Book contents
- Animals, Animality, and Literature
- Cambridge Critical Concepts
- Animals, Animality, and Literature
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Origins
- Part II Development
- Chapter 6 Animals, the Devil, and the Sacred in Early Modern English Culture
- Chapter 7 Shakespeare’s Animal Theater
- Chapter 8 Swift Among the Locusts
- Chapter 9 Classify and Display
- Chapter 10 Animal Subjectivities
- Chapter 11 Friedrich Nietzsche on Human Nature
- Part III Contemporary Perspectives
- Afterword
- Select Bibliography
- Index
Chapter 10 - Animal Subjectivities
Gendered Literary Representation of Animal Minds in Anna Sewell’s Black Beauty
from Part II - Development
Published online by Cambridge University Press: 14 September 2018
- Animals, Animality, and Literature
- Cambridge Critical Concepts
- Animals, Animality, and Literature
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Origins
- Part II Development
- Chapter 6 Animals, the Devil, and the Sacred in Early Modern English Culture
- Chapter 7 Shakespeare’s Animal Theater
- Chapter 8 Swift Among the Locusts
- Chapter 9 Classify and Display
- Chapter 10 Animal Subjectivities
- Chapter 11 Friedrich Nietzsche on Human Nature
- Part III Contemporary Perspectives
- Afterword
- Select Bibliography
- Index
Summary
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- Animals, Animality, and Literature , pp. 180 - 196Publisher: Cambridge University PressPrint publication year: 2018