil’, in The Work of Words: Literature, Craft, and the Labour of Mind in Britain, 1830–1940 (Edinburgh: Edinburgh University Press, 2023), pp. 170–9.Google Scholar
Grafe, Adrian, ‘“What I Have Done Violent”: Hopkins and Violence’, Cahiers Victoriens et Edouardiens, 60 (2004), 73–93.Google Scholar
Higgins, Lesley, ‘“Bone-House” and “Lovescape”: Writing the Body in Hopkins’s Canon’, in Rereading Hopkins: Selected New Essays, ed. Fennell, Francis L. (Victoria, BC: University of Victoria Press, 1996), pp. 11–35.Google Scholar
Higgins, Lesley ‘“She Rears Herself”: Feminist Possibilities in Hopkins’s Poetry’, Studies: An Irish Quarterly Review, 84 (1995), 130–40.Google Scholar
Moran, Maureen, ‘The Art of Looking Dangerously: Victorian Images of Martyrdom’, Victorian Literature and Culture, 32 (2004), 475–93.CrossRefGoogle Scholar
Moran, Maureen ‘“Lovely Manly Mould”: Hopkins and the Christian Body’, Journal of Victorian Culture, 6 (2001), 61–88.CrossRefGoogle Scholar
Morgan, Thaïs, ‘Violence, Creativity and the Feminine: Poetics and Gender Politics in Swinburne and Hopkins’, in Gender and Discourse in Victorian Literature and Art, ed. Harrison, Anthony H. and Taylor, Beverly (DeKalb: Northern Illinois University Press, 1992), pp. 84–107.Google Scholar
Paxton, Amanda, Willful Submission: Sado-erotics and Heavenly Marriage in Victorian Religious Poetry (Charlottesville: University of Virginia Press, 2018).Google Scholar
Dau, Duc, Touching God: Hopkins and Love (London: Anthem Press, 2012).Google Scholar
Paxton, Amanda, Willful Submission: Sado-erotics and Heavenly Marriage in Victorian Religious Poetry (Charlottesville: University of Virginia Press, 2017).CrossRefGoogle Scholar
Roden, Frederick S., Same-Sex Desire in Victorian Religious Culture (Basingstoke: Palgrave, 2003).Google Scholar
Sobolev, Dennis, ‘Hopkins’s “Bellbright Bodies”: The Dialectics of Desire in His Writings’, Texas Studies in Literature and Language, 45 (2003), 114–40.CrossRefGoogle Scholar
Blair, Kirstie, Victorian Poetry and the Culture of the Heart (Oxford: Clarendon, 2006).CrossRefGoogle Scholar
Campbell, Matthew, Rhythm and Will in Victorian Poetry (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Griffiths, Eric, The Printed Voice of Victorian Poetry (Oxford: Oxford University Press, 1989).Google Scholar
Hall, Jason David, ed., Meter Matters: Verse Cultures of the Long Nineteenth Century (Athens: Ohio University Press, 2011).Google Scholar
Hurley, Michael D., ‘Darkening the Subject of Hopkins’ Prosody’, Victorian Poetry, 43 (2005), 485–96.CrossRefGoogle Scholar
Hurley, Michael D. ‘What Sprung Rhythm Really Is NOT’, Hopkins Quarterly, 32 (2005), 71–94.Google Scholar
King, Joshua, ‘Hopkins’ Affective Rhythm: Grace and Intention in Tension’, Victorian Poetry, 45 (2007), 209–37.CrossRefGoogle Scholar
Martin, Meredith, ‘Hopkins’s Prosody’, Victorian Poetry, 49 (2011), 1–30.CrossRefGoogle Scholar
Martin, Meredith The Rise and Fall of Meter (Princeton, NJ: Princeton University Press, 2012).Google Scholar
Prins, Yopie, ‘Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania’, in Nation, Language and the Ethics of Translation, ed. Bermann, Sandra and Wood, Michael (Princeton, NJ: Princeton University Press, 2005), pp. 229–56.Google Scholar
Prins, Yopie ‘Victorian Meters’, in The Cambridge Companion to Victorian Poetry, ed. Bristow, Joseph (Cambridge: Cambridge University Press, 2000), pp. 89–113.CrossRefGoogle Scholar
Rudy, Jason, Electric Meters: Victorian Physiological Poetics (Athens: Ohio University Press, 2009).Google Scholar
Wimsatt, James I., Hopkins’s Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape (Toronto, ON: University of Toronto Press, 2006).CrossRefGoogle Scholar
Barrow, Barbara, Science, Language, and Reform in Victorian Poetry (New York: Routledge, 2019).CrossRefGoogle Scholar
Korg, Jacob, ‘Hopkins’s Linguistic Deviations’, PMLA, 92 (1977), 977–86.Google Scholar
Lecercle, Jean-Jacques, Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature (London: Routledge, 1994).CrossRefGoogle Scholar
Martin, Meredith, ‘Gerard Manley Hopkins and Sacred Language’, Religion & Literature, 45 (2013), 166–74.Google Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: André Deutsch, 1977).Google Scholar
Sprinker, Michael, A Counterpoint of Dissonance: The Aesthetics and Poetry of Gerard Manley Hopkins (Baltimore, MD: Johns Hopkins University Press, 1980).Google Scholar
Culler, Jonathan, ‘Apostrophe’, in The Pursuit of Signs (London: Routledge, 1981), pp. 149–71.Google Scholar
Culler, Jonathan, Theory of the Lyric (Cambridge, MA: Harvard University Press, 2015).CrossRefGoogle Scholar
Johnson, Barbara, ‘Apostrophe, Animation, and Abortion’, in A World of Difference (Baltimore, MD: Johns Hopkins University Press, 1987), pp. 184–99.Google Scholar
Johnson, Barbara Persons and Things (Cambridge, MA: Harvard University Press, 2008).Google Scholar
Johnson, W. R., The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry (Berkeley: University of California Press, 1982).Google Scholar
Man, Paul de, ‘Autobiography as De-Facement’, Modern Language Notes, 94 (1979), 919–30.Google Scholar
Man, Paul de, ‘Hypogram and Inscription’, in The Resistance to Theory (Minneapolis: University of Minnesota Press, 1986).Google Scholar
Waters, William, Poetry’s Touch: On Lyric Address (Ithaca, NY: Cornell University Press, 2003).CrossRefGoogle Scholar
Adamson, Sylvia, ‘Literary Language’, in The Cambridge History of the English Language, Volume 4: 1776–1997, ed. Romaine, Suzanne (Cambridge: Cambridge University Press, 1999), pp. 589–692.CrossRefGoogle Scholar
Finegan, Edward, ‘English Grammar and Usage’, in The Cambridge History of the English Language, Volume 4: 1776–1997, ed. Romaine, Suzanne (Cambridge: Cambridge University Press, 1999), pp. 536–88.Google Scholar
Jones, Chris, Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: Deutsch, 1977).Google Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Campbell, Matthew, ‘Rhyme’, in The Oxford Handbook of Victorian Poetry, ed. Bevis, Matthew (Oxford: Oxford University Press, 2013), pp. 74–92.Google Scholar
Ellsberg, Margaret, Created to Praise: The Language of Gerard Manley Hopkins (New York: Oxford University Press, 1987).Google Scholar
McDonald, Peter, Sound Intentions: The Workings of Rhyme in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2012).CrossRefGoogle Scholar
Merriman, Emily Taylor, ‘Corresponding Grace: Hopkins’ Theory and Use of Rhyme’, Hopkins Quarterly, 32 (2005), 85–111.Google Scholar
Miller, J. Hillis, ‘The Universal Chiming’, in Hopkins: A Collection of Critical Essays, ed. Hartman, Geoffrey H. (Englewood Cliffs, NJ: Prentice-Hall, 1966), pp. 89–116.Google Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: André Deutsch, 1977).Google Scholar
Wimsatt, James I., Hopkins’s Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape (Toronto, ON: University of Toronto Press, 2006).CrossRefGoogle Scholar
Anderson, Warren, ‘“Never-Eldering Revel”: The Wreck and the Ode Tradition’, in Readings of the Wreck: Essays in Commemoration of the Centenary of G. M. Hopkins’ The Wreck of the Deutschland, ed. Milward, Peter SJ (Chicago, IL: Loyola University Press, 1976), pp. 128–41.Google Scholar
Barth, J. Robert, SJ, ‘Wordsworth and Hopkins: In Pursuit of Transcendence’, Renascence 48 (1996), 175–89.CrossRefGoogle Scholar
Bender, Todd K., Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work (Baltimore, MD: Johns Hopkins University Press, 1966).CrossRefGoogle Scholar
Bonn, John Louis, SJ, ‘Greco-Roman Verse Theory and Gerard Manley Hopkins’, in Immortal Diamond: Studies in Gerard Manley Hopkins, ed. Weyend, Norman SJ (New York: Sheed & Ward, 1949).Google Scholar
Curran, Stuart, ‘The Hymn and Ode’, in Poetic Form and British Romanticism (Oxford: Oxford University Press, 1986), pp. 56–84.Google Scholar
Holloway, Marcella M., ‘Hopkins’ Defense of Wordsworth’s Great Ode’, Hopkins Quarterly, 5 (1978), 69–74.Google Scholar
Hughes, Linda K., ‘Victorian Dialogues with Poetic Tradition’, in The Cambridge Introduction to Victorian Poetry (Cambridge: Cambridge University Press, 2010), pp. 40–88.CrossRefGoogle Scholar
Schneider, Elisabeth W., ‘The Dragon in the Gate’, in The Dragon in the Gate: Studies in the Poetry of G. M. Hopkins (Berkeley: University of California Press, 1968), pp. 11–41.Google Scholar
Cousins, Anthony D., and Howarth, Peter, eds., The Cambridge Companion to the Sonnet (Cambridge: Cambridge University Press, 2011).CrossRefGoogle Scholar
Hurley, Michael D., and O’Neill, Michael, ‘The Sonnet’, in Poetic Form: An Introduction (Cambridge: Cambridge University Press, 2012), pp. 76–99.CrossRefGoogle Scholar
Phelan, Joseph, The Nineteenth-Century Sonnet (Hampshire: Palgrave Macmillan, 2005).CrossRefGoogle Scholar
Regan, Stephen, The Sonnet (Oxford: Oxford University Press, 2019).Google Scholar
Hurley, Michael D., ‘Passion and Playfulness in the Letters of Gerard Manley Hopkins’, in Letter Writing among Poets: From William Wordsworth to Elizabeth Bishop, ed. Ellis, Jonathan (Edinburgh: Edinburgh University Press, 2015), pp. 141–54.Google Scholar
Phillips, Catherine, ‘“Believe me very sincerely yours”: Gerard Manley Hopkins as Letter-Writer’, Hopkins Quarterly, 31 (2004), 157–65.Google Scholar
Thornton, R. K. R., and Phillips, Catherine, ‘Introduction’, in CW, i, xli–lxxvi.Google Scholar
Ball, Patricia M., The Science of Aspects: The Changing Role of Fact in the Work of Coleridge, Ruskin and Hopkins (London: Athlone Press, 1971), pp. 103–50.Google Scholar
Bellanca, Mary Ellen, ‘Gerard Manley Hopkins’ Journal and the Poetics of Natural History’, Nineteenth-Century Prose, 25 (1998), 45–63.Google Scholar
Perry, Seamus, ‘Introduction’, in Coleridge’s Notebooks: A Selection, ed. Perry, Seamus (Oxford: Oxford University Press, 2002), pp. vii–xiv.Google Scholar
Ravinthiran, Vidyan, Spontaneity and Form in Modern Prose (Oxford: Oxford University Press, 2022), pp. 79–98.CrossRefGoogle Scholar
Reader, Simon, Notework: Victorian Literature and Nonlinear Style (Stanford, CA: Stanford University Press, 2021), pp. 95–125.Google Scholar
Davies, Horton, Worship and Theology in England: From Newman to Martineau, 1850–1900 (Princeton, NJ: Princeton University Press, 1962).CrossRefGoogle Scholar
Ellison, Robert H., The Victorian Pulpit: Spoken and Written Sermons in Nineteenth-Century Britain (Selinsgrove: Susquehanna University Press, 1998).Google Scholar
Nixon, Jude V., and Barber, Noel SJ, ‘Introduction’, in CW, v, pp. 34–47.Google Scholar
Blair, Kirstie, Victorian Poetry and the Culture of the Heart (Oxford: Clarendon, 2006).CrossRefGoogle Scholar
Campbell, Matthew, Rhythm and Will in Victorian Poetry (Cambridge: Cambridge University Press, 1999).CrossRefGoogle Scholar
Griffiths, Eric, The Printed Voice of Victorian Poetry (Oxford: Oxford University Press, 1989).Google Scholar
Hall, Jason David, ed., Meter Matters: Verse Cultures of the Long Nineteenth Century (Athens: Ohio University Press, 2011).Google Scholar
Hurley, Michael D., ‘Darkening the Subject of Hopkins’ Prosody’, Victorian Poetry, 43 (2005), 485–96.CrossRefGoogle Scholar
Hurley, Michael D. ‘What Sprung Rhythm Really Is NOT’, Hopkins Quarterly, 32 (2005), 71–94.Google Scholar
King, Joshua, ‘Hopkins’ Affective Rhythm: Grace and Intention in Tension’, Victorian Poetry, 45 (2007), 209–37.CrossRefGoogle Scholar
Martin, Meredith, ‘Hopkins’s Prosody’, Victorian Poetry, 49 (2011), 1–30.CrossRefGoogle Scholar
Martin, Meredith The Rise and Fall of Meter (Princeton, NJ: Princeton University Press, 2012).Google Scholar
Prins, Yopie, ‘Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania’, in Nation, Language and the Ethics of Translation, ed. Bermann, Sandra and Wood, Michael (Princeton, NJ: Princeton University Press, 2005), pp. 229–56.Google Scholar
Prins, Yopie ‘Victorian Meters’, in The Cambridge Companion to Victorian Poetry, ed. Bristow, Joseph (Cambridge: Cambridge University Press, 2000), pp. 89–113.CrossRefGoogle Scholar
Rudy, Jason, Electric Meters: Victorian Physiological Poetics (Athens: Ohio University Press, 2009).Google Scholar
Wimsatt, James I., Hopkins’s Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape (Toronto, ON: University of Toronto Press, 2006).CrossRefGoogle Scholar
Barrow, Barbara, Science, Language, and Reform in Victorian Poetry (New York: Routledge, 2019).CrossRefGoogle Scholar
Korg, Jacob, ‘Hopkins’s Linguistic Deviations’, PMLA, 92 (1977), 977–86.Google Scholar
Lecercle, Jean-Jacques, Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature (London: Routledge, 1994).CrossRefGoogle Scholar
Martin, Meredith, ‘Gerard Manley Hopkins and Sacred Language’, Religion & Literature, 45 (2013), 166–74.Google Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: André Deutsch, 1977).Google Scholar
Sprinker, Michael, A Counterpoint of Dissonance: The Aesthetics and Poetry of Gerard Manley Hopkins (Baltimore, MD: Johns Hopkins University Press, 1980).Google Scholar
Culler, Jonathan, ‘Apostrophe’, in The Pursuit of Signs (London: Routledge, 1981), pp. 149–71.Google Scholar
Culler, Jonathan, Theory of the Lyric (Cambridge, MA: Harvard University Press, 2015).CrossRefGoogle Scholar
Johnson, Barbara, ‘Apostrophe, Animation, and Abortion’, in A World of Difference (Baltimore, MD: Johns Hopkins University Press, 1987), pp. 184–99.Google Scholar
Johnson, Barbara Persons and Things (Cambridge, MA: Harvard University Press, 2008).Google Scholar
Johnson, W. R., The Idea of Lyric: Lyric Modes in Ancient and Modern Poetry (Berkeley: University of California Press, 1982).Google Scholar
Man, Paul de, ‘Autobiography as De-Facement’, Modern Language Notes, 94 (1979), 919–30.Google Scholar
Man, Paul de, ‘Hypogram and Inscription’, in The Resistance to Theory (Minneapolis: University of Minnesota Press, 1986).Google Scholar
Waters, William, Poetry’s Touch: On Lyric Address (Ithaca, NY: Cornell University Press, 2003).CrossRefGoogle Scholar
Adamson, Sylvia, ‘Literary Language’, in The Cambridge History of the English Language, Volume 4: 1776–1997, ed. Romaine, Suzanne (Cambridge: Cambridge University Press, 1999), pp. 589–692.CrossRefGoogle Scholar
Finegan, Edward, ‘English Grammar and Usage’, in The Cambridge History of the English Language, Volume 4: 1776–1997, ed. Romaine, Suzanne (Cambridge: Cambridge University Press, 1999), pp. 536–88.Google Scholar
Jones, Chris, Fossil Poetry: Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2018).CrossRefGoogle Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: Deutsch, 1977).Google Scholar
Plotkin, Cary H., The Tenth Muse: Victorian Philology and the Genesis of the Poetic Language of Gerard Manley Hopkins (Carbondale: Southern Illinois University Press, 1989).Google Scholar
Campbell, Matthew, ‘Rhyme’, in The Oxford Handbook of Victorian Poetry, ed. Bevis, Matthew (Oxford: Oxford University Press, 2013), pp. 74–92.Google Scholar
Ellsberg, Margaret, Created to Praise: The Language of Gerard Manley Hopkins (New York: Oxford University Press, 1987).Google Scholar
McDonald, Peter, Sound Intentions: The Workings of Rhyme in Nineteenth-Century Poetry (Oxford: Oxford University Press, 2012).CrossRefGoogle Scholar
Merriman, Emily Taylor, ‘Corresponding Grace: Hopkins’ Theory and Use of Rhyme’, Hopkins Quarterly, 32 (2005), 85–111.Google Scholar
Miller, J. Hillis, ‘The Universal Chiming’, in Hopkins: A Collection of Critical Essays, ed. Hartman, Geoffrey H. (Englewood Cliffs, NJ: Prentice-Hall, 1966), pp. 89–116.Google Scholar
Milroy, James, The Language of Gerard Manley Hopkins (London: André Deutsch, 1977).Google Scholar
Wimsatt, James I., Hopkins’s Poetics of Speech Sound: Sprung Rhythm, Lettering, Inscape (Toronto, ON: University of Toronto Press, 2006).CrossRefGoogle Scholar
Anderson, Warren, ‘“Never-Eldering Revel”: The Wreck and the Ode Tradition’, in Readings of the Wreck: Essays in Commemoration of the Centenary of G. M. Hopkins’ The Wreck of the Deutschland, ed. Milward, Peter SJ (Chicago, IL: Loyola University Press, 1976), pp. 128–41.Google Scholar
Barth, J. Robert, SJ, ‘Wordsworth and Hopkins: In Pursuit of Transcendence’, Renascence 48 (1996), 175–89.CrossRefGoogle Scholar
Bender, Todd K., Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work (Baltimore, MD: Johns Hopkins University Press, 1966).CrossRefGoogle Scholar
Bonn, John Louis, SJ, ‘Greco-Roman Verse Theory and Gerard Manley Hopkins’, in Immortal Diamond: Studies in Gerard Manley Hopkins, ed. Weyend, Norman SJ (New York: Sheed & Ward, 1949).Google Scholar
Curran, Stuart, ‘The Hymn and Ode’, in Poetic Form and British Romanticism (Oxford: Oxford University Press, 1986), pp. 56–84.Google Scholar
Holloway, Marcella M., ‘Hopkins’ Defense of Wordsworth’s Great Ode’, Hopkins Quarterly, 5 (1978), 69–74.Google Scholar
Hughes, Linda K., ‘Victorian Dialogues with Poetic Tradition’, in The Cambridge Introduction to Victorian Poetry (Cambridge: Cambridge University Press, 2010), pp. 40–88.CrossRefGoogle Scholar
Schneider, Elisabeth W., ‘The Dragon in the Gate’, in The Dragon in the Gate: Studies in the Poetry of G. M. Hopkins (Berkeley: University of California Press, 1968), pp. 11–41.Google Scholar
Cousins, Anthony D., and Howarth, Peter, eds., The Cambridge Companion to the Sonnet (Cambridge: Cambridge University Press, 2011).CrossRefGoogle Scholar
Hurley, Michael D., and O’Neill, Michael, ‘The Sonnet’, in Poetic Form: An Introduction (Cambridge: Cambridge University Press, 2012), pp. 76–99.CrossRefGoogle Scholar
Phelan, Joseph, The Nineteenth-Century Sonnet (Hampshire: Palgrave Macmillan, 2005).CrossRefGoogle Scholar
Regan, Stephen, The Sonnet (Oxford: Oxford University Press, 2019).Google Scholar
Hurley, Michael D., ‘Passion and Playfulness in the Letters of Gerard Manley Hopkins’, in Letter Writing among Poets: From William Wordsworth to Elizabeth Bishop, ed. Ellis, Jonathan (Edinburgh: Edinburgh University Press, 2015), pp. 141–54.Google Scholar
Phillips, Catherine, ‘“Believe me very sincerely yours”: Gerard Manley Hopkins as Letter-Writer’, Hopkins Quarterly, 31 (2004), 157–65.Google Scholar
Thornton, R. K. R., and Phillips, Catherine, ‘Introduction’, in CW, i, xli–lxxvi.Google Scholar
Ball, Patricia M., The Science of Aspects: The Changing Role of Fact in the Work of Coleridge, Ruskin and Hopkins (London: Athlone Press, 1971), pp. 103–50.Google Scholar
Bellanca, Mary Ellen, ‘Gerard Manley Hopkins’ Journal and the Poetics of Natural History’, Nineteenth-Century Prose, 25 (1998), 45–63.Google Scholar
Perry, Seamus, ‘Introduction’, in Coleridge’s Notebooks: A Selection, ed. Perry, Seamus (Oxford: Oxford University Press, 2002), pp. vii–xiv.Google Scholar
Ravinthiran, Vidyan, Spontaneity and Form in Modern Prose (Oxford: Oxford University Press, 2022), pp. 79–98.CrossRefGoogle Scholar
Reader, Simon, Notework: Victorian Literature and Nonlinear Style (Stanford, CA: Stanford University Press, 2021), pp. 95–125.Google Scholar
Davies, Horton, Worship and Theology in England: From Newman to Martineau, 1850–1900 (Princeton, NJ: Princeton University Press, 1962).CrossRefGoogle Scholar
Ellison, Robert H., The Victorian Pulpit: Spoken and Written Sermons in Nineteenth-Century Britain (Selinsgrove: Susquehanna University Press, 1998).Google Scholar
Nixon, Jude V., and Barber, Noel SJ, ‘Introduction’, in CW, v, pp. 34–47.Google Scholar
Fordham, Finn, I Do I Undo I Redo: The Textual Genesis of Modernist Selves (Oxford: Oxford University Press, 2010), pp. 79–110.Google Scholar
Mellown, Elgin W., ‘The Reception of Gerard Manley Hopkins’ Poems, 1918–30’, Modern Philology, 63 (1965), 38–51.CrossRefGoogle Scholar
Roberts, Gerald, ed., Gerard Manley Hopkins: The Critical Heritage (London: Routledge, 1987).Google Scholar
Tackett, Justin, ‘From the Margin to the Core: The Vagaries of Publicizing Poems of Gerard Manley Hopkins in 1918 and 1930’, Hopkins Quarterly, 42 (2015), 1–22.Google Scholar
Chinweizu, Onwuchekwa Jemie, and Madubuike, Ihechukwu, Toward the Decolonization of African Literature: African Fiction and Poetry and Their Critics (Washington, DC: Howard University Press, 1983).Google Scholar
Clarke, George Elliott, ‘Gerard Manley Hopkins and African Writers’, Hopkins Festival Lectures 2010. www.gerardmanleyhopkins.org/lectures_2010/hopkins_and_african_writers.html.Google Scholar
Egan, Desmond, ‘Hopkins’ Influence on Poetry’, in Saving Beauty: Further Studies in Hopkins, ed. Allsopp, Michael E. and Downes, David Anthony (New York: Garland, 1994), pp. 295–311.Google Scholar
Giles, Richard F., ed., Hopkins among the Poets: Studies in Modern Responses to Gerard Manley Hopkins (Hamilton, ON: International Hopkins Association, 1985).Google Scholar
Maxwell, Glyn, Drinks with Dead Poets: A Season of Poe, Whitman, Byron, and the Brontës (New York: Pegasus, 2017).Google Scholar
Maxwell, Glyn On Poetry (London: Bloomsbury, 2021).Google Scholar
Westover, Daniel, and Holmes, Thomas Alan, eds., The Fire That Breaks: Gerard Manley Hopkins’s Poetic Legacies (Clemson, SC: Clemson University Press, 2020).Google Scholar
Westover, Daniel, and Wright, William, eds., The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (Clemson, SC: Clemson University Press, 2016).CrossRefGoogle Scholar
Balthasar, Hans Urs von, ‘Gerard Manley Hopkins’, in The Glory of the Lord III: Studies in Theological Style: Lay Styles, ed. Riches, John, trans. Andrew Louth and others (San Francisco, CA: Ignatius Press, 1986), pp. 353–99.Google Scholar
Hart, Kevin, ‘Poetry and Revelation: Hopkins, Counter-Experience, and Reductio’, and ‘“For the life that was manifested”: On “material spirit” in Hopkins’, in Poetry and Revelation: For a Phenomenology of Religious Poetry (London: Bloomsbury Academic, 2018), pp. 3–40.Google Scholar
Hurley, Michael D., ‘Gerard M. Hopkins: Counter Stress’, in Faith in Poetry: Verse Style as a Mode of Religious Belief (London: Bloomsbury Academic, 2018), pp. 101–28.Google Scholar
Quash, Ben, Theology and the Drama of History (Cambridge: Cambridge University Press, 2005).CrossRefGoogle Scholar
Ward, Bernadette Waterman, ‘Hopkins, Scotus, and von Balthasar: Philosophical Theology in Poetry’, in Theological Aesthetics after von Balthasar, ed. Bychkov, Olga and Fodor, James (Burlington, VT: Ashgate, 2008), pp. 67–77.Google Scholar
Bonneuil, Christophe, and Fressoz, Jean-Baptiste, The Shock of the Anthropocene: The Earth, History and Us, trans. David Fernbach (London: Verso, 2016).Google Scholar
Garofalo, Devin, ‘Victorian Lyric in the Anthropocene’, Victorian Literature and Culture, 47 (2019), 753–83.CrossRefGoogle Scholar
Hensley, Nathan K., and Steer, Philip, eds., Ecological Form: System and Aesthetics in the Age of Empire (New York: Fordham University Press, 2018).CrossRefGoogle Scholar
MacDuffie, Allen, Victorian Literature, Energy, and the Ecological Imagination (Cambridge: Cambridge University Press, 2014).CrossRefGoogle Scholar
Menely, Tobias, and Taylor, Jesse Oak, eds., Anthropocene Reading: Literary History in Geologic Times (University Park: Pennsylvania State University Press, 2017).CrossRefGoogle Scholar
Moore, Jason W., Capitalism in the Web of Life: Ecology and the Accumulation of Capital (New York: Verso, 2015).Google Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (New York: Rodopi, 2010).CrossRefGoogle Scholar
Scott, Heidi C. M., Chaos and Cosmos: Literary Roots of Modern Ecology in the British Nineteenth Century (University Park: Pennsylvania State University Press, 2014).CrossRefGoogle Scholar
Williams, Daniel, ‘Victorian Ecocriticism for the Anthropocene’, Victorian Literature and Culture, 45 (2017), 667–84.CrossRefGoogle Scholar
Fordham, Finn, I Do I Undo I Redo: The Textual Genesis of Modernist Selves (Oxford: Oxford University Press, 2010), pp. 79–110.Google Scholar
Mellown, Elgin W., ‘The Reception of Gerard Manley Hopkins’ Poems, 1918–30’, Modern Philology, 63 (1965), 38–51.CrossRefGoogle Scholar
Roberts, Gerald, ed., Gerard Manley Hopkins: The Critical Heritage (London: Routledge, 1987).Google Scholar
Tackett, Justin, ‘From the Margin to the Core: The Vagaries of Publicizing Poems of Gerard Manley Hopkins in 1918 and 1930’, Hopkins Quarterly, 42 (2015), 1–22.Google Scholar
Chinweizu, Onwuchekwa Jemie, and Madubuike, Ihechukwu, Toward the Decolonization of African Literature: African Fiction and Poetry and Their Critics (Washington, DC: Howard University Press, 1983).Google Scholar
Clarke, George Elliott, ‘Gerard Manley Hopkins and African Writers’, Hopkins Festival Lectures 2010. www.gerardmanleyhopkins.org/lectures_2010/hopkins_and_african_writers.html.Google Scholar
Egan, Desmond, ‘Hopkins’ Influence on Poetry’, in Saving Beauty: Further Studies in Hopkins, ed. Allsopp, Michael E. and Downes, David Anthony (New York: Garland, 1994), pp. 295–311.Google Scholar
Giles, Richard F., ed., Hopkins among the Poets: Studies in Modern Responses to Gerard Manley Hopkins (Hamilton, ON: International Hopkins Association, 1985).Google Scholar
Maxwell, Glyn, Drinks with Dead Poets: A Season of Poe, Whitman, Byron, and the Brontës (New York: Pegasus, 2017).Google Scholar
Maxwell, Glyn On Poetry (London: Bloomsbury, 2021).Google Scholar
Westover, Daniel, and Holmes, Thomas Alan, eds., The Fire That Breaks: Gerard Manley Hopkins’s Poetic Legacies (Clemson, SC: Clemson University Press, 2020).Google Scholar
Westover, Daniel, and Wright, William, eds., The World Is Charged: Poetic Engagements with Gerard Manley Hopkins (Clemson, SC: Clemson University Press, 2016).CrossRefGoogle Scholar
Balthasar, Hans Urs von, ‘Gerard Manley Hopkins’, in The Glory of the Lord III: Studies in Theological Style: Lay Styles, ed. Riches, John, trans. Andrew Louth and others (San Francisco, CA: Ignatius Press, 1986), pp. 353–99.Google Scholar
Hart, Kevin, ‘Poetry and Revelation: Hopkins, Counter-Experience, and Reductio’, and ‘“For the life that was manifested”: On “material spirit” in Hopkins’, in Poetry and Revelation: For a Phenomenology of Religious Poetry (London: Bloomsbury Academic, 2018), pp. 3–40.Google Scholar
Hurley, Michael D., ‘Gerard M. Hopkins: Counter Stress’, in Faith in Poetry: Verse Style as a Mode of Religious Belief (London: Bloomsbury Academic, 2018), pp. 101–28.Google Scholar
Quash, Ben, Theology and the Drama of History (Cambridge: Cambridge University Press, 2005).CrossRefGoogle Scholar
Ward, Bernadette Waterman, ‘Hopkins, Scotus, and von Balthasar: Philosophical Theology in Poetry’, in Theological Aesthetics after von Balthasar, ed. Bychkov, Olga and Fodor, James (Burlington, VT: Ashgate, 2008), pp. 67–77.Google Scholar
Bonneuil, Christophe, and Fressoz, Jean-Baptiste, The Shock of the Anthropocene: The Earth, History and Us, trans. David Fernbach (London: Verso, 2016).Google Scholar
Garofalo, Devin, ‘Victorian Lyric in the Anthropocene’, Victorian Literature and Culture, 47 (2019), 753–83.CrossRefGoogle Scholar
Hensley, Nathan K., and Steer, Philip, eds., Ecological Form: System and Aesthetics in the Age of Empire (New York: Fordham University Press, 2018).CrossRefGoogle Scholar
MacDuffie, Allen, Victorian Literature, Energy, and the Ecological Imagination (Cambridge: Cambridge University Press, 2014).CrossRefGoogle Scholar
Menely, Tobias, and Taylor, Jesse Oak, eds., Anthropocene Reading: Literary History in Geologic Times (University Park: Pennsylvania State University Press, 2017).CrossRefGoogle Scholar
Moore, Jason W., Capitalism in the Web of Life: Ecology and the Accumulation of Capital (New York: Verso, 2015).Google Scholar
Parham, John, Green Man Hopkins: Poetry and the Victorian Ecological Imagination (New York: Rodopi, 2010).CrossRefGoogle Scholar
Scott, Heidi C. M., Chaos and Cosmos: Literary Roots of Modern Ecology in the British Nineteenth Century (University Park: Pennsylvania State University Press, 2014).CrossRefGoogle Scholar
Williams, Daniel, ‘Victorian Ecocriticism for the Anthropocene’, Victorian Literature and Culture, 45 (2017), 667–84.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Martin Dubois, University of Durham
  • Book: Gerard Manley Hopkins in Context
  • Online publication: 16 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781009183185.041
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Martin Dubois, University of Durham
  • Book: Gerard Manley Hopkins in Context
  • Online publication: 16 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781009183185.041
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Martin Dubois, University of Durham
  • Book: Gerard Manley Hopkins in Context
  • Online publication: 16 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781009183185.041
Available formats
×